Rossana Orlandi

The fascination with nature has always been a recurring theme in Von Pelt’s design process. “Nature better than Nature”. How to create the “impossible”? We spent a long time research...

The Filamento light was designed as a modular system. Each of the 1.26-metre-long lights can be attached to one another. The studio attached four Filamento pieces together to form a ...

Sedia Bianca has an antique frame and a seat made with unique mosaic technique. The Designer’s concept consists in the interpretation of various materials using exclusively marble an...

Handmade round table in resin and iron. A 3d composition made using different layers of resin. Each layer contains different kinds of objects, mixing precious material like gold, bra...

The new series of unique furniture of my creation entitled “weight of time” is the daughter and result of a period of personal and working evolution in which I found myself thinking,...

Four stone legs are filed down to their limit, generating two thin edges for each end. A plane is superimposed on these last ones, which remains in perfect equilibrium above the four extremities. The composition as a whole reminds of four figures on tiptoe in a perennial suspension between the linearity of the table top and the ground. Materials: Red Iranian Travertine...

The “Surolù” art works - this is artistic identity chosen by Vanessa Semaino - arise from the artist 's need to represent women’s condition today, particularly in their emotional states that confer their unique identities. These precious ceramic sculptures, entirely handcrafted and decorated, represent female Moor’s heads. They were conceived as an expression of an introspective journey that relates Vanessa’s Sicilian origins and to her professional experience in the fashion stylistic field. The artist introduces, for the first time, the repeated use of sociological themes of current relevance through a visually immediate language, represented in her art works with a contemporary pop aesthetic. “Grimilde” is an artwork that addresses the dilemma of envy within the context of the seven deadly sins, through a representation that merges the wicked characters from fairy tales into a single figure. In it, there are recognizable references to Grimhilde, the witch from “Snow White”, the Queen of Hearts from “Alice in Wonderland,” and Cruella De Vil, all aimed at portraying envy in a world dominated by social media and the constant quest for approval and affirmation. The artwork is named after the evil queen from Snow White, and her figure is made evident by the turban that frames the face, emphasizing its features and wrinkled expression. The dress, with a black and white checkered pattern with red details, evokes that of the Queen of Hearts, as seen in the large red hearts decorating the crown, replacing the traditional acanthus leaves of typical Sicilian Moorish heads...

Designed by Francesco Maria Messina The collection is characterized by the use of two materials and two textures that are brought together to create a dialogue, mirroring the rela...