Ruth Light Braun Art

Bold abstract geometric landscape, an expressive black and white line drawing done in pastel, by Erle Loran (American, 1905-1999). Unsigned, but was acquired from the artist's estate. Presented in a new black mat with foam core backing. Provenance: Estate of Earle Loran; David Carlson...

A painter who has lived amid and loved the subject matter of his art, Jorgensen’s pictures of the Yosemite Valley and the Missions of California are monuments of early art in this co...

Gorgeous mid century fauvist watercolor landscape with lush, vivid trees and distant houses by Emily Shotwell Goeller-Wood (American, 1887-1965). Presented in a rustic giltwood frame...

Starry Night is a lithograph based on a watercolour by Charlie Mackesy. The edition is limited to 150 and each piece has been signed by Charlie Mackesy...

Signed "Nell Blaine" upper left in pencil. Signed, titled, dated verso on sheet. Signed, titled, dated verso on backing panel. The artist. Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Purchased by private collectors c.1994. By descent. Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). From her November 15, 1996 NYT obituary: Nell Blaine, a widely respected New York landscape painter and watercolorist, died yesterday at Mount Sinai Hospital. She was 74 and had homes in Manhattan and Gloucester, Mass. Ms. Blaine, who had been hospitalized since July, had been confined to a wheelchair since 1959, when she contracted polio. Ms. Blaine was born in Richmond, Va., in 1922, and first studied at the Richmond School of Art, now part of Virginia Commonwealth University. She moved to New York in 1942 to study painting with Hans Hofmann and later studied etching and engraving at Atelier 17 with Stanley William Hayter. During her first years in New York, her work, which had previously been tightly realist, turned abstract, inspired by Mondrian, Leger and Jean Helion. At one time she was the youngest member of the American Abstract Artists. She was also a founding member of the Jane Street Gallery, one of Manhattan's earliest artists' cooperatives, and had her first solo show there in 1945. Just as Ms. Blaine was becoming known as a promising abstract painter, and gaining the admiration of such critics as Clement Greenberg, she started to shift back to representation. Inspired in part by a trip with Larry Rivers in 1950 to Paris, where she was especially impressed by the work of Vuillard and Bonnard, she immersed herself in the tradition of 19th-century European painting. From the mid-1950's, she cultivated an increasingly painterly and colorful style, usually working directly from nature, or still life, with particular emphasis on the forms and hues of flowers. Her work retained a sense of all-over structure and pulsating energy that she nonetheless credited to abstract art. ''It all goes back to Mondrian,'' she would say. In the 1950's, Ms. Blaine was prominent among a circle of New York artists and poets that included John Ashbery, Frank O'Hara, Kenneth Koch, Mr. Rivers, Jane Freilicher, Leland Bell, Louisa Matthiasdottir, Robert De Niro Sr. and Rudy Burckhardt. She had her first solo show of representational work at the Tibor de Nagy Gallery in 1953 and was represented by the Poindexter Gallery until it closed in 1978, and, in recent years, by the Fischbach Gallery. During the 1950's she supported herself as a commercial artist, designing brochures for art galleries. In 1955, she designed the original logo, column heads and layout for The Village Voice. In 1957, Ms. Blaine was featured in Life magazine as one of five leading young female artists in America. In 1959, after several months of traveling and painting in Greece, she contracted severe bulbar polio on the island of Mykonos. ''To Nell Blaine,'' an exhibition organized at Poindexter to raise money for her hospital bills, included the work of 79 artists, including Saul Steinberg, Robert Motherwell, Elaine and Willem de Kooning, Philip Guston, Mr. Rivers, Ms. Freilicher and Robert Rauschenberg. After eight months in a New York hospital, including five months in an iron lung...

Antoine-Claude PONTHUS-CINIER (Lyon, 1812 - Lyon, 1885) Maritime Pines in the Mediterranean Oil on paper laid down on cardboard H. 36 cm; W. 51 cm Signed lower right Provenance: -...

“Venice, 1889” by Louis Ritter (American, 1854-1892). A fantastic example of Ritter’s renowned European watercolors. This beautifully poised composition captures the sun-washed faça...

Jean Jansem (1920-2013) Nu de dos au tabouret, 1993 Lithographie sur papier Arches, Justifiée Signée en bas à droite 76 x 56 cm CR Jansem, 1993, n°88 "Dans mes dernières litho...

Jean Jansem (1920-2013) Petite danseuse aux cheveux défaits, 1991 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à droite 66 x 47 cm / 76 x 54 cm Imprime...

Edith Isaac-Rose "Pastel Landscape Tree with Blue" 1964 Pastel on paper 11"x14" framed gold gallery frame 21.25"x1"x24" Signed and dated lower right in pencil. Came from a portfolio of her work. Born in Chicago in 1929, and neé Ganansky-Teitelbaum, she graduated from The Art Institute of Chicago in 1951 and moved to New York in 1959 where she lived ever since. Taking as her professional name her parents’ first names, Edith was a prolific artist working first as an abstract expressionist then turning in the 1980s to figurative, political work consisting of drawings, paintings, and embroideries which she called “Daily Rage”. She had been represented by the Phyllis Kind...

Jean Jansem (1920-2013) – Magicien, 1978 Lithographie sur papier Arches, Signée en bas à droite, justifiée 68,5 x 51,5 cm / 76 x 54 cm Bibliographie: CR Jansem, 1984, n°405 "M...

This lithograph Les baigneuses ( The bathers) by Andre Marchand is part of my private collection since the 1970's. It is in very good condition, artist pencil signed in the lower lef...