Ryan Travis Christian Art

Shepard Fairey Cold Chillin (Blue) Screen print on thick cream Speckletone paper Year: 2008 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 350 Signed by Shepard Fairey, dated and n...

Shepard Fairey Peter Tosh: Legalize It Screen print on thick cream Speckletone paper Year: 2024 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 500 Signed by Shepard Fairey, dated a...

Artist: SSUR Manufacturer: Medicom Toy Type: Bust Color: Hot Pink. (this also came in bronze and a glow in the dark fluorescent neon green) Signed in the mold Material: Vinyl sculpture There is no box or bag. Founded by visual and conceptual artist Ruslan Karablin...

Melanie Sherman Ozzy Osbourne Homage - hand-painted Cup with mid-century interior and Ozzy record playing 2026 Porcelain, Glaze, Underglaze, Overglaze, Vintage Transfers, 23k German ...

"The Best Version Of Yourself" by Jisbar/ Jean-Baptiste Launay is a pop-art, street style UV print on cardboard Dibond (0.3 cm) created in 2023. The artwork is hand signed, dated, a...

Daniel Arsham (1980- ) Hollow Mickey (White) 2019 Dimensions: 13 h x 12 w x 13 d Cast resin sculpture. This artwork is from the edition of 500 It is not hand signed or numbered and does not come with th box. Daniel Lambert Arsham (born 8 September 1980) is an American visual artist. He lives and works in New York City. Born in Cleveland, Ohio and raised in Miami, Florida, Arsham was 12 when Hurricane Andrew destroyed his childhood home. This traumatic event has been a continuous theme through his work. Arsham attended the Design and Architecture High School and was awarded a full scholarship to The Cooper Union in New York City. After graduating from school, Arsham moved back to Miami and started an exhibition space called "The House" with several artist friends It was through The House that Arsham met Emmanuel Perrotin in 2004. By 2005, Galerie Perrotin in Paris was representing Arsham. Arsham was part of a circle of Miami artists around Carlos Betancourt that included Craig Coleman, Carlos Alves and Kenny Scharf as well as younger artists like Martin Oppel, Bhakti Baxter and Daniel Arsham.Arsham was invited to create stage design and tour with choreographer Merce Cunningham's Dance Company leading to ongoing stage design practice and a sustained collaboration with choreographer and former Cunningham dancer, Jonah Bokaer. Arsham founded Snarkitecture with Alex Mustonen in 2007. The architecture collaboration has included work with fashion brands, interior and architectural design, and a complete line of functional design objects. Daniel Arsham is mostly known for his objects cast in volcanic ash - as if they were found on some future archeological site. They are called "Future Relics". Daniel Arsham’s "Future Relics" series is one of the most enigmatic and compelling ongoing art projects. Arsham’s artistic oeuvre primarily consists of taking objects that we do not use anymore — old clocks, phones, cameras or music cassettes — and recasts them as archaeological artifacts, as if they were excavated by scientists in some distant, dystopian future. The packaging of the relics is done in a very particular way. The design of the packaging looks almost like something you would find in a museum setting, but a back-of-house museum setting, where they would keep artifacts and relics. They would be numbered, with information about the weight, provenance and where they were discovered.In 2014, Arsham was named to the Hypebeast HB100 list, and has continued to remain on the Top 100 list to date. Some of Arsham's more recent collaborative endeavors exist in the fashion world. These include projects with brands such as Tiffany, Adidas, Dior, Toraichi, Byredo, Rimowa, and Porsche. Arsham's work has been shown at PS1 in New York, The Museum of Contemporary Art in Miami, The Athens Biennale in Athens, Greece, The New Museum in New York, Mills College Art Museum in Oakland, Cincinnati CAC, SCAD Museum of Art in Savannah GA, California and Carré d'Art de Nîmes, France, among others. Longtime friends Ronnie Fieg and Arsham have collaborated on numerous projects. Snarkitecture has designed six KITH stores, located in New York, Miami, and Los Angeles among others. In June 2017, Daniel Arsham and adidas' New Installation opened at KITH New York. The store was transformed into an "audio, visual and tactile experience" with a functioning New York payphone as the centerpiece, painted in adidas' signature blue. October 2017 marked the opening of the Arsham Fieg gallery located inside KITH New York. The gallery has had exhibitions from FriendsWithYou, Evren Erol, Youn Lee, Mike Lee and Sam Friedman. In May 2019, Arsham collaborated with Rimowa on a 500 piece limited edition series of eroded suitcase sculptures contained in functional Rimowa attaché cases. The collection was launched with the auction of a one-of-one example containing a hand-signed drawing of the work by Arsham at Sotheby's. In September 2022, Arsham and Rimowa released two 500 piece limited editions of pilots cases in silver or black containing eroded turntable sculptures. In January 2022, Arsham released an animated Pokemon short titled "A Ripple in Time" by Pokémon × Daniel Arsham...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed In September, 2025, "Kerry James Marshall: The Histories" opened at the Royal Academy of Arts in London. This major exhibition was the largest presentation of Marshall's work in the United Kingdom and Europe, and featured more than 70 works by the the artist, including a large number of paintings and a selection of prints, drawings and sculptures. Highlights of the show include a new series of paintings that explore the transatlantic slave trade, along with Knowledge and Wonder, a mural commissioned in 1995 by the Chicago Public Library that is the largest painting Marshall has produced. The exhibition at the Royal Academy will then travel to the Kunsthaus Zurich and the Musee d'Art Modern in Paris. Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier, which is featured in the Royal Academy Exhibition. In 2013, an original painting, upon which this work is based, sold at Christie's auction. Below is the Christie's Lot Essay for that painting: ..." Set in a revolutionary apartment in the cosmos, Kerry James Marshall's Keeping the Culture optimistically anticipates a future that pays homage to the past. Ushering in a new stage of the artist's output, Keeping the Culture shifts focus from the failed utopia of urban renewal and the commemoration of civil rights era heroes in favor of a more technically refined meditation on the preservation of the traditional and spiritual values that shaped a culture. Placed in an ultramodern environment, two siblings marvel at a projection of the earth--in which Marshall has aptly positioned the African continent toward the viewer-while their affectionate parents dance in the foreground. Overlooking the milky way, Marshall's space-age flat is decorated with earthly relics-wooden tribal sculptures...

KAWS VERY FIRST COMPANION - HISTORIC Uniquely Hand signed by the artist. (the regular edition was unsigned) KAWS Limited Edition 1st Companion (Hand Signed by KAWS), 1999 Painted Ca...

Vestment 628 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons such ...

Shepard Fairey Punk Rock Bowling Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fairey, dated and num...

Edition of 300. Museum of Graffiti exclusive. OSGEMEOS (b. 1974, São Paulo, Brazil), translated as “THE TWINS”, Gustavo and Otavio Pandolfo, have worked together since birth. As children growing up in the streets of the traditional district of Cambuci (SP), they developed a distinct way of playing and communicating through artistic language. With the encouragement of their family, and the introduction of Hip Hop culture in Brazil in the 1980s, OSGEMEOS found a direct connection to their dynamic and magical world and a way to communicate with the public. Guided mainly by their willpower, together they explored with dedication and care the various techniques of painting, drawing and sculpture, and had the streets as their place of study. Artist: Os gemeos Limited edition of only 300 Skateboards Released by Graffiti Of Museum only released during Art Basel 2023...

James Bettison Untitled, from the Art Against AIDS Portfolio, 1988 Woodcut on paper with deckled edges. Hand signed. Numbered 38/50. Dated. Printer's and Publisher's Blind Stamp. 20...