Sam Nizam

Famed Canadian photographer, John Robert Rowlands has been photographing music celebrities since 1960, and in his 61 years of business, his work has taken him around the world. He has photographed such legendary performers as David Bowie, Jimi Hendricks, Bob Dylan, The Beatles, The Rolling Stones, The Who, Kiss, Elvis Presley and many more. “The Archer” is one of Rowland’s best known photographs taken on February 26 1976 at Maple Leaf Gardens of “The Thin White Duke” on the Station To Station tour using his Hasselblad camera...

"The Divers", by famed photographer George Hoyningen-Huene, c. 1930, printed later. Unsigned. Seemingly shot on the French Riviera, the grand make-believe and glamour of this famous ...

Atypical photo of Marilyn Monroe on dusty stairs in a shabby porch. Devoid of any form of glamor the natural beauty of the moviestar remains proudly intact. Dressed in a black lace t...

olling Stones the Photographs 1993 softcover. 1st edition, 1st printing. Taken between 1967 and the present, these 150 pictures by 35 photographers are reprinted from Rolling Stone. Tina Turner is one of the famous faces of rock. This great picture book and her classic performance pose defined a generation. Encompassing a variety of styles (from the dark and murky likeness of a contemplative Tom Waits photographed in black-and-white by Matt Mahurin, to a luridly high-colored portrait of jewel-bedecked, ermine...

Black and White Photograph of "Middle Aged Man" Artist, Subject and Date are Unknown Photograph is in the style of Richard Avedon's "In the American West" image 10.75" x 13.5" -...

A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...

Original American black and white studio photographic production still for George Stevens 1951 drama, romance “A Place In The Sun”. Starring Montgomery Clift...

Patrick Parrish is excited to offer an incredible group of original photographs printed by Meisel Photochrome Corporation of Dallas around 1970, shortly after the Apollo 11 Mission. ...

Jan Saudek, Czech photographer, born 1935 Original Silver Gelatin print, photograph Title: "The Pretender", # 877 There are only 5 (five) enlargements ...

Jan Saudek, Czech photographer, born 1935 Original silver gelatin print, photograph Title : "The Devotion", # 363/6 "Oddanost" Edition of this print to ( ) prints. This has Nr. (han...

Santa Monica Beach by G. Barris Photograph taken in 1962 printed in 1987 photograph signed by the photographer lower left dimensions : h 28 x w 35 cm sold with its certificate ...

A large framed original photograph of a flower in the style of Edward Steichen. Pencil signed - Frank Gillespie and dated 1989 - see image 7. Beautiful. Look at all pictures and rea...