"Surreal Encounters on the Oregon Coast, " Canon Beach Photograph, Sam Nizam

Available right now we have this absolutely stunning, monumental sized print by Huger Foote. The photographer Huger Foote has lived in Paris and New Yo...

An absolutely stunning Postmodern sofa designed and created in the mid-1990s. This stunning sofa is evocative of Vladimir Kagan custom designs and would lend itself nicely to Mid-Century Modern and postmodern styling. This contemporary cloud style sofa...

This sculpture is provocative and gorgeous. When we acquired this piece, we were told it was called "Study on a Female Body" and that it had been in the gentleman's office since he first opened in the 1970's. The sculpture is anatomically correct and features a female torso arching back and has large pieces of attached brutalist bronze pieces that protrude almost evocative of wings to create some sort of angelic aspect to the piece. It's both brutal / crude, but so elegantly executed and really is just a stunning piece. From the naval to the articulated spine, the attention to detail was masterfully executed on this sculpture. The sculpture sits upon a steel rod, which is mounted to a stone block. The piece is signed illegibly on the stone. A wonderful piece that would really look great in any type of modern environment. Would be great as an entryway sculpture...

This table is absolutely gorgeous. It's a cast metal body with what a cold cast bronze outer shell. This one of a kind, custom piece came out of an estate in the Pacific Palisades filled with the most incredible furniture by Paul Evans, Daniel Gluck and Italian designer pieces. Unfortunately we have been unable to identify the creator of this piece, but it is very much in the style of Paul Evans and his cold cast bronze line for Directional. The table base measures 56" L x 24" D x 28.25" T. The glass on the table base is also custom, 3/4" thick with docked corners for a very unique look when up close and personal. This table is remarkably sturdy, and very heavy. This unique table would also look incredible as a writing desk. This incredible table is currently in the gallery paired with like designer pieces by Paul Evans, and Silas Seandel, but would also look wonderful paired with more contemporary pieces like Milo Baughman thin line chairs...

Designed by Steve Chase in the 1980's this modern sofa was called the "Amphibious" sofa. With its super curvy, marshmallow shape and sumptuous cotton chenille fabric, this sofa is de...

This dining table is equal parts post modern and industrial modern and just oozes California modernism. This dining table or writing desk was designed by Robert Josten in the 1970's. Made of aluminum, this metal grille / grid style is a staple of Robert Josten's work. This dining table is a great transitional piece that could easily flex into any contemporary environment. The table has an almost Allsaints, industrial modern feel with a slight steampunk vibe as well. The table could also be used in an ultra modern environment and would look great in a new modern designed home. This piece could also be used as a retail display table...

A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...

Part of The Shape of Water collection released by Spanish photographer Cuco de Frutos. Mother nature speaks to us and takes care of us in a way that mak...

A framed behind glass and matted panorama photograph titled "Wildflower Coast" by the talented artist photographer Robert Knight. This captivating piece showcases a breathtaking coastal landscape adorned with vibrant wildflowers. It is a limited edition print, numbered 9, and personally signed by the artist. Robert Salisbury Knight...

This Piece has aged beautifully, gorgeous Patina throughout. Within wooden framing. Vintage Condition Consistent with Age as Pictured. Dimensions. 22 W ; 1/2 D ; 13 1/2 H

Original black and white studio photographic production still from The Producers 1967 directed by Mel Brooks and starring Zero Mostel and Gene Wilder. This...

Santa Monica Beach by G. Barris Photograph taken in 1962 printed in 1987 photograph signed by the photographer lower left dimensions : h 28 x w 35 cm sold with its certificate ...