Brutalist Ceramic and Bronze Female Bust "Study on A Female Body", 1970s

Available right now we have this increasingly rare, mid century modern, brutalist disc bar by Adrian Pearsall for Craft Associates. This brutalist wall mounted disc cabinet is definitely a conversation piece-- stretching a whopping 48" in diameter, this disc dar opens to reveal a mirrored back as well as 2 shelf inserts. They say imitation is the sincerest form of flattery, and this entire brutalist line of furniture appears to have (pretty obviously) been inspired by American craft movement designer Paul Evans, who designed nearly identical pieces which were available through Directional Furniture to the trade in the 1960's and 1970's. While this piece doesn't have the pedigree of an original Paul Evans piece, what is does have is an abundance of over-the-top maximalist style with a much more palatable price tag. Without being mounted to the wall, this piece was a little tougher than an average piece to photograph, but for scale purposes we photographed it resting on the floor alongside a Fabricius and Kastholm grasshopper...

This credenza is absolutely stunning! Paul Evans Cityscape line is a furniture collection that was designed by American sculptor and furniture designer Paul Evans in the 1970s. The Cityscape line is characterized by its geometric forms, mixed materials, and bold, textured finishes. Paul Evans was renowned for his innovative use of metals and his mastery of the sculpting and welding techniques required to create these types of unique designs. He combined different materials like burl and chrome-- in this piece to create stunning pieces of furniture that were functional works of art. Paul Evans Cityscape line pieces are highly sought after by collectors and design enthusiasts alike, and are considered iconic examples of Mid-Century Modern furniture design. Paul Evans (1931-1987) was an American artist, sculptor, and furniture designer who is best known for his unique and highly sought-after modern and Brutalist furniture designs from the mid-20th century. Born in Pennsylvania, Evans began his career as a metalworker, first studying at the School for American Craftsmen in Rochester, New York and later at Cranbrook Academy of Art in Michigan. He then went on to work for several different furniture manufacturers before eventually founding his own studio in the mid-1950s. Throughout his career, Evans was known for his innovative use of metals and his mastery of sculpting and welding techniques. He created furniture that was both functional and artistic, with a strong emphasis on texture and surface treatments. His signature designs often featured geometric forms, mixed materials, and bold finishes, and were highly influential in the development of Mid-Century Modern design. Evans' work has been exhibited in museums and galleries around the world, including the Museum of Modern Art in New York, the Smithsonian Institution in Washington, D.C., and the Victoria and Albert Museum in London. His furniture is highly sought after by collectors and design enthusiasts, and remains an important part of the Mid-Century Modern design movement. This credenza would look incredible in any Mid-Century Modern, modern or contemporary environment. We currently have this credenza paired with a Milo Baughman burl dining table. When this piece is in the room, it steals the show. We had this piece featured in our booth at Round Top with a Rafael Raffel...

This sofa is strikingly gorgeous! A rare, one of one-- one of a kind sofa designed and executed by Paul Evans. This sofa features an almost sleigh like craftsman base that is very George Nakashima - esque, and is completely clad in Evans sculpted resin and bronze. The sofa has been upholstered in a fine, butter-creamy colored mohair and is not only easy on the eyes, but is incredibly comfortable. This piece is triple signed, featuring Paul Evans initials and date on the bottom of the sofa's shell, another Evans signature and date on the base of the sofa, and a G singed above for (George Fry). One of the most recognizable and important names in the American studio craft movement of the 1960's and 70's, Paul Evans was a groundbreaking pioneer in brutalism. Collaborating as well as sharing a showroom with Phillip Lloyd Powell until 1964 when Evans met the owner of Directional Furniture and created a line of 6 coffee tables to go into the Directional High Point, NC booth for the spring Market. As the story has been recounted by Dorsey Reading, the tables never even made it to the showroom floor. Evans soon found out the tables never even had the opportunity to be sold; obviously disappointed, the `owner of Directional, BG agreed to put the tables out on the showroom floor in New York City to placate Paul Evans. What happened can probably best be compared today with "going viral." The coffee tables started flying off the floor, and the orders came rolling in. This fervor led to Evans creating many designs with Directional in years long partnership-- with the very first series being the "Sculptured Metal" Collection which was publicized in 1968. This piece specifically was not a Directional piece. This piece was created in Paul Evans Studio and ended up being sold directly through the studio. This Sculpted Bronze and Resin sofa is an incredibly rare example of Paul Evans Sculpted bronze technique, which involves hand sculpting using an epoxy resin and coating in an atomized cold cast bronze. Paul Evans used to be labeled kind of a "bad boy" of design-- with an an affinity for sculpted brutalism and pieces that epitomize maximalism, his pieces were collected by rock stars, artists and creatives. Evans, now widely recognized as a pioneer in the American craft movement has solidified his place in design history and is highly collectable. This sofa would look excellent in any mid century modern, brutalist or even contemporary or boho chic environment. While brutalist in nature, this piece can be styled up or down to blend into almost any environment. We currently have this sofa in our gallery paired with a Jean Royere coffee table...

One of the most recognizable and important names in the American studio craft movement of the 1960's and 70's, Paul Evans was a groundbreaking pioneer in brutalism. Collaborating as well as sharing a showroom with Phillip Lloyd Powell until 1964 when Evans met the owner of Directional Furniture and created a line of 6 coffee tables to go into the Directional High Point, NC booth for the spring Market. As the story has been recounted by Dorsey Reading, the tables never even made it to the showroom floor. Evans soon found out the tables never even had the opportunity to be sold; obviously disappointed, owner of Directional, BG agreed to put the tables out on the showroom floor in New York City to placate Paul Evans. What happened can probably best be compared today with "going viral." The coffee tables started flying off the floor, and the orders came rolling in. This fervor led to Evans creating eventually over 800 designs with Directional-- with the very first series being the "Sculptured Metal" Collection which was publicized in 1968. This piece specifically is a throne chair that also swivels. Upholstered in black leather, this throne chair is a wonderful example of Paul Evans Sculpted bronze technique, which involves hand sculpting using an epoxy resin and coating in an atomized cold cast bronze. This piece is signed and dated "PE 69" making it an early example of his goopy cast bronze series and line of furniture for Directional. It's extremely important to note: Directional Furniture showrooms in New York City and Chicago were private to-the-trade only showrooms, so only interior designers and their clients were able to custom order these pieces through the showroom. There was never any "inventory" of furniture. Each and every piece was a custom, hand crafted work of art, created to order. No two of any piece were ever alike. Evans eventually went on to employ a team of nearly 90 people, working two shifts-- helping to hand-craft his designs. This could easily explain why not every piece is hand signed, therefore making an early, had-signed pieces like this even more desirable for a collector. This piece has a wonderful patina, with vibrant colors and while still brutalist in nature, it's a bit more subdued and could effortlessly be blended into any contemporary environment. We currently have this piece in the gallery paired with a Vladimir Kagan serpentine cloud sofa, and a Karl Springer goatskin...

This table is absolutely gorgeous. It's a cast metal body with what a cold cast bronze outer shell. This one of a kind, custom piece came out of an estate in the Pacific Palisades filled with the most incredible furniture by Paul Evans, Daniel Gluck and Italian designer pieces. Unfortunately we have been unable to identify the creator of this piece, but it is very much in the style of Paul Evans and his cold cast bronze line for Directional. The table base measures 56" L x 24" D x 28.25" T. The glass on the table base is also custom, 3/4" thick with docked corners for a very unique look when up close and personal. This table is remarkably sturdy, and very heavy. This unique table would also look incredible as a writing desk. This incredible table is currently in the gallery paired with like designer pieces by Paul Evans, and Silas Seandel, but would also look wonderful paired with more contemporary pieces like Milo Baughman thin line chairs...

This table is gorgeous, the "O Line" table is one of Charles Hollis Jones' most iconic designs. It is a side table made entirely out of acrylic, featuring a circular top and a cylindrical base. The table's name is derived from the shape of its base, which resembles the letter "O." The O Line table was first introduced in the late 1960s and quickly became a symbol of Jones' innovative approach to furniture design. The use of acrylic in the construction of the table gives it a unique sense of lightness and transparency, while also highlighting the material's strength and durability. The O Line table has been produced in a variety of sizes and finishes over the years, and remains a sought-after piece among collectors of mid-century modern furniture. Its timeless design and versatile aesthetic make it a timeless classic. Charles Hollis Jones is an American artist and designer who is best known for his innovative work in acrylic furniture design. Born in 1945 in Indiana, Jones began his career in the 1960s, creating custom furnishings for clients in Hollywood and Beverly Hills. Jones' signature style involves using acrylic, to create sleek and modern furniture pieces. His work is characterized by clean lines, simple shapes, and a sense of lightness and transparency that belies the material's durability and strength. Jones' work has been exhibited in museums and galleries around the world, and his designs have been used in a wide range of commercial and residential settings. His clients have included celebrities such as Frank Sinatra, Diana Ross, and Elvis Presley, as well as major corporations like the Four Seasons Hotel and the MGM Grand. Today, Charles Hollis Jones is recognized as a pioneering figure in the field of acrylic furniture design, and his work continues to inspire and influence contemporary designers and artists. This table is currently alongside Vladimir Kagan lucite dining chairs...

Lucite Female Bust on Chrome Stand, 1970s. Approx. 26" H x 22" W x 14" D.

Brutalist Terracotta Female Bust Sculpture unsigned, unknown artist "very nice patina and color" chip along the side of the base - see images

Signed "Perez" and dating to the 1970s, this brutalist bust comprises multiple strands of bronze that have been welded together to form the strong features. The bust rests on a bronz...

Female torso sculpture purchased from the original owners’ son. He remembers the piece being around since the ‘70s or ‘80s. I believe it is ceramic. Heavy and in excellent condition ...

A wonderful stylized bust of a warrior. It appears that a dragon like creature sits on his helmet, rather is his helmet. You can't help but draw similarities to Game of Thrones. This...

This stunning modern brutalist bronze sculpture from the 1970s depicts an allegory of man and machine (or worker) with a beautiful original dark green patina. The design holds the at...