Sanford Robinson Gifford Paintings

Winter sunny studies in the city are rare. This is due to the absence or small number of sunny days in the city in winter. Nevertheless, I use almost every opportunity to paint, and ...

Sweeping Big Sur landscape of rolling hills in beautiful pastel colors illuminated with sunlight, by California artist Kathleen Murray (American, 1958). Oil on artists canvas board (...

Mt Shasta Spring Stroll on the River Beneath the Mountain Original Oil on Linen A solitary hiker on a trail with Northern California's Mt. Shasta in the distance by Joseph John Engl...

Antique American Hudson River School coastal seascape. Most likely a view of Maine. Oil on board. Image size, 8 by 12 inches.

Antique Quintessential American Hudson River School landscape by an unknown Hudson River School artist. This painting features its original period gold frame, and a charming scene o...

"Dusk Forest Scene, Catskills," 1875 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.5 x 7 inches. The work is signed by DeForest, and dated May 13, 1875 at lower right. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood de Forest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the de Forests made frequent trips abroad. Excursions to the great museums, which were prominent on the de Forests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. De Forest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, de Forest took a studio at the Tenth Street Studio Building in New York. During these formative years de Forest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade de Forest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...

Oil on canvas painting on artist board by the American artist, Jean Leason Hitch. Signed lower right. Condition: good; no restorations. The painting is housed in a massive gold reproduction frame 24 by 22 inches. Jean Leasin Hitch began her artistic career in Melbourne, Australia, under the tutelage of her father, Percy Leason, a professional painter, well-known cartoonist and illustrator. After coming to the United States in 1943, she was appointed curator of art at the Staten Island Institute of Arts and Sciences, New York. While at the museum, she also began her restoration career and restored paintings from the museum's collection and other notable historic collections. Jean Leason Hitch was an active member in the Allied Artists of America, American Artist Professional League, Hudson Valley Art Association, served as vice president for the Catharine Lorillard Wolfe Art Club in New York, and in 1953, was listed in "Who's Who in American Art." Her work merited numerous awards; including the Kathleen Grumbacher Award, Council of American Artists Society Award, Anna Hyatt Huntington...

Unknown White Mountain Artist White Mountain Landscape, 19th Century Oil on board 5 x 9 1/4 in. Framed: 7 3/4 x 11 3/4 in.

Artist/ School: French School, 19th century, after the earlier work by Rembrandt Title: Self portrait of the artist Medium: oil on canvas, framed in antique gilt swept frame. Fra...

Frame size 73x81 cm. Oil on canvas laid on cardboard. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, nephew of the also painter Rafael Benet. He is a di...

Hudson River School Style - The Homestead and Grist Mill 1942 In the Hudson River School style by A (K) Mathieu (American, 19th-20th C). Harvest time at the Homestead with a hay wago...

The Elegant Couple by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1991 oil painting on canvas, framed canvas: 33.5 x 24 inches framed: 38 x 28 inches Very good ...