Scott Rosenthal

Tied Up 31, 2016. (Ceramic, PVC, C. 15.3 in. h x 11.8 in. w x 11.8 in d. Object No.: 3526) Steen Ipsen was born in 1966 in Denmark and lives and works in Copenhagen. He graduated in...

Whimsical alligator sculpture made of aluminum. Approximately two feet long.

Einar Jónsson sculpture in plaster from the 1920s-30s. Signed Einar Jónsson. About Einar Jónsson (1874-1954) Einar Jónsson, who created many works in a ...

Rosenthal bronze sculpture. 1965, untitled. Stamped "Rosenthal, 1965." Nice original patina.

French modern bronzed plaster sculpture of a male nude torso, possibly a Maquette. Unsigned. A bold, well modeled sculpture, with a beautiful patina an...

Tony Rosenthal Sculpture in painted steel

A whimsical ceramic sculpture by Bill Stewart.

Modern art. Handmade welded steel parts on staved wood base. Original vintage condition showing minor wear / patina, crack on the wood does not impede the form. The piece sits via pe...

The hands or "The Cathedral", plaster sculpture mounted on a brustalist carved wooden base, in the taste of Auguste Rodin. France, 1960s

1950s Italian Modern Plaster Sculpture “Head of a young boy” by Ida Fuà Very important plaster sculpture depicting a young boy by the great italian artist Ida Fuà The boy, caught...

A unique patinated bronze sculpture in the form of a 1940's leather bomber jacket hanging on a wall mounted coat rack. The 1940's bomber jacket. It is one of the few items that has really transcended both fashion and trends. People are wearing these jackets today in the same way they have for the last six decades. It's a symbol of freedom, of the rebel in us, or a certain kind of social stigma, a certain attitude. Hanson chooses to isolate and immortalize a man's leather jacket. The choice becomes a comment on the power in our culture of image per se. A comment on the ascendance of personal style and image, via our possessions and fashion, to a consuming culture value. Seemingly casually tossed over a hook, yet frozen there in bronze, the jacket evokes an entire range of masculine stereotypes celebrated by the media-cowboys, mavericks and rebels of our time. The open road, macho bravado, rugged individuality, sex appeal. Yet the presence of this lone jacket equally evokes the very personal, if anonymous, history of its wearer. Like the cast-form-life sculpture of George Segal, it expresses mystery, even poignancy, of its owners absence. As in much of Hanson's art, this culture manages both to critique and also to value such material icons of our culture. Scott Hanson...

Striking male nude sculpture executed in bronze with plaster. Unsigned. On pedestal.