Seth Michael Forman Art

Mariusz Zdybal (born in 1955) He was awarded with "Golden Palm" at the international painting competition in Cannes and his works has been shown in Cannes, Warsaw, Gdansk and Berli...

It is important to note that this work consists of three separate canvases, each one of 70x70x2. They make up a work of 210x70x2. The scene depicted is purely imaginary, where two wi...

20th century modernist oil painting on canvas . Signed with artists monogram and Dated 1991. This large and impressive painting evokes a range of emotions and interpretations. With...

Tlaloc and the Tiger (1939) Oil on panel 16" x 12" 23 ¾" x 18 ¾"x 2 ½" framed Signed and dated (and inscribed) "de Diego 39" lower left. Provenance: The artist; private collection Ch...

Eric Cederberg (1897-1984) Beach with pearls, ca. 1950 Oil on panel 9 1/10 × 14 3/5 in l 23 × 37 cm Frame included: 13 3/4 x 19 1/3 l 35 x 49 cm Signed lower left Exhibition history...

ZBIGNIEW WOZNIAK (b. 1952) Studied at the Academy of Fine Arts in Wroclaw, at the Department of Glass and Ceramics. He is involved in painting, graphics and artistic glass design. He...

Kristians Tonny (French, born Holland; 1907-1977) Circus Oil on prepared board, 16 1/2 x 13 inches Framed: 22 x 19 inches (approx.) Inscribed on reverse: (in pencil) "cadre noir/ave...

ABOUT THE ARTIST MARTA RYNKIEWICZ is a Polish contemporary artist (born in 1983). She studied painting with Professor Henryk Czenik and graphic arts with Professor Jerzy Krechowic...

In Theories, the viewer is confronted with an enigmatic scene where time and space seem to dissolve. Two sculptures float suspended in a dark, earthy-toned environment, divided by a ...

Joséphine Beaudouin (1909-2005) Poetry of the Bird, surrealist painting, 1948 Oil on canvas Signed "Joséphine Beaudouin" and dated "1948" lower left 13,7 x 10,6 inch Born in Albi in 1909, Josephine Beaudouin (née Cals) showed an early interest in drawing. At the age of twelve, she moved to Paris where her mother, Jeanne Ramel-Cals, ran a literary salon that was frequented by art world figures such as Ambroise Vollard. In 1925, while her first drawings appeared in the magazine Crapouillot, the young artist entered the School of Decorative Arts where she studied fresco painting. She married the architect Eugène Beaudouin in 1928, with whom she traveled throughout Europe. Beaudouin, a member of the Académie des Beaux-Arts, designed a series of buildings that were precursors of modern architecture in France (Clichy, Maison du Peuple; Antony, Résidence universitaire Jean Zay). Josephine Beaudouin exhibited at the Salon des Indépendants, the Salon des Tuileries, the Salon d'Automne and the Salon des Artistes Décorateurs. The work of the one that Jean Cocteau described as "bewitching" is full of mystery. Her work bears the stamp of an extraordinary personality. Indeed, Josephine Beaudouin developed a penchant for dreams at a very early age and took refuge in the works illustrated by Gustave Doré. Her technical virtuosity and overflowing imagination were praised by the critics of her time who unanimously greeted her Marmorées (ill.1). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the infinite resources of the veins of this support which inspires him poetic compositions with unusual subjects. Marked by surrealism, she returns to the fantastic by delivering a prodigious creation of the mind made of dreamed cities and trompe-l'oeil. The 1948 painting that we propose probably represents a red-billed chough. The bird is a recurring theme in the work of Josephine Beaudouin, as in her life. An avid ornithologist, she kept an aviary in her Parisian home where many island birds were kept. She also built up a collection of stuffed birds. Still on this theme, the writer Claude Aveline (1901-1992), author of the poem L'Oiseau-Qui-N'Existe-Pas, invited several visual artists to freely interpret what this bird could be. The first series of works was produced between 1956 and 1963. In 1957, Joséphine Beaudouin delivered a work with a pen of great finesse, now preserved at the Centre Pompidou (ill.2). Several renowned artists also responded to the invitation of the poet such as Jean Cocteau and Ossip Zadkine. The precision of the graphics of our painting testifies to an attentive observation of the anatomy of the birds. The artist paints with great delicacy: the technique is impeccable, the drawing is careful, the material is smooth, the details are represented with great finesse and mastery. Bibliography : Fernand Pouillon...

The work "Emblem 2" stands as a sequel to its predecessor, "Emblem I". In this small-format piece, a rampant lion's head is placed within a circle. This emblem not only identifies t...

ZBIGNIEW WOZNIAK (b. 1952) Studied at the Academy of Fine Arts in Wroclaw, at the Department of Glass and Ceramics. He is involved in painting, graphics and artistic glass design. He...