Shlomi Haziza Art

Nebraka-based Jamie Burmeister is a sculptural artist known for his original artworks incorporating original small bronze figures, standing at just up to 4 inches tall. His unique fi...

Nebraka-based Jamie Burmeister is a sculptor known for his original small bronze figures, standing at just 4 inches tall. His unique figurative sculptures have been showcased in gall...

This 123 Drumming Girl Collectible Object exemplifies the aesthetic of its creator, Yoshitomo Nara: naive and cute but with an edgy undercurrent dri...

Original Painting: Terracotta Relief With Acrylic Painting on Wood Panel Hand signed These works are paintings with a 3D carved sculpture dimension to them, fusing sculpture with painting Mixed media on board depicting a romantic couple, a woman seated on a man's lap. Mark Kanovich...

Mary Jo designs all the neon as a unique piece of artwork. Each piece is hand blown glass and assembled to create a one-of-a-kind piece, which comes completely ready to install. Whit...

Yves Klein, Small IKB Venus Brooch Bronze multiple, painted with International Klein Blue (IKB). From a model created in 1956. Edition of 500 copies + 100...

This piece is offered in the following colors: White, ruby red, coral pink, violet, turquoise, emerald green, promo blue and light blue. When ordering please mention the desired colo...

Edition: 42/50 Man with Snake is a dynamic and vibrant sculpture by Keith Haring, rendered in Plexiglas, which is a type of acrylic material known for its transparency and durabilit...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

BILLY, 1975, epoxy painting on riveted fiberglass and aluminum, titled signed and dated verso . Gallery label from Obelisk Gallery, Boston, MA Tom Holland (born 1936 in Seattle, Was...

Mary Schiliro’s work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring alternative presentation methods. Using a dipping process wher...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern Art when I visited the annex to get a cocktail. There was one other guy at the small bar table in an otherwise empty room, waiting for his coffee to be handed to him. He turned and dumped half of it down my front. I immediately recognized him as none other than Brice Marden. He apologized profusely, but I stopped him and said: 'No problem: how often is it that Brice Marden dumps coffee on your pants? They're worth more now.' We both had a good laugh. At any rate - I was certainly channeling his early work when I began work on this series. They are made with oil and beeswax on wood panels...