Silas Shabelewska Art

Listing is for UNFRAMED print. Inquire within for framing. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 10 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...

Listing is for UNFRAMED print. Inquire within for framing. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...

This is a 2002 contact sheet (a positive print of all the negative images from a roll of 35mm film or medium format film) of youthful-looking Daniel Craig...

This 1991 fine art print features Catherine Zeta-Jones when she was a TV actress in Britain and aspiring to be a Hollywood Star. Her success in The Darling Buds of May (English comed...

This is a 2002 contact sheet (a positive print of all the negative images from a roll of 35mm film or medium format film) of youthful-looking Daniel Craig...

Woman, Women, Fashion, Beach, Black and White, Sand, Swimmer, Pose, Hips, Body, Bathing suit, figurative, female, feminine

Daniel Craig, photographed in 2002 by British celebrity and fashion photographer, John Stoddart, prior to Craigs casting as 007, James Bond. Craig was th...

This fine art print features actress and model Jane March, posed topless on the rooftop of the Hotel Le Bristol in Paris in 1992. This risqué iconic b...

This fine art print features actress and model Jane March, posed topless on the rooftop of the Hotel Le Bristol in Paris in 1992. This risqué iconic b...

The Beatles at Abbey Road Studios, March 30th 1967 during the recording of Sgt Pepper's Lonely Hearts Club Band, take a lunch break. Later that day they after recording they made their way to Michael Cooper's Flood Street Studios to pose for the famous album cover. This is an original traditional silver gelatin print signed by the photographer, printed in 2008 for inclusion in Herrmann's sol show The Unseen Beatles at The Saint Giles Street Gallery in Norwich. Though is says 1/25 the other prints in the edition were never printed and this image is not available anywhere else. Rare image hand printed. paper size 20 x 16, Image size 18 x 12 inches. This print is embossed with the photographers stamp, numbered and signed by the photographer Frank Herrmann in pencil on lower right margin. Frank Herrmann is widely regarded as one of the outstanding photojournalists of the latter part of the twentieth century, with an illustrious thirty year career at The Sunday Times. Covering stories as diverse as the UDI in Rhodesia in 1966, the Paris riots in ’68, the Yom Kippur War of '73, the U.S Presidential elections of ’75 and the birth of Zimbabwe in 1980, he has travelled to Africa with Bob Geldof to record the famine relief work of Band Aid, has been to the South Pole to photograph the trans-Arctic expedition and has worked with Hunter Davies on several books including The Glory Game and Great Britain – a Celebration as well as his text book book on portraiture titled Portrait photography. His many portrait sittings include,  amongst others, Orson Welles, Maggie Smith, Sean Connery, William Burroughs, Winston Churchill, Duke Ellington, Harold Macmillan, Ronald Reagan, Arthur Miller, Samuel Beckett, Henry Moore, Judi Dench...

Willy Ronis is one of the most famous members of the French Humanist photography. Silver print on photographic paper Hand-signed by the artist lower right Stamp of the artist's stud...