Simon Johns Tables

The Diamond Table’s slight angles focus guests around a middle point that can accommodate a centrepiece. The traditional rectangular approach to seating guests is deconstructed to en...

Future Fossils End Table is the result of hand pressing slabs of clay into a plaster mold, using the collections texture. The cracks and defects of this type of assembly remain visib...

The slight angles focus guests around a middle point that can accommodate a centerpiece. The traditional rectangular approach to seating guests is deconstructed to encourage more dyn...

The most expressive of the Future Fossils collection, the low table features slip-cast volumes of stoneware, each loosely mimicking the textures of s...

This 10 foot table is composed of natural quartzite, a natural stone harder than marble, hand polished aluminum and gypsum cement, an extremely hard plaster. The sculptural bases are cast in plaster, with glimpses of polished aluminum reflecting light from the inside of the stone-like masses. The soft free-form quartzite table...

The hex diamond table’s slight angles focus guests around a middle point that can accommodate a centerpiece. The traditional circular approach to seating guests is deconstructed to encourage more dynamic exchanges between people. The surface plays tribute to the approximate geometries of stones, reminiscent of, but not quite a hexagon. The central base is equally asymmetrical, made up of an assembly of soft rectangular columns of different dimensions, congregating, as do the unique individuals around the table. The base is offered in all oak or oak and aluminum. The aluminum is hand polished to a satin finish, wrapped around and supported by a thick plywood form. This table is perfect for 3-6 people. *Also available in oblong shapes, at 82, 95 and 105" in length. Custom lengths also available upon request. The Diamond collection congregates similar but unique forms into constructions that celebrate subtle differences. There is intent and organization in the results, but also a desire for some freedom from symmetry or rigid guidelines. Composed of different tables and soon a sideboard, this collection uses primarily white oak, either alone, or paired with aluminum, hand polished to a satin finish. Rendered photo by Charlotte Taylor...

The Diamond Table’s slight angles focus guests around a middle point that can accommodate a centrepiece. The traditional rectangular approach to seating guests is deconstructed to en...

The Diamond Table’s slight angles focus guests around a middle point that can accommodate a centrepiece. The traditional rectangular approach to seating guests is deconstructed to en...

Ledge Coffee Table, is made of solid ash with a black glass top and a mirror polished base. It stems from material exploration inspired by cliffs around the studio, making solid ash ...

Missisquoi 01 is a numbered and asymmetrical two part coffee or cocktail table, with a space that divides it as the river divides the Missisquoi Valley. The black ashwood was felled, milled and dried near the studio, and the stone is from the river's banks. The stone and plank that support the two parts form a continuous axis end to end, through the divide. The beauty of the Brutalist natural stone contrasts and converses with the delicate craftsmanship of the wood plateau...

The Missisquoi № 10 from the collection integrates a stone who's contour and features were traced and shaped into the tabletop, hovering above it to mirror its origins. The top is fl...

The Shale Low Table sits on the floor, and a warm chrome geometric form emerges from one side. This part reflects the light in the room, in a slightly distorted way, and contrasts dr...

The hex diamond table’s slight angles focus guests around a middle point that can accommodate a centerpiece. The traditional circular approach to seating guests is deconstructed to e...

Missisquoi 01 is a numbered and asymmetrical two part coffee or cocktail table, with a space that divides it as the river divides the Missisquoi Valley. The black ashwood was felled, milled and dried near the studio, and the stone is from the river's banks. The stone and plank that support the two parts form a continuous axis end to end, through the divide. The beauty of the Brutalist natural stone contrasts and converses with the delicate craftsmanship of the wood plateau...

The Missisquoi №11 integrates a stone who's contour and features were traced and shaped into the tabletop, hovering above it to mirror its origins. An illusion of both airiness and i...

The Diamond Table’s slight angles focus guests around a middle point that can accommodate a centrepiece. The traditional rectangular approach to seating guests is deconstructed to en...

Missisquoi 01 is a numbered and asymmetrical two part coffee or cocktail table, with a space that divides it as the river divides the Missisquoi Valley. The black ashwood was felled, milled and dried near the studio, and the stone is from the river's banks. The stone and plank that support the two parts form a continuous axis end to end, through the divide. The beauty of the Brutalist natural stone contrasts and converses with the delicate craftsmanship of the wood plateau...

Future Fossils End Table is the result of hand pressing slabs of clay into a plaster mold, using the collections texture. The cracks and defects of this type of assembly remain visib...