Simon Thomassin Art

Set of four hands watercoloured and press printed botanical print with black wooden frame. Each print is entirely printed and coloured in Italy by our master craftsmen. The complete ...

One of four hand watercolored and press printed botanical print with black wooden frame.. Each print is entirely printed and colored in Italy by our mastercraftsmen. The complete set...

One of four hand watercolored and press printed botanical print with black wooden frame. Each print is entirely printed and colored in Italy by our mastercraftsmen. The complete set ...

Big size print of two South American Macaws against a ground of tropical foliage. Printed manually on 100% cotton engraving paper in Florence Italy. Each print is entirely painted ...

Engraving on cream laid paper, 8 x 5 3/8 inches (203 x 137 mm), trimmed at the platemark. A fine impression with a Coat of Arms watermark. Second state, after the addition of the Frederick de Witt...

Engraving on cream wove paper, 8 x 5 3/8 inches (203 x 137 mm), narrow to thread margins. First state (of 2). A fine impression with archival paper adhered at left top and bottom cor...

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

Fabulous vintage MCM or Mid-Century Modern “St. Martin Canal” and “France Port de La Rochelle” Bernard Buffet Lithograph framed and matted prints. These vintage prints are signed and dated in the printing process but do not have original pencil signatures. Beautiful condition, keeping in mind that these are vintage and not new so will have signs of use and wear. These prints remain in their original of-the-era frames, mats and backing. New brown paper has been applied to the back of frames. We found no scratches or nicks to the prints themselves. Frames may show some age. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, 1955 & 1956. NOTE: We have these listed to be sold as a pair; however, if you are interested in just one or the other let us know. OOOH LA LA!!!!! Is there anywhere in the world quite as lovely as the city of Paris? It’s definitely a bucket list destination for many people and we have a treat for you! Exquisite scenes of Paris created by French artist Bernard Buffet to display in your own home! We have two mid-century modern unsigned lithograph prints consisting of a larger print of a scene titled “St. Martin Canal” dated 1956, matted inside a lovely black and silver painted wood frame. And a smaller print of a scene titled “France Le Port de La Rochelle” dated 1955, matted inside a wood frame. These mats and frames are original to the prints. The St. Martin Canal is located in the heart of the city just adjacent to the Seine River and today is a popular tourist destination. Can’t you just see yourself standing upon that bridge with the breeze blowing your hair as you gaze upon the beautiful “City of Lights??” Or maybe you would prefer walking along the harbor watching boats come to port as they sail in off of the Atlantic Ocean? That’s exactly what you can imagine as you gaze upon “France Le Port de La Rochelle!” La Rochelle is a city on the west coast of France and a seaport on the Bay of Biscay. Both of these scenic areas are breathtaking, and Buffet captured their beauty with his proficient Expressionist style!!! They are going to be wonderful on any wall and they’re sure to bring a bit of French fabulous-ness into your home! French artist Bernard Buffet was born in 1928 and passed away in 1999. He studied at the École Nationale Supérieure des Beaux-Arts (National School of the Fine Arts) in Paris, France in the 1940s before briefly working as an apprentice to the painter Eugène Narbonne...

Etching and drypoint on cream wove paper, full margins. Signed in pencil, lower right margin. In generally good conditon with several scattered very light spots of foxing throughout,...

Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...

One of two etching printed botanical print with gold leaf background hand-gilded and with a round golden gouache frame burnished wiyh stone. Each print is entirely printed in Italy...

Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...