Sir William Hamilton Art

Antique portrait titled 'George Hamilton Earl of Orkney'. Portrait of George Hamilton, 1st Earl of Orkney, 1666 - 1737. Artists and Engravers: Jacobus Houbraken (1698-1780) was a ...

Salvador Dali - Argus - from "Mythologie" Original Etching Dimensions: 76 x 56 cm 1962 Editor: Pierre Argillet Edition: /150 Handsigned and numbered On Arches Paper References : Fiel...

"Astaire and Rogers" original etching by Al Hirschfeld. Caricature portraits of Fred Astaire and Ginger Rogers Edition 37 from the Delux...

Two French matted and framed 18th century black and white engravings inspired by Classical Antiquity. The first frame contains an engraving of a woman patting a unicorn, and a man an...

"Illustrations of the Book of Job" Engraving "The Fire of God is Fallen From Heaven...And the Lord said unto Satan Behold All that he hath is in thy Power" Engraving, third printing...

Quiet and balanced, this serigraph print by Northern Irish artist William Scott belongs to a series of minimal compositions that explores the abstraction of color and form by reducin...

Impressive and charming depicting a classical scene of a female figure, personifying early Greek or Italian science, trimming the wick of a lamp. This act symbolizes the "lamp of lif...

William Henry Chandler (1854-1928) Pastel, a cottage in an autumn landscape, signed "Chandler" on lower right. Pastel on paper in period mahogan...

"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a segment of a grave, with a headstone that has a skull and cross. There are two bright green plants flanking the headstone. Below the headstone and plants, there is a large arched blue shape, with a crescent moon and stars. A red leg, bent at the knee, cuts across the blue arch. Signed "Carol Summers" along the right edge of the blue shape. Numbered and titled "A/P Grave of Sant Anna's Leg" along the left edge of the blue shape. Presented in a silver colored aluminum frame. Frame size: 32.245"H x 27.25"W Paper size: 29.75"H x 24.5"W Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...

Frontispiece to volume one of 'Gallia Antiqua'. It shows an allegorical scene with Mercury standing at left beside a nymph painting the 'Bataille de Soissons'. Tragan's column behind...

Framed Silk Scarf Femme "Accoudé en Robe Mauve et au Chapeau" after Pablo Picasso. AUTHORIZED BY THE HIERS OF PABLO PICASSO MARIGOLD ENTERPRISES

The British Evacuate Boston - 1932 Etching on Paper by Allen Lewis. From the portfolio "The Bicentennial Pageant of George Washington." In this piece George Washington is front and ...

"Lautrec Book: From Au Pied du Sinai written by Georges Clemenceau" lithographs created by the legendary Henri de Toulouse-Lautrec. This book, Au Pied...

Print size: 15 inches by 10 inches. Lord Hamiltons Ancient Vases. Number 94. Johann Tischbein, Naples , Italy. The scene depicts a scene from Greek Mythology, specifically one of the...

Jean Cocteau - Portrait - Original Etching Paris, Le Gerbier, 1946 Edition of 340 Signed in the plate Unnumbered as issued