Skultuna Barware

Vintage 1970's Bamboo Serving Tray with 6 coasters. Features: Round shape Light bamboo tone Tray with low double lip and wide surface on the tray Coasters with single low lip Very beautiful set. A boho vintage bamboo circular serving tray in that bang on retro trend style. From the 1970s. This would look amazing on a retro home bar...

Midcentury vintage Set of 7 pieces 5-ounce rocks glasses 1960s gold printed presidential coins. Cera 22-karat gold signed glassware barware. Gold and black coin design. The glasses f...

A Mexican Peso dated 1924 is embedded in the cup of this sterling wine taster. Marked: Sterling, Hecho en Mexico, 925, J.V.P. and Tane. The length includ...

Set of 12 1950s silver plated punch cups. Single R monogram on each cup, Stamped EPC (electroplated copper) on the underside. Cups have been newly pr...

We are happy to offer you this sterling silver Mid-Century flask by International Silver. It has that quintessential Mid-Century sleekness that’s so sexy! No decorations, just a clea...

These fabulous small Mid-Century Modern Piero Fornasetti vintage appetizer small serving bowls are porcelain with gilded gold edges, bottom and ins...

A beautiful glass bottle, vintage Sweden. Nice addition to every table. Some patina at the cap, but this is old-age. Found at an Estate sale in Stockholm, Sweden.  

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...

Beautiful vintage Murano hand blown red and white ribbons, with gold flecks Italian art glass Genie bottle decanter. Documented to designer Dino Martens for Aureliano Toso. Similar piece is shown on the Dino Martens book, model number 6293. The decanter has its original stopper filled with gold leaf. It also has an original "Made In Italy" item number label underneath (folded). The alternating ribbon design creates a unique swirling pattern throughout the piece. You can feel each line on the shade, since it is not covered in clear glass. Very elegant shape. Would make a great display piece on any desk, vanity or coffee table. Use it as a decorative piece, or as a flower vase without the stopper. Mid-century era. Measures 12" tall x 4 3/4" wide. Literature: Vetreria Aureliano Toso, Murano 1938-1968, Designs by Dino Martens, Enrico Potz...

Silver plated hip flask designed in leather and engraved Gucci on the bottom.

This good quality French pewter wine taster features a coat of arms to the centre, which consists of a fire-breathing salamander entwined around the lett...

A superb Mid Century set of 6 silverplate mint julep tumblers by Wm Rogers. Marked on reverse. These fine cups are heavy and well made with a sleek design and decorative beaded detai...