Stanley Cosgrove Art

Emile Albert Gruppe (American, 1896-1978) "Winter - Gloucester, Mass" Oil on canvas Signed "Emile A. Gruppe" (lower right) Canvas: 20 x 24 Inchesinches Framed: 27 x 31 inches Prove...

Leigh Ann Van Fossan's "Le Jardin de Monet, II" is an original, handmade oil painting that depicts an impression of a lily pond. Van Fossan was born in Vail, Colorado, and began oi...

Warm air seems to move through this scene as the eye wanders along a gentle swale dotted with granite boulders, low stone walls and scrubby autumn color. A ribbon of meadow pulls us ...

Lombard School, 17th century Portrait of a Young Boy oil on canvas 109 x 78 cm - 127 x 97 cm with frame The protagonist of the offered canvas is a chubby little boy, aged approxima...

Carlo Ceresa (San Giovanni Bianco 1609 - Bergamo 1679) attributable Full-length portrait of Giacomo Pesenti Oil on canvas (206 x 121 cm - in frame 212 x 133 cm.) This fascinating portrait, portraying a full-length gentleman and datable to the 17th century, illustrates the stylistic and compositional details typical of the pictorial production of the Lombardy area, Bergamo in particular. This reference is reflected in elements such as the natural light, the sober and austere setting and, above all, the subtle psychological characterisation of the face. We are inclined to identify the hand of portrait painter Carlo Ceresa, one of the most illustrious Bergamasque figure painters of the 17th century, capable of developing a style of intense realism and acute psychological investigation. In his works, and our portrait perfectly reflects his canons, an extraordinary naturalistic imprint, great realism and remarkable essentiality are evident. Those traits of severity, moral rigour and austerity typical of his portraiture find a perfect balance here: never courtly or rhetorical, his portraits are profoundly linked to the concept of counter-reform. Immortalising the main personalities of the time, he established himself as a point of reference for the Bergamasque aristocracy, from the Vertova to the Pesenti to the Secco Suardo. The subject of the portrait is Giacomo Pesenti, here immortalised life-size in a rigorous black suit, his left hand resting on a table, on which is placed the necessities for writing and a manuscript, and his right hand, with a sealed ring on his little finger, abandoned along his side while he holds his gloves. He wears a suit of incredible rigour, dressed as befits a man of his high social standing, while the sharp light focuses on his face, with an intensity that seems to be accentuated by the reflection of the white collar, with its sharp profile. For Ceresa, it is not the richness of the garment that gives value to the person portrayed, it is the need to give feeling and bring out the character of the person, and this he succeeds in marvellously, aided by his ability to capture the essence of the person and return it to us in painting through the face and light used as a strong expressive element. In fact, the image highlights that 'counter-reformed' composure typical of the portraiture of painters active in this area and era, adhering to a verism...

A finely executed mid-19th-century oil painting on panel depicting "The Milkmaid" after Jean-Baptiste Greuze (1725–1805). This captivating portrait, painted in a charming manner with...

A beautiful coastal painting by Massachusetts artist Joseph H. Greenwood, known for his evocative New England landscapes. This work captures the quiet charm of the Dartmouth coast ne...

“Impressionist Landscape, c. 1915-1920” by Francis Stillwell Dixon (American, 1879-1967). One of Dixon’s finest canvases, depicting a tranquil forest scene bathed in soft, dappled l...

At the heart of "Shadows and Diamonds," we encounter the theme of shadows. John ingeniously uses shadows to represent the obscured aspects of our individuality, the parts of ourselves that are hidden from the outside world. These shadows can be seen as the unexplored depths of our personality, our fears, or our secrets. The young man in the artwork seems to embrace his shadows, suggesting a willingness to acknowledge and confront those hidden aspects of his being. By portraying shadows as an integral part of the artwork, John challenges us to embrace our own shadows and accept them as essential components of our identity. The shadows in "Shadows and Diamonds" serve as reminders that the multifaceted nature of human existence is not limited to what is visible on the surface but extends far beyond, into the realm of the intangible and the mysterious. While shadows represent the hidden aspects of self, diamonds in the artwork symbolize the facets that shine through, the qualities and characteristics that we choose to reveal to the world. Diamonds are known for their brilliance and sparkle, and in "Shadows and Diamonds," they represent the positive attributes that we proudly display to others. They symbolize our achievements, our talents, and the qualities that make us unique and valuable. Through the juxtaposition of shadows and diamonds, John invites us to reflect on the delicate balance between revealing and concealing different aspects of our identity. The young man's beaded necklace, adorned with diamonds, suggests a celebration of self-discovery and the courage to embrace and showcase the diverse elements that constitute our true selves. In addition to the symbolism present within the artwork, Makama John...

Known for his evocative, snow-covered landscapes, Koeniger brings this subject to life with his bold, confident brushwork and keen eye for natural light. The composition centers arou...

A wonderful example of Peterson’s views of the Florida Coast during her winter trips down south. Painted during Peterson’s mature period, this lively work underscores the energy of ...

Leigh Ann Van Fossan's "Le Jardin de Monet, III" is an original, handmade oil painting that depicts an impression of a lily pond. Van Fossan was born in Vail, Colorado, and began o...