Stephen Burks Armchairs

A stunning vintage French iron and leather armchair, dating from around the 1960’s. It is a great size for use as a desk chair or an occasional side chair. This model is often attri...

Grasso is an intuitive and immediate response to both aspect's of BD's heritage and culture. In many ways, the concept of extreme visual comfort is both a starting point and an end g...

The seat, inspired by the Far East references, is shaped with an amorphous wooden structure. It is handcrafted by covering soft textured fabric on sponge.

A bold Ralph Lauren Home organic seagrass and wicker armchair, featuring wrapped construction and woven paneling. The design is composed of a tall, reclined back with gracefully curv...

Handsome McGuire library armchair made in the organic modern style. The armchair features a pole rattan construction with leather rawhide laces with a rich dark stain finish. The gen...

A sinuous rattan framed armchair featuring a woven honeycomb cane back crafted in the California coastal organic modern style by McGuire. The chair has a gracefully curved pole ratta...

Wonderful iron and leather armchair by the talented Israeli designer Ilana Goor. This chair features distressed leather with a wrought iron rebar stru...

Following the success of the Gladis lounge chair which was originally introduced in 2009, Aqua Creations created the Gladis Collection. The first insp...

Armchair model "Leda" Structure in polished cast brass varnish. Salvador Dali Taken from “Femme à tête de roses" (1935)” 1935 (Woman with a head of roses). It was sufficient for this sculpture to be made as a three dimensional piece, remaining faithful to every detail in Dalí’s painting. Dalí affirmed: “A chair can be used even to sit on, but only on one condition: That we sit uncomfortably.” We can sit on the Leda, but due to the fact that it only has three legs and that the chair is heavy, it being made of solid brass, is more a work of art than a functional piece of furniture. © Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2022 Artworks by Salvador Dalí: © Salvador Dalí, Fundació Gala-Salvador Dalí, VEGAP, Barcelona, 2022 Salvador Dalí is the most versatile and prolific artists of the 20th century and the most famous Surrealist. Though chiefly remembered for his painterly output, in the course of his long career he successfully turned to sculpture, printmaking, fashion, advertising, writing, filmmaking and design. Born in Figueres, Catalonia, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age, he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. In the Paris of the 1930s, Dalí surrounded himself with a circle of friends working in the application of art to a number of varied disciplines, beyond the study of purely pictorial art. One of these, Jean-Michel Frank, an acclaimed furniture designer and decorator in Paris at that time, got on extremely well with Dalí, and together they developed a number of ideas. One example of this is the Bracelli lamp, a classic design in Jean-Michel’s manner of designing and working that Dalí adopted for his home in Portlligat. Among Dalí’s projects, which add to his CV as a designer, are the garden furniture for his home in Portlligat, the complete architecture of the Night Club (in the shape of a hedgehog) for the Hotel Presidente in Acapulco (1957) and a project for a bar in California in the 1940s. His creations were not limited to traditional furniture elements, but included taps, handles, knobs, prints and objects of indeterminate use. In 1933, Dalí even registered the patent for the design of a bench as an outdoor seat. In the 1990s, a team of experts led by Oscar Tusquets set out to bring to life the furniture that Dalí had sketched for Jean-Michel Frank, including the Leda chair and low table taken from the 1935 painting “Femme...

Grasso is an intuitive and immediate response to both aspect's of BD's heritage and culture. In many ways, the concept of extreme visual comfort is both a starting point and an end g...

Mid-Century Modern 'Elettra' Armchair by Stdio BBPR for Arflex, Leather and Iron, 1950s

Pair of 1960s armchairs with square tubular iron frame and fabric upholstery still original. The upholstery is sound, the original cover is in good overall condition.