Stephen Edlich Art

Skyscrapers by Martha Diamond, American (1944) Date: 1987 Aquatint, signed and numbered in pencil Edition of 45 Size: 28.5 in. x 36 in. (72.39 cm x 91.4...

"Souvenir d'Océanie" is a color lithograph signed in the plate by Henri Matisse. It is an original lithograph based on his paper-cut-out from 1950. Matisse originally painted these...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Vertical composition made on canvas on cardboard with acrylic paints, as well as texture paste with sand and coffee, textiles, jute fiber. It is covered with a durable acrylic varnis...

It is a GICLEE PRINT with my original oil painting Red Fish Stream at the grey background. Signed by hand Olga Nikitina I give a hand touch to all my prints on canvas – I make a couple of strokes with palette knife and oil or acrylic paints to underline the main accents of artwork. It's a perfect way to turn a fine art reproduction on canvas into an original art. I cover canvas print with special seal varnish. It makes fish wall décor...

MARINO MARINI (1901-1980) MIRACLE - Etching, Signed and numbered 70 / 75 in pencil. Image 15 ½ x 10 ½ inches,. Full sheet 22 3/8 x 15 inches with deckle edges. Plate IV of the serie...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Nocturnal Parts is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Sander Martijn Jonker. It is a relief consisting of two open spherical parts with an intriguing matte black finish, perhaps a bit mysterious but very beautifully made. It can be hanged in two different ways, with the opening between the two spherical elements either facing away or facing the observer. Depending where the light comes from one might decide for the one or the other hanging method. Sander Martijn Jonker (1977, Netherlands) graduated from the St. Joost School of Art & Design in Den Bosch, The Netherlands. He primarily makes three-dimensional reliefs that play with the tension between abstraction and representation, surface and space. Light, shadow and their elusive ever-changing properties play an important role. Although the resulting works are abstract, he uses everyday reality as a starting and/or reference point. His work is created through forms of manipulation, distortion, repetition and simplification. Some works arise from the repetition of a simple movement or form, others are made by exploring how far he can go with the deformation and manipulation of the material, after which he captures and preserves the shape. He experiences daily life as uncontrollable and at times confusing. In order to cope with that, he is always looking for patterns and has gradually developed various rituals and ways of control, hoping they can offer him certainty and reassurance. His work and person are inextricably connected. He makes the things he makes because he doesn’t have a choice. He is trying to get a grip...

The painting captures the major spring tree in the artist’s garden, painted plein-air in the garden. The language of Cherry Prunus blooms in early Spring when the weather is still ve...

The abstract print "SPRING FLOWERS 04042018 559pm" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fibre Rag 310gsm archival paper. As the title indicates, the artwork was created on April 4, 2018 at 5:59 pm. While Justin Neely...

Maggie LaPorte Banks. A cuppa at the cape 2 [2022] Signed by the artist Acrylic on canvas , printmaking, mixed medium Image size: H:76 cm x W:76 cm x D: 2cm Please note that insitu i...

This is the second in a series of intimate paintings exploring colour combinations using fragments of Fortuny textiles. Through the use of paint, paper and fabric, the simplified com...