Susan Goldsmith Art

Impressionistic English River Landscape Painting Original Oil by British Artist. A highly varnished mixed media artwork on deep edge canvas capturing the shimmering reflections of su...

Patrick Burns No Charges original newsprint, acrylic, polymer, resin on panel 32h x 48w in 81.28h x 121.92w cm PB0004 Patrick Burns b. 1987, Cleveland, OH Bio I like to explore themes that are unique to the American experience in my work. By merging the iconography of the US flag and the headlines from major events of our past, I can express a more personal understanding of what it means to be an American and the journey that has shaped our country.   West Virginia Raised. Maine Educated. Colby College  Exhibitions 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL American Experience, Ann Nathan Gallery, Chicago, June 2015 2014 (e)merge Art Fair, Capitol Skyline Hotel, Washington, DC. Amstel...

Impressionistic English River Landscape Painting Original Oil by British Artist. A matt varnished mixed media artwork on deep edge canvas capturing the shimmering reflections of sunl...

Bob DYLAN (1941-) Train Tracks mixed media 76 x 61 cm Signed Dylan's iconic Train Tracks image has resonated with fans and collectors since the initial s...

Steven H. Rehfeld (American, born 1954) "Celeste en Blue" 2019 Oil paint, Paper, Newsprint, Resin, Mixed Media, Canvas, Stretcher Bars The artist signed the back of the painting. "C...

Mixed-Media / Oil Painting / Illustration / Pop and Contemporary Pop / Human Figure / Chess / Comic Books / Video Games / Representations of Everyday Objects / Illustration / Interiors / Figurative Art / Outsider Art / Pop Art From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Chess with a Comic Collector" is an incredible figurative, pop surrealist piece made with oil and acrylic and a PLA plastic filament drawing affixed to wood panel. The 3D piece features a "a bearded and bespectacled young man, beer bottle close at hand, cut-outs of the Incredible Hulk...

Marilla Palmer Flourishing Euphoria, 2025 24K glitter, mushroom spores, pressed fern, sequins, wire, acrylic on Ampersand panel 16 x 12 in. (pal259) Marilla Palmer lives and works i...

Melanie Tiongson invites viewers into a world of fun and whimsy with her captivating artwork. Inspired by Filipino folklore and the boundless imaginations of her children, Tiongson's...

Mixed-Media / Stickers / Illustration / Pop and Contemporary Pop / Human Figure / Chess / Comic Books / Video Games / Resin / Drawing / Representations of Everyday Objects / Figurative Art / Pop Art From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Sticker Painting" is an incredible and unique resin coated pop surrealist painting featuring well over 70 gel pen drawings on sticker paper affixed to a wood panel painted in oil and acrylic paint. Among the illustration images are a panoply of pop culture references from the Eastern, Western, Northern and Southern hemispheres -- birds and other animals, landscapes, UFOs, food items, nineties-era pornography, vehicles, yin yang symbols, skulls, daggers, a Teenage Mutant Ninja Turtle...

Marilla Palmer Evanescent Poppies, 2025 pressed foliage, 12K gold leaf, acrylic on Ampersand panel 16 x 12 in. (pal248) Marilla Palmer lives and works in Brooklyn, NY and has shown...

We are the Earth is comprised of a photograph, acrylic paint, found objects in nature (bones, leaves, flowers, stones, crystals) and resin. The base materials for the work consist of a wooden paneled canvas that provides the platform for the adhesion of a rolled photographic canvas, a fine art photography print. The canvas print, in this case a double exposure digital photograph, is adhered to the wood using a clear acrylic varnish. Acrylic Paint is added along with the objects that I found in nature, which are all placed in a careful and meticulous fashion, finally cemented in resin. This specific piece of art was my first large scale piece of its kind, created in my studio in Brooklyn in 2019. This piece was inspired by the colors of my travels, the deserts, trees, mountains and sunsets. The human depicted is myself, it is a self-portrait captured in Great Sand Dunes...

Martin Creed Everything's Going to be Alright (Work No. 3531), 2022 Color giclee print; unframed and housed in a bespoke archival box from Hauser & Wirth 11 3/4 × 16 1/2 inches Pencil signed, titled and numbered 141/200 Makes a perfect gift! Accompanied by original receipt from the Fife Arms (Beaemar) and gallery issued Certificate of Guarantee A wonderful print with an affirmation worth seeing in any room in the house! Note: this work is pencil signed and numbered from the limited edition of 200, and it comes inside of a bespoke box, as it was first issued by Hauser & Wirth. The number shown in the image here may not be the number you receive. In 2020, as part of the post-lockdown re-opening celebrations for Scotland's Fife Arms, Hauser & Wirth's owners unveiled a specially commissioned temporary neon installation, ‘Work No. 3435: EVERYTHING IS GOING TO BE ALRIGHT’ by one of their favorite artists, Turner Prize-winner Martin Creed. This colorful installation was situated on the grounds of nearby Braemar Castle. The message resonates well beyond the pandemic. It makes a terrific gift. (Martin Creed, who grew up in Glasgow, is particularly known in Scotland for the much-loved Scotsman Steps in Edinburgh, a public staircase joining two streets made with more than a hundred different types of marble. A work in blue neon, ‘Work No. 975: EVERYTHING IS GOING TO BE ALRIGHT’, has been on view since 2012 on the facade of the National Gallery of Scotland in Edinburgh. The phrase ‘Everything is going to be alright’ has been used by the artist in a series of large-scale neon works since 1999 and draws on the comforting words Creed was offered by a friend. He explains, “If you are upset and someone speaks to you to try to help you, even if the words are empty because no one knows what is going to happen in the future, it can still feel like a comfort. No-one can really tell you everything is going to be alright, but despite that, many times in my life I have been very comforted by people saying something like that to me.”) And all this brings us back to the present work, a limited edition 2022 color giclee print, pencil signed and numbered by Martin Creed, which depicts Creed's pandemic-era temporary light installation with the neon words Everything is Going to Be Alright, against the backdrop of Braemar Castle at nightfall. This edition was originally sold by Hauser & Wirth via the Fife Arms to raise funds to restore Braemar Castle - and it quickly sold out. It's a poignant message that continues to resonate, perhaps now more than ever - and it would look beautiful in any home or office. But the question remains: Should we really believe Martin Creed's message? The answer is a resounding Yes. Coming from some of the most successful and lucky people on earth (Martin Creed and Manuela and Iwan Wirth) and carrying the magical energy and history of Braemar Castle, the odds are looking pretty good that everything is indeed going to be alright with all that positivity! By the way, just for fun (because why not?) keep scrolling (right arrow to the right of the main image) to view a 2019 photograph of King Charles and Queen Camilla (then officially known as the Duke and Duchess of Rothesay when in Scotland) attending the opening of The Fife Arms, with Manuela and Iwan Wirth standing next to them on the left - all in Highland dress. More about Martin Creed: British sculptor and installation artist. He was born in Wakefield, grew up in Scotland, and studied at the *Slade School of Art. His works are generally sparse in their material form and are identified only by numbers so as not to impose associations. (For this reason his numbering system avoids the portentous No. 1.) He is best known for the work for which he was awarded the *Turner Prize in 2002, Work no. 227 (2000, MoMA, New York). An entire room is alternately lit and darkened by electric light. It is a way of making a work of art which has no material existence: the light and the darkness are not themselves the art, only the change between them. This is a work which has entered the mythology of ‘modern art’ stories: the river boat guide tells the tourists (quite incorrectly) as they pass *Tate Modern: about the empty room...