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Suzanne Bloomfield Paintings

American, 1934-2022

Born in 1934, the work of Suzanne Bloomfield represents the life force which binds us all -- a universal symbol for the soul's transformation. Bloomfield believes that painting is the discovering of beautiful secrets which are only uncovered in the searching. Her painting blends encaustic (an ancient painting method which adds pigment to heated beeswax) with oils. Her selected exhibitions include: Permanent Collection Archives, American Album, The National Museum of Women in the Arts, Washington, DC; Foreign Exhibition Tour of India, National Association of Women Artists-Centennial Year, New York City; and International Latin American Exposition, Miami Florida.

Bloomfield passed away in October 2022. 

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Artist: Suzanne Bloomfield
Depths Of The Sea 1978 - Abstract Expressionist Oil Encaustic Blue Female Artist
By Suzanne Bloomfield
Located in Rancho Santa Fe, CA
“In The Depths Of The Sea” 1978 Abstract Expressionist Oil & Encaustic painting Born in 1934, the work of Suzanne Bloomfield represents the life force which binds us all -- a univer...
Category

1970s Abstract Suzanne Bloomfield Paintings

Materials

Canvas, Encaustic, Oil

1970 Large Abstract Expressionist Red Black White Encaustic Oil FEMALE ARTIST
By Suzanne Bloomfield
Located in Rancho Santa Fe, CA
“Untitled” 1970 Abstract Surrealist Composition Encaustic & oil paint on Masonite 60 x 48 inches Not framed Born in 1934, the work of Suzanne Bloomfield represents the life force wh...
Category

1970s Abstract Expressionist Suzanne Bloomfield Paintings

Materials

Masonite, Encaustic, Oil

AFTER THE STORM 1969 Abstract Large Encaustic/Oil 60x48 Female Surrealist Artist
By Suzanne Bloomfield
Located in Rancho Santa Fe, CA
Suzanne Bloomfield’s 1969 painting, After the Storm, is a striking blend of oil and encaustic that immerses viewers in a world of renewal and transformation. Deep reds, earthy brown...
Category

1960s Abstract Suzanne Bloomfield Paintings

Materials

Encaustic, Oil, Masonite

Tucson Sunrise In July 1973 Encaustic Abstract Orange Yellow #9893 Female Artist
By Suzanne Bloomfield
Located in Rancho Santa Fe, CA
Born in 1934, the work of Suzanne Bloomfield represents the life force which binds us all -- a universal symbol for the soul's transformation. Bloomfield believes that painting is t...
Category

1970s Abstract Expressionist Suzanne Bloomfield Paintings

Materials

Masonite, Encaustic, Oil

"Quickening" Female Abstract Expressionist Artist 1970 Red Black White LARGE OIL
By Suzanne Bloomfield
Located in Rancho Santa Fe, CA
Born in 1934, the work of Suzanne Bloomfield represents the life force which binds us all -- a universal symbol for the soul's transformation. Bloomfield believes that painting is the discovering of beautiful secrets which are only uncovered in the searching. Her painting blends encaustic (an ancient painting method which adds pigment to heated beeswax) with oils. Her selected exhibitions include: Permanent Collection Archives, American Album, The National Museum of Women in the Arts, Washington, DC; Foreign Exhibition Tour of India, National Association of Women Artists-Centennial Year, New York City; and International Latin American Exposition, Miami Florida. "Quickening" Female Abstract Expressionist Artist 1970 Red...
Category

1970s Abstract Expressionist Suzanne Bloomfield Paintings

Materials

Masonite, Encaustic, Oil

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Awards: National Council Arts Awards, 1968. Frederic Karoly died on December 15, 1987 at the Inter-Continental Hotel in Manhattan, where he had made his home for many years. Fredric Karoly was born in Budapest in 1893. According to Karoly’s own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently life long. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926 (he probably first came to the US on a work visa in 1925). In New York, Karoly worked in women’s fashion as a designer. 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This development was consistent with concurrent explorations into the grid by artist Agnes Martin and others. By the mid-50’s Karoly’s style began another transition into a more surface concerned “Color Field” style of painting. There are elements still reminding one of Abstract Expressionist concerns as such painters as Clifford Still. But the works that began to emerge from Karoly’s studio in 1958 presaged the Morris Lewis fan motifs and Friedl Dzubas’s epic and romantic color spewing expanses of canvas. In 1959 Karoly began experiments using washes of turpentine diluted oil paint directly onto raw linen, and all of these subsequently suffered the consequences of oil oxidation and acidity upon the surfaces. However, many of Karoly’s washes in color field happily occurred on lightly prepared primed canvas surfaces as well. By 1960 Karoly began reintroducing imagistic references to his visual content. There were also various references to Japanese and Zen influences. He experimented with a variety of processes that included mixed media and marbleized surfaces achieved by the intermixture of oil and water mediums. A calligraphic element also enter Karoly’s work in the early 60’s. Then in 1961 glued and assembled objects begin to show up in Karoly’s work in earnest. The influence of early POP artists, particularly Jasper Johns, and Robert Rauschenberg, become apparent. From 1961-63, a series of the assemblage works transition from canvas to the sculptural to pieces obviously intended for full scale installation. Many of these pieces were among the most fragile of his works primarily due to their reliance upon the of gluing of objects such as plastic or paper cups on flexible surfaces of stretched linen or canvas. In the mid-60’s Karoly apparently produced a number of photo-silk screened series of Picasso, De Kooning and other significant artists of his generation. These were executed in a style somewhere between Rauschenberg’s and Roy Lichtenstein’s, primarily because of their reliance upon half tones and Ben-Day dot effects. Then Karoly began a series of paintings conflating his drip and grid styles with super imposed and painted over string. In the late 60’s Karoly embarked upon a series of multi-paneled stretched linen constructions often with slits and fiber optic back-lit elements that were prescient of the work of Dan Flavin and others. It was this body of work that was shown at Hofstra University’s Emily Lowe Gallery, and it was these works that suffered perhaps the most irreparable damage from a steam/water infiltration in a space where they were being stored. The late professional start that Karoly had into the art world was balanced by his long life span and early immersion into the design issues of modernism as it emerged in turn of the century Europe and later evolved in America. He was clearly an artist who subscribed to the ethos of the new in abstraction and was obviously impressionable and in some instances prescient with regard to various trends in abstraction. Several noteworthy and influential collectors and institutions during his 40 years of professional engagement acquired his work. The Whitney Museum of American Art had and may still own a large Karoly canvas from 1960, but this is doubtful as the artist failed to list it on the vitae he filed with MoMA in 1965. His work was recognized and honored by the Whitney with its inclusion in four of their annual survey shows (1951,1953, 1963 and 1964). The artist’s surrealist influenced paintings from 1948-1950 were the focus of a solo exhibition held of his work by the Museo de Art in Sao Paulo and eight years later a ten year survey of his work was the focus of a solo show at the Miami Museum of Modern art. The Sao Paulo Museum in Brazil, and the Museo de Bellas Artes in Buenos Aires, Argentina each acquired Karoly paintings for their collections in the 1950’s. One of Karoly’s surrealist pieces was apparently purchased by Christian Zervos, Picasso’s designated chronicler, who apparently also wrote a piece on Karoly in Cahiers D’Art in 1949. A 60’s piece of Karoly art that is in the New York University’s permanent collection is included in the MoMA Library’s catalog...
Category

Mid-20th Century Abstract Expressionist Suzanne Bloomfield Paintings

Materials

Oil, Masonite

Previously Available Items
Untitled Abstract Composition #71965
By Suzanne Bloomfield
Located in Rancho Santa Fe, CA
Born in 1934, the work of Suzanne Bloomfield represents the life force which binds us all -- a universal symbol for the soul's transformation. Bloomfield believes that painting is t...
Category

1960s Abstract Suzanne Bloomfield Paintings

Materials

Encaustic, Oil, Masonite

Suzanne Bloomfield paintings for sale on 1stDibs.

Find a wide variety of authentic Suzanne Bloomfield paintings available for sale on 1stDibs. You can also browse by medium to find art by Suzanne Bloomfield in encaustic paint, oil paint, paint and more. Much of the original work by this artist or collective was created during the 1970s and is mostly associated with the abstract style. Not every interior allows for large Suzanne Bloomfield paintings, so small editions measuring 60 inches across are available. Customers who are interested in this artist might also find the work of Frealon Norden Bibbins, Peter Mack, and Julia Marc. Suzanne Bloomfield paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $15,400 and tops out at $16,500, while the average work can sell for $15,400.

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