Frealon Norden Bibbins Paintings

The present work of art titled "Urban Abstraction (ripped off posters)" is part of a series of paintings that the artist composed in the 1980s and 1990s inspired by the observation of the urban reality of those years. The artist take the cue from his walks in Florence, both in the center and in the suburbs, and by the observation of billboards and posters scattered throughout the city. The mass of information, colors, messages and words were carried on the canvas with acrylic colors, ideally reconstructing the tears and overlaps of all the information and advertising contained on these huge sheets of paper that invade our cities. The geometric lines are overlaid with jagged lines, overlaps and color dripping and also the choice in the color palette, with different shades of white, gray, rose, orange red and blue helps in rendering the result of the tears and ripped paper. The result is a beautiful multicolored modern abstract canvas, both aesthetically and ethically, with many rich layers of color, texture and expression in which the artist leaves his own message. The painting is housed in a simple modern white lacquer wood frame. Andrea Spinelli...

This artwork named "White landscape" is an abstract painting on canvas by French artist Anne Revol. Through her abstract artworks, Anne Revol likes to expr...

As a graduate of the Art Academy Utrecht (Hogeschool voor de Kunsten), Justyna has specialized in painting. Justyna’s paintings push the boundaries between abstraction and representa...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

This artwork named "Mist " is an abstract painting on canvas by French artist Anne Revol. Through her abstract artworks, Anne Revol likes to express trips,...

This abstract artwork by artist Françoise Duprat is titled "Boucaille", which in French means a fine rain with some fog. Part of the artwork is plain...

Rex Yuasa’s work explores the relationship between beauty and the sublime. Yuasa first began developing a body of work based on the idea of “void,” which he describes as a non-sign...

Rex Yuasa’s work explores the relationship between beauty and the sublime. Yuasa first began developing a body of work based on the idea of “void,” which he describes as a non-sign...

Rex Yuasa’s work explores the relationship between beauty and the sublime. Yuasa first began developing a body of work based on the idea of “void,” which he describes as a non-sign...

In his artworks, the French painter Philippe Saucourt seeks the harmony of opposites between movement and flatness, between transparency and opacity,...

Diptych 165 x 73 cm and 165 x 219 cm (65 x 28.7 in and 65 x 86.2 in) This work will be shipped rolled in a tube. Poynder's method emphasizes gesture, line, color, and space. Physi...

Painting on stretched canvas over sculpted stretcher bars, constructed by the artist. The work has been painted to give the illusion that it is a raised cube when in fact it is a 2-dimensional shaped canvas. Multiple acrylic paints and acrylic pigments have been used in each 'Stripe' of this work. Many are semi transparent or metallic pigments, causing a nice nuance in color depending on the lighting of the work. After receiving his MFA from Florida State University, in 1978 Jack Reilly moved to Los Angeles. His paintings were soon discovered by prominent Los Angeles art dealer Molly Barns, who offered him a solo exhibition with her gallery. Donald Brewer, curator of the Fisher Museum at the University of Southern California, introduced Reilly’s paintings in 1979 in a major museum exhibition entitled The Reality of Illusion, which opened at the Denver Art Museum and traveled for two years to the Oakland Museum, USC Fisher Museum, Johnson Museum at Cornell, Honolulu Academy of Arts, among other institutions nationwide. This series of museum exhibitions, along with numerous solo shows and reviews, established Reilly as one of the original artists of the Abstract illusionism painting movement. In 1979 Reilly received a National Endowment for the Arts Grant. Although he is best known for his abstract paintings on shaped canvas, he also works in representational imagery and mixed-media. By the early 1980s, Reilly's paintings were represented by galleries in major American cities including the Molly Barnes Gallery in Los Angeles, Aaron Berman Gallery in New York, Foster Goldstrom Fine Arts in San Francisco, Marilyn Butler gallery in Scottsdale and numerous others. Articles and reviews on Reilly's paintings were subsequently published in Arts Magazine, Art Week, the Los Angeles Times, New York Artworld, and in books including American Art Now by noted author and art critic Edward Lucie-Smith, and Inside the L.A. Artist by Marva Marrow. Such notable collectors of the era, including Fred and Marcia Weisman, Steve Martin...