Tacchini Side Tables

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Surrealism, primitivism, metaphysics and brutalism. Art together with architecture and design build a scenario of inspirations and continuous references through which the material ri...

LOW TABLE CM.130X110XH.34 - white CEMENT BASE - ALUMINUM TOP Art is a spontaneous expression, which dissolves the constraints of traditional culture. The material as a raw element, ...

The L Side Table belongs to Ollain, Tellurico Design Studio's collectible furniture collection, originally launched in 2020 as a series of three side tables—Small, Medium, and Large....

Coffee Table H is the latest addition to the Abecedario Collection presented on the occasion of the Milan Design Week 2023. A new grapheme that marks the evolution of this line and allows Forma&Cemento to continue with the drafting of a real concrete alphabet. Each coffee table is made through the extrusion of a two-dimensional shape into which the concrete is poured. Each unique and recognizable "sign" materializes in a piece of furniture full of meaning. Forma&Cemento products are handcrafted in high performance cement mortar! Our production process is completely artisanal and for this reason each piece is unique and no two are alike. To preserve the beauty of our concrete and highlight its peculiar characteristics, we use colored pigments that are poured directly into the cement mix. Any imperfections on the surface such as color variations, porosity, fine cracks and granulations of different colors are characteristics of the material and of the craftsmanship, for this reason they are not to be considered defects. Design: Studio Salaris...

The manufacturer introduced this gorgeous coffee table as part of their 2025 collection. The Gian Low Table was designed by the talented duo, Studiopepe, inspired by the iconic windo...

LOW TABLE CM.130X110XH.34 - white CEMENT BASE - ALUMINUM TOP Art is a spontaneous expression, which dissolves the constraints of traditional culture. The material as a raw element, ...

Hilu Side Table by Studio Kallang Dimensions: W 38 x D 38 x H 45 cm Materials: Solid Teak, Solid Sungkai. STUDIO KALLANG IS A SINGAPORE AND SEATTLE B...

The pronounced grain and warm color of golden pine are wonderfully displayed in the artful carvings of this beautifully proportioned altar table. Expressive scrollwork articulates th...

High quality small hand carved rosewood Chinese altar table / side table, circa 1960s. The table is in very good vintage condition and measures 29.5"W x...

Joaquim Side Table by Tacchini Designed by Giorgio Bonaguro The Joaquim side tables are inspired by the softness of Brazilian design from the 1940s to the 1960s, from which they also...

Fragment Side Table in Resin & Marble by Fict Studio Dimensions: D 34 x W 48 x H 57,5 cm Materials: Resin and marble. Jang Hea-Kyoung is a Seoul-based artist and designer whose ...