Dr. Tarmo Pasto was a psychiatrist and artist. He taught psychology and art through the 1970s at California State College at Sacramento since the school’s inception. He also authored a book on art, "The Space-Frame Experience in Art,” published in 1964. However, Dr. Pasto was mainly known to the world for introducing the works of one of his patients, Martin Ramirez (1885–1963). Dr. Pasto was a psychiatrist for Ramirez in the late 1950s and provided him with quality art materials and also encouraged his artistic endeavors. The art of the insane was of particular interest to Dr. Pasto, and he would often use examples of it in his classroom. Dr. Pasto was also very instrumental in initiating several Bay Area exhibitions of what today is considered outsider art. In the 1970s, with the help of artist James Nutt, he provided the first public showing of Martin Rameriz's artwork. Thus, Tarmo Pasto gets much of the credit for introducing one of the well-known outsider artists to the world. He also discovered the outsider artist P.M. Wentworth and promoted his work. Dr. Pasto was a long-time contributor to the California art scene, as well as an art teacher and psychologist to many successful artists.
(Biography provided by Robert Azensky Fine Art)
Fields and Foothills Landscape Painting, Signed, 1948
By Tarmo Pasto
Located in Soquel, CA
Fields and Foothills Landscape Painting, Signed, 1948 Lovely landscape by Tarmo Pasto (American, 1906-1986). The viewer stands at the top of a hill, looking down into a valley with ...
Canvas, Oil
Mid Century Modern Portrait Painting of Woman, Signed, 42x36 Inches
By Tarmo Pasto
Located in Soquel, CA
Mid Century Modern Portrait Painting of Woman, Signed, 42x36 Inches Substantial and period painting, a Mid Century Modern portrait of a woman in an abstracted landscape by listed Ca...
Canvas, Oil, Stretcher Bars
$2,850
Modernist Portrait of St. Francis, Original Oil on Canvas, Signed Tarmo Pasto
By Tarmo Pasto
Located in Soquel, CA
Modernist Portrait of St. Francis, Oil on Canvas, Signed Compelling modernist oil on canvas portrait of St. Francis by Dr. Tarmo Pasto (American, 1906-1986). Presented in a taupe pa...
Canvas, Oil
$1,520Sale Price|20% Off
H 35.83 in W 47.64 in D 0.79 in
Carnival - Abstract Painting Modern Bold Invest Colorful Large Contemporary Joy
By Karnish Art
Located in Pretoria, Gauteng
Title: The Guardians and the Carnival Abstract Painting Modern Bold Invest Colorful Large Contemporary Joy Love the detail in this artwork by Karnish. This work is part of a serie...
Gesso, Canvas, Wood, Spray Paint, Acrylic, Color Pencil, Stretcher Bars
$2,200
H 39.38 in W 47.25 in D 0.79 in
Absolute Wealth - Painting Contemporary Abstract Colorful Maximalism Bold Invest
By Karnish Art
Located in Pretoria, Gauteng
Title: Absolute Wealth Large Painting Absolute Wealth - Contemporary Abstract Colorful Maximalism Bold Invest Another soulful artwork by Karnish. Symbols and forms unfold in this me...
Gesso, Canvas, Acrylic, Wood, Charcoal, Spray Paint, Color Pencil, Stret...
$39,000
H 45 in W 39 in
NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural
By Ernest Fiene
Located in New York, NY
NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...
Canvas, Oil
An Ideal Head of a Woman
By Alfred Henry Maurer
Located in New York, NY
In the tradition of Modigliani, Maurer's depictions of women are expressive and lively. America had very few modernists who painted in this manner but Maurer is famous for exactly t...
Gesso, Oil, Board
$12,000
H 33.38 in W 28.38 in D 2.5 in
“The Big City, 1948” Grand Central Station NYC Manhattan Female WPA Modernist
Located in Yardley, PA
“The Big City, 1948” by Anna Elkan Meltzer (American, 1896-1974) One of Meltzer’s finest works, this painting encapsulates the organized chaos of Grand Central Terminal in NYC in th...
Oil, Canvas
$22,000
H 35 in W 44 in D 2 in
Mid-Century Painting of Party by African-American from Detroit.
Located in Marco Island, FL
The scale of this dynamic party painting by Leroy Foster (1925-1993) makes you feel like you are in the room with a cocktail in hand. He was an accomplished muralist, so it is no s...
Canvas, Oil
$9,500
H 20 in W 24 in D 2 in
Landscape with Artist. Mid-Century Chicago Modernist Oil Painting.
Located in Marco Island, FL
Chicago Modernist, William Schwartz, painted this dynamic landscape of an artist painting en plein air. He studied at the Art Institute of Chicago shortly after emigrating to the Un...
Board, Oil, Canvas
$6,500
H 21.88 in W 17.38 in D 2 in
On the Beach. Woman Reading. Mid-Century Chicago Modernist Oil Painting.
Located in Marco Island, FL
Chicago Modernist, William Schwartz, painted this intimate painting of a woman reading titled On the Beach. He studied at the Art Institute of Chicago shortly after emigrating to th...
Canvas, Oil, Board
$36,000
H 20 in W 30.25 in D 2 in
Late Afternoon - Modernist Mid-Century Midwest Oil Painting
Located in Marco Island, FL
A quintessential American Scene landscape painted by the Chicago Modernist, William Schwartz. Workers in tilled fields surrounding a farmstead under dramatic skies. Painted in 1935...
Canvas, Oil
$7,400
H 45 in W 39 in D 1.5 in
"Woman in Sunlight and Shadow" by M. Petersen - Colorful Figurative Abstract
Located in Carmel, CA
Maura Petersen (American, born 1956) "Woman in Sunlight and Shadow" 2025 Acrylic Paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. "Woman in Sunlight...
Canvas, Acrylic, Stretcher Bars
$1,211Sale Price|30% Off
H 33.08 in W 46.86 in D 0.2 in
Painting, Modern, Abstract, Colorful, Contemporary, Invest, Artwork, Original
By Karnish Art
Located in Pretoria, Gauteng
Title: The Guardians of Togetherness Painting, Modern, Abstract, Colorful, Contemporary, Invest, Artwork, Original The Guardians of Togetherness opens up the viewer to experience t...
Gesso, Canvas, Glaze, Oil, Spray Paint, Acrylic, Color Pencil, Wood, Str...
$7,500
H 48 in W 36 in D 1.5 in
"Linden Lane" - Vibrant Colorful Contemporary Abstract Impressionist Quiet Scene
Located in Carmel, CA
Maura Petersen (American, born 1956) "Linden Lane" 2025 Acrylic paint on stretched canvas The artist signed the bottom left of the painting. “Linden Lane” captures a quiet, intimate...
Canvas, Stretcher Bars, Acrylic
Sold
H 44 in W 36 in D 2 in
Sunflowers, Large Scale Modernist Floral Bouquet Still-Life by Tarmo Pasto
By Tarmo Pasto
Located in Soquel, CA
Sunflowers, Large Scale Modernist Floral Bouquet Still-Life by Tarmo Pasto. A stunning large-scale modernist oil on canvas still-life of sunflowers by Dr. Tarmo Pasto (American, 1906-1986). This modern floral bouquet still-life, painted by Pasto in 1973, harkens back to Van Gogh's world famous turn-of-the-century depiction of the same subject. Pasto uses a modern and fresh color palette of dark green, light yellow, lavender, and peach in this vibrant modern sunflower portrayal. Signed "Tarmo Pasto" and dated "73" lower right. Presented in a brown painted wood frame. Image size: 38"H x 30"L. Framed size: 44"H x 36"W x 2"D. Dr. Tarmo Pasto was a psychiatrist and artist, who taught psychology and art through the 1970s at California State College at Sacramento since the schools inception. He also authored a book on art...
Canvas, Oil
Sweeping Landscape
By Tarmo Pasto
Located in Soquel, CA
Oil on canvas landscape by Dr. Tarmo Pasto (American, 1906-1986). Dr. Tarmo Pasto was a psychiatrist and artist, who taught psychology and art through the 1970s at California State College at Sacramento since the schools inception. He also authored a book on art, "The Space-Frame Experience in Art", published in 1964. He, however, was mainly known to the world for introducing the works of one of his patients, Martin Ramirez...
Canvas, Oil
Sold
H 44 in W 36 in D 2 in
Sunflowers, Large Scale Modernist Floral Bouquet Still-Life by Tarmo Pasto
By Tarmo Pasto
Located in Soquel, CA
Sunflowers, Large Scale Modernist Floral Bouquet Still-Life by Tarmo Pasto A stunning large-scale modernist oil on canvas still-life of sunflowers by Dr. Tarmo Pasto (American, 1906...
Canvas, Oil