Tavik Frantisek Simon Art

Boyer, Ralph L. (American, 1879-1952). CENTRE HARBOR, N.H. Etching, not dated. Number 12 of the edition of 60. Signed in pencil and inscribed "imp rlb" just below the image. Further inscribed in the lower margin with the Title, the edition size and number, and the artist's name and "Westport, Conn." where he lived and worked. 9 7/8 x 7 3/4 inches (plate), 13 x 10 1/2 inches (sheet). Tape residue at the upper corners, else in very good condition. Boyer was well known as a sporting artist. Derrydale...

Artist: Manuel Robbe (French, 1872-1936) Title: "Le Bouquet de Violettes (The Bouquet of Violets)" *Signed by Robbe in pencil lower right Year: 1903 Medium: Original Hand-Colored Etc...

Artist: Peter Milton, American (1930 - ) Title: Under Greylock Year: 1993 Medium: Intaglio Etching, signed and numbered in pencil Edition: 175 Image Size: 18.25 x 15 inches Size: 25 ...

A contemporary monochrome print of a Quiver Tree. Signed in graphite below plate lines. Titled to the lower margin and edition A/P (Artist Proof). Mounted in a fine black frame. On w...

Signed, titled and numbered by the artist, edition of 50. Imaginary topiary and garden scenes, with incredibly fine line work in the etching in this image of a suspended garden. Others in this series are available. François Houtin was born in Craon en Mayenne, France in 1950. He has lived and worked in Paris since 1971. He was trained as a landscape architect, and worked on such prominent projects as the renovation of the Jardin des Tuilleries in 1991. It wasn't until 1973 that he learned printmaking from Jean Delpech, and by 1979 he had become a full-time artist known for his highly detailed...

"Centre Cross" etching that incorporates religious imagery by Charon Kopriva. Signed, Titled, and dated by the artist at the bottom of the print. Editioned 3/15. Dimensions Without ...

Ryohei, Tanaka (Japanese, 1933- 2019). WOODED LANDSCAPE WITH TREES AT DUSK. Etching and aquatint, 1986. Signed and numbered 76/150 in pencil, 5 ½ x 9 ...

Medium: Aquatint, Drypoint, Etching Year: 2016 Image Size: 4.33 x 3.54 inches Edition Size: 50 Beautiful impressionist image a japanese woman in traditional Kimono. Lawlor's early ...

Pierre Alechinsky Travel : Boat on the Sea, 1998 Original etching with aquatint Unsigned On BFK Rives vellum 63 x 92 cm (c. 25 x 37 in) Authenticated with the blind stamp of chalcog...

A la Corrida Color aquatint, c. 1900 Signed "Osterlind" lower right in red pencil Annotated: "No. 96" in pencil lower left Edition: about 100 Published by Sagot, Paris: their blindst...

Arnulf Rainer (1929) Paris : Tribute to Louvre Museum with Orange Scratch Original etching On vellum 40 x 50 cm (c. 16 x 20 in) Authenticated with the blind stamp of the editor Cha...

This is a pair of framed hand-colored prints, both utilizing engraving and etching techniques, depicting two London architectural landmarks: "The National Gallery, Charing Cross" and "Covent Garden Market" from the Stationers' Almanac, published in London by J. Robins & Sons in the early 19th century. Both of these prints show vibrant London street scenes with markets, carriages, common people as well as the wealthy in the foreground of "Covent Garden Market" and wealthy well dressed people, carriages, a begger, street merchants, as well as uniformed military on horseback in the foreground of "The National Gallery". "The National Gallery, Charing Cross" was created by James Sands from a painting by Thomas Allom (1804-1872), published in 1836. "Covent Garden Market" was created by Frederick James Havell (1801–1840/41) after a painting by William Havell...