Terry Evans Landscape Photography

African Mines 001 is a limited-edition photograph by contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 3 dimensions: *90 × 72 ...

Deep Mirroring Forest 005 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 6 dimens...

Stars 7, 2015 - Stars and Trees in Ancient English Woodland Forest Landscape by Ellie Davies Stars 7 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte paper, a...

"TV 1" is an atmospheric C-Type print by Samuel Hicks. It is available in this size of 16" x 20" in a Limited Edition of 25. The pale blue glow of the analogue television stands o...

"TV 2" is an atmospheric C-Type print by Samuel Hicks. It is available in this size of 16" x 20" in a Limited Edition of 25. The apricot hued glow of the analogue television on thi...

alternative photo - done on assignment in Cape Hatteras Signed lower right, numbered, 3/15 dated

Deep Mirroring Forest 013 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 5 dimens...

Driving Range is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer Smith. It is available in this size in an Edition of 25, and is sold unframed. In a departur...

'Hotel Il San Pietro' Slim Aarons Estate Edition Guests at the Hotel Il San Pietro in Positano, Italy, August 1979. In his words, he photographed 'be...

Hong Kong Apartments I is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer Smith. It is available in this size in an Edition of 25, and is sold unframed. The ...

Stars 13, 2014 - Starlight in Ancient Woodland among Trees and Forest Landscape by Ellie Davies Stars 13 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in...

Since its construction, Mitchell Funk has been chronicling the Twin Towers, of the World Trade Center. More specifically, he has been recording how light affects and transforms the two giant monoliths. Like us all, Mitchell was inspired by the formidable presence of the two buildings. Living in Brooklyn Heights with great views of lower Manhattan gave him a special advantage and opportunity to assemble some of the most iconic Twin Tower images ever taken. To Mitchell Funk, the Twin Towers, of the World Trade Center were the perfect synthesis of commerce and art. Most modern architecture is simply functional. Minoru Yamasaki's Twin Towers were in fact something quite radical. They were a steel and glass expression of Minimalism on the grandest scale in human history. Everything in the towers was stripped down to its essential quality with nothing extraneous added ….. except light. The way the buildings reflected light made them unique and inspired Mitchell to record them in color for 32 years. Although, the exterior was actually made of a very reflective blue/grey stainless steel the warm light of daybreak and sunset could change their color and transform them from buildings into and mystical monumental sculptures. With the help of the sun as a key player, Mitchell’s images of the Twin Towers progress from the mystical to the spiritual as they reflect the sun’s intense golden energy. Under these conditions, one could argue, that the Twin Tower housed the same type of divine energy as the adjacent churches. In the wake of the 9/11 tragedy, one could interpret Twin Tower sunset images differently. A sunset can be a symbol for the end of the day or simply The End. The 1969 image “Dead End” is a visual prognostication. The North Tower is under construction in the background and in the foreground, Mitchell has framed it between two street signs that read Dead End. In Mitchell’s Twin Tower photographs, he is not taking a tourist picture that says “here I am on the Brooklyn Heights Promenade...