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Theodore Levigne Figurative Paintings

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Artist: Theodore Levigne
Gentry People in The Park in 18th century
Gentry People in The Park in 18th century

Gentry People in The Park in 18th century

By Theodore Levigne

Located in Saint-Ouen, FR

LEVIGNE Théodore (1848-1912) "Genre scene in 18th century" Oil on canvas signed low right Old original frame Dim canvas : 72 X 100 cm Dim frame : 103 X 127 cm LEVIGNE Théodore (1848...

Category

1880s Academic Theodore Levigne Figurative Paintings

Materials

Oil

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A Pompeian Lady
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John William GodwardA Pompeian Lady, Dated 1904

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H 45.75 in W 44.38 in D 5 in

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John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...

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 Signed and located Munchen lower left 
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 Provenance: * Collections of Prof. Dr. Ludwig Borchardt and Emili...

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Theodore Levigne figurative paintings for sale on 1stDibs.

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