Théodore Rivière Decorative Objects

Large Orientalist bronze group by Bergman Austrian, c. 1910 Measures: Height 28cm, width 18cm, depth 27cm This exceptional bronze group is by Be...

A vintage lost wax cast bronze snail sculpture from the mid 20th century with dark patina. We have several available. Created with the tradition...

A contemporary bronze sculpture depicting a bull, with dark patina. Created with the traditional technique of the lost-wax (à la cire perdue) that allows a great precision and finesse in the details, this small bronze sculpture depicts a proud bull firmly standing on its four paws resting on a shaped base. Placed anywhere in a home, on a commode, buffet or console table, this cast bronze bull...

The expressive model featuring a toy cannon at the child's feet, all set on a circular marble base The cannon signed 'Adriano Cecioni', with cartouche to the base inscribed 'ENFANT AU COQ...

A very fine French antique patinated bronze figural group titled Pro Patria by Edouard Drouot (French, 1859-1945) late 19th century. Depicting a figure of winged Victory with a ...

Vincenzo Eulissi 1970 gilded bronze modern sculpture in lost wax.

A vintage lost wax cast bronze snail sculpture from the mid 20th century with verde patina. We have several available. Created with the traditio...

Vintage lost wax cast bronze foo dog sculptures from the mid 20th century. We currently have three with bronze patina (no more verde patina), both of which are showcased in the photo...

This vintage bronze duck tabletop statuette is a charming and intricately detailed piece, showcasing the exquisite craftsmanship of the lost wax process. The fine details on the feat...

For sale a magnificent early 20th Century gilt bronze sculpture, cast using the Lost Wax (in French, 'Cire Perdue') process. This fine sculpture is a cast of Richard Alexander Hudnut's hand and was produced by the renowned Montagutelli Frères foundry in Paris in 1912. The sculpture is in very good vintage condition, signed "Richard Alexander Hudnut 1912" and carries the oval "Montagutelli Freres Paris Cire Perdue" foundry stamp to the underside. Richard Alexander Hudnut (1856-1928) was an American businessman recognised as being the first American to achieve international success in cosmetics manufacturing. After graduating from Princeton University, he toured France and returned with the idea of introducing French-style perfumes and cosmetics to American women. The Richard Hudnut company once maintained separate US and European headquarters on Fifth Avenue in New York City and on the Rue de la Paix in Paris, respectively. Although his fortune had been built around cosmetics and beauty products...

The Strength An Art Deco patinated bronze group by Maurice Guiraud-Rivière (1881-1947) Representing three men in full effort pulling a rope, resting on an oblong naturalistic base S...

An Incredible and Large Gilt and Patinated Bronze Group of Gloria Victis, a Winged Figure of Victory with a Fallen Warrior. This incredible bronze piece was cast after a model by Maarius-Jean-Antonin Mercié, This model is signed 'F. BARBEDIENNE FONDEUR PARIS' demonstrating that it was cast by Ferdinand Barbedienne's foundry, the best bronzier of the 19th century. The base is further signed 'A. Mercie' and stamped 'Réduction Mécanique' with an inscription of '659'. The figure is mounted on a Belgian noir marble base with various stepped edges. Gloria Victis is one the most well-known and important bronze casts of the 19th Century. The quality of this particular model is absolutely incredible and all the marking indicate that this particular piece is one of the finest produced by the Foundry. A student of Jouffroy and de Falguière at the Ecole des Beaux-Arts, Marius-Jean-Antonin Mercié (1845-1916) won the Grand Prix de Rome at 23 years old with his work Thésée vainqueur du Minotaure. In 1872, he sent the plaster model of his work David vainqueur to the Salon, for which he won the first class medal. At the same time, he received La croix de la Légion d'honneur at the Villa Medici. His return to Paris, in 1874, issued in a long and brilliant career with numerous commissions, notably the monuments for Louis-Philippe and Queen Marie-Amélie for the Royal Chapel at Dreux (1886). By the age of 30 Mercié was already very well-known and his Gloria Victis received resounding success when it was exhibited at the Salon, in 1874 (in plaster) and in 1875 (in bronze). This work exalted the heroism and the patriotic sentiments aroused by the disasters of 1870. His predilection for patriotic subjects is shown in many of his works such as Quand même...