Thomas Allom Prints

Wonderful print of a Chinese and Japanese plate Lithograph Published by A.Morel, Paris, France, circa 1860 Unframed.

Great print of the Road of Pillars, China Copper-plate engraving Published by Thomas Kelly, C.1820 Unframed.

Great images of fish Unframed. Lithographs after Cpt. Brown with original hand color. Published, 1847. The measurement is for 1 print Free shipping

Great image of a racehorse presented in an antique oak frame Lithograph after George Stubbs with original hand color. Published, 1847. Free UK shipping

Great image of plums Lithograph with original color. Published, circa 1900 Unframed.  

19th Century Botanical Engravings: A Timeless Art Form The Legacy of John Curtis and 19th-Century Botanical Engravings 🖋 Provenance Story – 19th Century Botanical Engravings with ...

Knight of the Order of the Annunciation in Ceremonial Attire – 18th Century Engraving This exquisite 18th-century hand-colored engraving depicts a Knight of the Order of the Annunci...

Early 19th century hand colored engraving of Chinese life. Original print from "The punishments of China" illustrated by twenty-two engravings by Mason, George Henry; Dadley, J. P. P...

Knight of the Order of Christ in Portugal Engraving by Christian F. Schwan This exquisite hand-colored engraving depicts a Knight of the Order of Christ in Portugal, resplendent in ...

This exquisite pair of 19th-century Victorian fashion engravings is presented in beautifully carved Black Forest–style walnut frames, each decorated with deep floral and foliate appliqués at the corners. These hand-colored prints depict elegantly dressed women in period attire, showcasing hairstyles, silhouettes, and textiles emblematic of mid-to-late 1800s European fashion illustration. The prints were traditionally attributed to La Mode Illustrée or Le Follet, two of the most iconic fashion journals of the Victorian era known for their detailed, hand-tinted engravings. While the prints do not bear a visible plate signature due to age and framing, the style, palette, and rendering strongly match fashion plates issued between 1860–1880. Provenance Handwritten notes on the verso indicate the works were framed in the 1940s by Thompson Gillette of Elkins, Oklahoma. Additional inscriptions list previous owners Dorothy & Nelson Wright, adding charming mid-century provenance to the pieces. Styling Suggestions These framed antique fashion prints style beautifully in: - A French country–inspired dressing room or walk-in closet - A feminine bedroom, powder room, or reading nook - A gallery wall pairing Victorian, Rococo Revival, or cottagecore décor - A boutique or fashion studio, adding authentic 19th-century charm - Layered on a mantel or console, leaning casually for a collected Old-World aesthetic - Alternatively, the prints could be switched out for a print of your choosing. Their carved Black Forest frames bring warmth, depth, and sculptural texture, making this pair ideal for collectors who love European antiques, folk carving...

This is a hand coloured framed engraving of a study of Kingfisher birds all in the manner of Audubon Birds of America and dating to the Mid 19...

Sensational image by Gustave Doré Woodcut engraving Published C.1880 Unframed. Free shipping