Mt. Etna from Taormina
By Thomas Fransioli
Located in New York, NY
Thomas Fransioli, born in 1906 in Seattle, Washington, trained as an architect at the University of Pennsylvania. He worked as an architect before his service in World War II. Largel...
Canvas, Oil
Street Scene: "King George Dies"
By Thomas Fransioli
Located in New York, NY
Fransioli was born in Seattle, Washington, and received a degree in architecture from the University of Pennsylvania in 1930. He worked with John Russell Pope on plans for the exhibition galleries at the National Gallery of Art in Washington, D.C., which he pinpointed as the beginning of his interest in painting. World War II interrupted a promising career in architecture. Fransioli served in the Pacific Theatre from 1943 until 1946, and was among the first American soldiers to survey Hiroshima after the atomic bomb’s detonation in August 1945. He returned to civilian life and took up painting, basing himself in Boston, but working up and down the eastern seaboard. Thomas Fransioli’s cityscapes are crisp and tidy. Buildings stand in bold outline, their forms squarely defined by stark light and long shadows. Saturated color permeates every corner of his canvases, from vibrant oranges and greens to smoky terra cottas and granites. Even the trees that line Fransioli’s streets, parks, and squares are sharp and angular, exactly like those in an architect’s elevation rendering. But Fransioli’s cities often lack one critical feature: people. His streets are largely deserted, save for parked cars and an occasional black cat scurrying across the pavement. People make rare appearances in Fransioli’s compositions, and never does the entropy of a crowd overwhelm their prevailing sense of order and precision. People are implied in a Fransioli painting, but their physical presence would detract from the scene’s bleak and surreal beauty. Magic Realism neatly characterizes Fransioli’s artistic viewpoint. The term was first broadly applied to contemporary American art in the 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. As exhibition curator Dorothy Miller noted in her foreword to the catalogue, Magic Realism was a “widespread but not yet generally recognized trend in contemporary American art…. It is limited, in the main, to pictures of sharp focus and precise representation, whether the subject has been observed in the outer world—realism, or contrived by the imagination—magic realism.” In his introductory essay, Lincoln Kirstein took the concept a step further: “Magic realists try to convince us that extraordinary things are possible simply by painting them as if they existed.” This is Fransioli, in a nutshell. His cityscapes exist in time and space, but certainly not in the manner in which he portrays them. Fransioli—and other Magic Realists of his time—was also the heir to Precisionism, spawned from Cubism and Futurism after the Great War and popularized in the 1920s and early 1930s. While Fransioli may not have aspired to celebrate the Machine Age, heavy industry, and skyscrapers in the same manner as Charles Sheeler, his compositions tap into the same rigid gridwork of the urban landscape that was first codified by the Precisionists. During the 1950s, Fransioli was represented by the progressive Margaret Brown...
Canvas, Oil
$975
H 11.25 in W 15.25 in
"Texas Hill Country Landscape With Cattle" oil painting of wildflowers, cactus
By Don Warren
Located in Austin, TX
Canvas Size: 12 x 16 in. Frame Size: 20.5 x 24.5 in. Signed, lower left: "Don Warren" A serene, classic, and cheerful scene in the Texas Hill Country by Don Warren. The foreground i...
Canvas, Oil
American Realist Western Prairie Farm Landscape Painting with Barn and Silos
Located in Austin, TX
Signature "Hogan" 24" x 36" Oil on Canvas Framed Size: 31.5" x 43.25" This landscape painting depicts a nostalgic Great Depression era farm scene of a barn and silos on a prairie.
Canvas, Oil
$4,200
H 16 in W 22 in
“All Hallows’ Eve” american realist, landscape oil painting of forest in autumn
By Rachel Personett
Located in Sag Harbor, NY
An oil painting by American artist Rachel Personett (b. 1991, Hawaii) of a woodland scene in October. Yellow foliage adorns the trees and fallen brown leaves cover the ground in this...
Canvas, Oil
$5,700
H 12.75 in W 16 in
An American Still Life of an Apple, Pear and Grapes circa 1880s
Located in SANTA FE, NM
An American Still Life of an Apple, Pear and Grapes Oil on canvas on board Signed illegibly circa late 1800s 9 3/4 x 5 7/8 (16 x 12 3/4 frame) inches This is an example of late 19...
Canvas, Oil, Board
$1,289
H 12 in W 10 in
Antique American Oil Painting Portrait Young Woman Necklace Period Frame Rare
Located in Buffalo, NY
A beautiful and rare antique American portrait of a young woman in a stunning period frame, likely original to the piece. Unsigned but beaut...
Canvas, Oil
$1,196Sale Price|20% Off
H 11 in W 24.5 in
Antique American Oil Painting Framed Fruit Table Still Life Pineapple Strawberry
Located in Buffalo, NY
Incredible early American realist still life featuring pineapple and strawberries on a table. Oil on canvas. Incredible detail and masterfully painted. Signed illegibly, last n...
Canvas, Oil
Reverie: Morning
By Brooks Anderson
Located in Burlingame, CA
Ethereal landscape with water celebrating morning light. Oil on canvas is 30 x 40 inches, and it is meticulously painted by Brooks Anderson. Signed, ti...
Canvas, Oil
Portrait of a Woman
Located in Astoria, NY
American School, Portrait of a Woman, Oil on Canvas, 19th century, unsigned, inscribed "J Harrison / 1836" to verso, giltwood frame. Image: 23"H x 19.25" W;...
Canvas, Oil
Venetian Scene
By Henry Pember Smith
Located in New York, NY
In the 1880’s Smith made a trip to Italy, which added a whole new dimension to his work. His tight style was highly suited to the depiction of the majestic architecture and complex c...
Oil, Canvas
'Beach at Crissy Field' (San Francisco, California)
By Willard Dixon
Located in Burlingame, CA
Oil painting by Willard Dixon featuring the Golden Gate Bridge from Crissy Field in San Francisco. Willard Dixon, who is one of the finest American contemporary realist painters today, has painted coastal landscapes for 35 years, capturing the undeniable beauty of the West with its grand and humble spirit. The painting, with its atmospheric light and calm palette is contemporary and serene. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art and his work is collected Internationally. Artist signed and dated. A classic Dixon that will sure to bring those who view it a life time of pleasure. Beach at Crissy Field, painted in 2022. the canvas is 26 x 45 inches. Oil on canvas, and traditionally framed in contemporary, minimal hardwood floater frame.Condition is new and excellent. Artist signed and dated. Ready to ship. Proudly presented by Andra Norris Gallery in California. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation...
Canvas, Oil
Annunciation
By Brooks Anderson
Located in Burlingame, CA
'Annunciation' - oil on canvas is 40 x 30 inches, meticulously painted by American Realist Brooks Anderson. Canvas edges are painted dark in artist's signature style. Lovely to behol...
Canvas, Oil
"Nocturnal Lotus" SALE oil on canvas, 1981
By Lowell Nesbitt
Located in Southampton, NY
Lowell Nesbitt's paintings are in most major museum collections. He is the artist that NASA selected to commemorate the Apollo Moon missions over 50 years ago. In the 1950s he dabb...
Canvas, Oil
Still Life of Flowers
By Thomas Fransioli
Located in New York, NY
Signed and dated (at lower right): FRANSIOLI 1959
Canvas, Oil
Copley Square, Boston
By Thomas Fransioli
Located in New York, NY
Thomas Fransioli’s cityscapes are crisp and tidy. Buildings stand in bold outline, trees are sharp, and saturated color permeates the scene. But Fransioli’s cities often lack one critical feature: people. His streets are largely deserted, save for the rare appearance of figure and the occasional black cat scurrying across pavement. Instead, humanity is implied. Magic Realism neatly characterizes Fransioli’s viewpoint. First applied to American art in the 1943 MoMA exhibition “American Realists and Magic Realists...
Canvas, Oil
View from The Hill, Castine
By Thomas Fransioli
Located in New York, NY
Signed and dated (at lower right): T.F./1946
Canvas, Oil
Street Scene in Bar-le-Duc
By Thomas Fransioli
Located in New York, NY
Signed and dated (at lower right): TF/1952
Canvas, Oil