Thomas Nash Art

An exceptional, fine and impressive antique Georgian English sterling silver locking tea caddy by Henry Chawner; an addition to our silver teaware collection. This exceptional antique Georgian sterling silver tea caddy has an oval form. The surface of the tea caddy is encompassed with bright cut engraved fabric swag designs and floral festoons, suspended from impressive spiralling foliate anchor-points accented with pensile bud designs. Each spiralling motif flanks a shield shaped cartouche displaying the contemporary engraved initials 'WM' and surmounted with a ribbon style bow. The upper and lower portions of the body are encompassed with engraved bands of chevron style decoration, in addition to an applied bead decorated border. This antique silver tea caddy...

Lombard School, 17th century Portrait of a Young Boy oil on canvas 109 x 78 cm - 127 x 97 cm with frame The protagonist of the offered canvas is a chubby little boy, aged approxima...

Carlo Ceresa (San Giovanni Bianco 1609 - Bergamo 1679) attributable Full-length portrait of Giacomo Pesenti Oil on canvas (206 x 121 cm - in frame 212 x 133 cm.) This fascinating portrait, portraying a full-length gentleman and datable to the 17th century, illustrates the stylistic and compositional details typical of the pictorial production of the Lombardy area, Bergamo in particular. This reference is reflected in elements such as the natural light, the sober and austere setting and, above all, the subtle psychological characterisation of the face. We are inclined to identify the hand of portrait painter Carlo Ceresa, one of the most illustrious Bergamasque figure painters of the 17th century, capable of developing a style of intense realism and acute psychological investigation. In his works, and our portrait perfectly reflects his canons, an extraordinary naturalistic imprint, great realism and remarkable essentiality are evident. Those traits of severity, moral rigour and austerity typical of his portraiture find a perfect balance here: never courtly or rhetorical, his portraits are profoundly linked to the concept of counter-reform. Immortalising the main personalities of the time, he established himself as a point of reference for the Bergamasque aristocracy, from the Vertova to the Pesenti to the Secco Suardo. The subject of the portrait is Giacomo Pesenti, here immortalised life-size in a rigorous black suit, his left hand resting on a table, on which is placed the necessities for writing and a manuscript, and his right hand, with a sealed ring on his little finger, abandoned along his side while he holds his gloves. He wears a suit of incredible rigour, dressed as befits a man of his high social standing, while the sharp light focuses on his face, with an intensity that seems to be accentuated by the reflection of the white collar, with its sharp profile. For Ceresa, it is not the richness of the garment that gives value to the person portrayed, it is the need to give feeling and bring out the character of the person, and this he succeeds in marvellously, aided by his ability to capture the essence of the person and return it to us in painting through the face and light used as a strong expressive element. In fact, the image highlights that 'counter-reformed' composure typical of the portraiture of painters active in this area and era, adhering to a verism...

A finely executed mid-19th-century oil painting on panel depicting "The Milkmaid" after Jean-Baptiste Greuze (1725–1805). This captivating portrait, painted in a charming manner with...

Catherine of Braganza (1638–1705), Circle of Sir Peter Lely (1618–1680) Queen consort of England, Scotland, and Ireland, married to King Charles...

A fine and impressive, large antique George III English sterling silver cream jug made by Henry Chawner, an addition to our Georgian silver teaware collection. This fine antique George III sterling silver cream jug has an oval shaped form. The surface of the incurved panelled body is plain and embellished with a bright cut engraved oval carotuche to either side, one side bears the contemporary engraved initials' and the other remains vacant. The upper and lower rims are encompassed with applied reed decorated borders. This fine Georgian silver cream jug is fitted with a plain scrolling handle ornamented with applied moulded decoration. This impressive example of antique silverware was crafted by the renowned and collectable London silversmith Henry Chawner. Condition This antique silver cream jug...

Lucas de la Haye, called Luca Fiammingo (Nivelles, 1612-Rome, 1682) Saint Cecilia and two cherubs Oil on canvas 118 x 91 cm. -Framed 129 x 102 cm. Expertise of Prof. Emilio Negro (Bologna) This evocative painting, which we are delighted to exhibit to you, has Saint Cecilia, the Roman noblewoman who later converted to Christianity and a very popular figure in the Baroque period as the patron saint of music, instrumentalists and singers, at the centre of the composition. She is depicted here as a splendid maiden dressed in regal robes...

Title: Pensive Woman Artist: Vicente Oliver (1896–1970) Technique: Oil on canvas Dimensions: 18.1 x 15.0 in (46 x 38 cm) Support: Unframed canvas Date: Mid-20th century Signatu...

Vintage American modernist surreal interior scene oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 27 by 30 inches overall. Hands...

Signed and dated divisionist oil on canvas figure in landscape by French post impressionist painter Henri Lebasque. This stunning piece depicts a young girl in a white dress wearing ...

Twelve silver glass coasters and four silver wine coasters. Silversmith Antonio Mantelli Milan, circa 1830 They measure: Glass coasters: 0.78 in high x 3.46 in diameter (2 cm x 8.8 c...

A classic antique George II solid Silver lidded Tankard. This Silver Georgian Quart Tankard has an impressive domed hinged lid with a shaped thumb piece and a substantial scroll hand...