Thomas W. Morley Art

Fauve landscape with palm trees and Arab houses. 1 half of the 20th century. Gouache paintings on cardboard. Paintings is signed with monogram. Dimensions with Passepartout 45.5cm x ...

A delightful rustic scene dating to circa 1800 with the sailor returning to his thankful wife and the domestic idyll of his country cottage. The harbour with sailing ships ferrying c...

Lourdes is al watercolor and tempera drawing on ivory-colorated paper, realized by Anonymous Artist of the 20th Century. In very good conditions. Illegible signature on the back of...

This evocative watercolor on paper painting, titled The Way War First Comes (1940), was created by noted American artist Charles Ragland Bunnell (1897-1968) during the Depression era...

This artwork "Rio, Brazil" 1960, is a watercolor on paper by noted California artist Ted Lewy, 1912-1963. It is hand signed at the lower right corner by the artist, titled, stamped a...

Italian School, late 19th century Christ in the Garden of Gethsemane miniature painting, framed framed: 3.5 x 3 inches image: 2.5 x 2 inches provenance: private collection, Italy con...

Well-drawn early 19th century French watercolor of a family in a wooded landscape. Framed in an antique water gilded frame, which might be the original to the piece. The quality o...

'Views of Madagascar', gouache on paper, French School (circa 1960s). The artist depicts two views of Madagascar in a charming and naive style. The first, a farm and its fields with a significant verdant elevation in the background. The second, a villager sitting in front of his home watching...

Reginald Marsh "Brooklyn Bridge" NYC Modernism WPA Mid-Century Watercolor Modern Reginald Marsh (American, 1898-1954) Brooklyn Bridge, 1940, Signed and dated Reginald Marsh May 1940 (lr), Watercolor over traces of pencil on paper , 15 x 22 inches sight. Reginald Marsh was born in Paris, France in 1898, the child of artist parents. He was born over a small cafe on Paris' Left Bank. He was brought to the United States in 1900 and was drawing before he was three. He studied art at Yale University and the Art Students League, during which time he worked primarily as an illustrator for New York newspapers and magazines. After studying in Paris in 1925 and 1926, he turned seriously to painting. In 1929 he was introduced to the egg-tempera medium, which he used extensively the rest of his life. Marsh's gusto for painting the bottom crust of society contrasted curiously with his background. His parents, both well-known artists, were steeped in academic traditions. He attended Lawrenceville Academy and Yale; perhaps this elite background made it possible to paint the earthy people he did with a journalist's objectivity. An admirer of Rubens and Delacroix, he disliked modernist art; indeed, his lifelong preoccupation was with people - enjoying themselves at beaches, at amusement parks, or on crowded city streets. Marsh was a second-generation Ash Can School painter and printmaker, best known as an urban regionalist. He spent his days sketching in small notebooks...

This artwork "California Coast" 1952, is a watercolor on paper by noted California artist Ted Lewy, 1912-1963. It is hand signed at the lower right corner by the artist, titled and d...

This artwork "Near Half Moon Bay, California" 1962 is a watercolor on paper by noted California artist Ted Lewy, 1912-1963. It is hand signed at the lower right corner by the artist,...

A delightful rustic scene from the Victorian period with figures chatting outside a thatched cottage English School, mid 19th Century Figures conversing by a cottage and stream Wat...