Thomas W. Morley Art

Darling by artist Jason Wright is a textured oil and acrylic painting on wood panel. It is 18x24, framed. This sailboat image is richly layered and created with a palette knife. J...

Medium: Watercolor over Graphite on Thick Paper Signature: Unsigned Gustavson was an excellent golfer himself and illustrated the book How To Play Your Best Golf by Tommy Armour in ...

“Aspen, Craig Meadows in Spring” is a luminous circa 1920 oil on canvas painting by Colorado artist Albert Stokes Bancroft, capturing the rolling meadows and slender aspen trees of t...

Original watercolor landscape painting of Niagra falls in the winter and in the spring. The pair of paintings are signed by the artist in the bottom corne...

Paul Lecomte (1842-1920) The Tree by the riverbank signed lower left watercolor on paper 33 x 50 cm framed 37 x 54 cm The tree and the river: Paul Lecomte had a particular fondn...

Gabriel Godard 1966 “Personnages dans la campagn” Oil in Canvas Signed and dated lower left 40x40 inches Sight Size 46x46 inches frame Canvas is in Very good overall condition, fram...

Henri Harpignies (1819-1916) A Barrier on the hedge, study Signed lower left, annotation "branches séchées sur la barrière" (dried branches on the fence) on the upper right Charcoal...

"Skating Party" WPA Regionalism American Scene Mid 20th Century Modern Realism Roger Medearis (1920 – 2001) "Skating Party" 20 x 24 inches Tempera on board, 1949 Signed Medearis and...

At his teacher Robert Henri’s suggestion, Kent traveled to Monhegan Island, describing it as a “primordial universe”—a rugged, ancient landscape far removed from civilization. This e...

Original on Gouache on paper. Hand signed on front; signed, titled, dated with dedication on verso. Stamped "Composition originale". Frame size 30.5 x 26.5 inches. Artwork is in e...

Cover of The Saturday Evening Post, October 26, 1957 showing ducks in autumn flying south for the winter The Post described, "When Jack Frost whistles down the breezeways, right-minded birds take off toward the balmy Southland. Some human beings are depressed because they haven't wings to do likewise, yet, all told, it's probably nicer to be a man than, say, a mallard duck. This is a migratory flyway in the lakelands of Alberta, favored by birds of that feather which like to swipe their meals from grainfields and rest their weary bones on soft, or even hard, water. Down the Mississippi Valley this sky traffic will v-wint its way, and the smarter ducks that go clear to the Gulf Coast can take a gander at the New Orleans Mardi Gras...

A rare and historically significant 1934 landscape painting by American modernist Eve Drewelowe Van Ek (1899–1989), an influential figure in Colorado art and one of the state's most respected female painters. This evocative composition depicts a weathered red barn set within a quiet rural landscape, with distant mountains rising beyond the structure and providing a dramatic natural backdrop. Executed in oil on canvas board, the painting captures the enduring character of the American countryside through Drewelowe's distinctive blend of realism and modernist sensibility. The bold red barn serves as a powerful focal point, contrasting beautifully with the surrounding landscape and conveying themes of resilience, rural heritage, and the passage of time. The artist's confident handling of color, form, and atmosphere reflects the mature style that made her an important contributor to 20th-century Western American art. Signed, titled, and dated 1934 at the lower right, the work is presented in a custom frame and represents an exceptional example of Depression-era Colorado painting...