Tom Friedman Art

Large scale interior photograph of conceptual vignette with dark red velvet curtain and white Carrara marble floor Standing Ovation (2016) by Frank S...

Large format photograph of conceptual vignette with dark red velvet curtain and Carrara marble floor Standing Ovation (2016) by Frank Schott 40 x 32...

Wild Poppies II by Ellen Williams [2022] original Coloured pencil on 150gsm paper Image size: H:29.7 cm x W:21 cmComplete Size of Unframed Work: H:29.7 cm x W:21 cm x D:0.01cm Sold U...

"Sky Flower Reflection" is an original watercolor and piece by David Barnett, signed along the bottom edge. The piece incorporates a dried rose in the center with circles of watercol...

Nayla Saroufim creates installations that challenge the traditional notion of the passive viewer. Nayla’s art is a rich mix of media. She was always captivated by the dialogue betwee...

Nayla Saroufim creates installations that challenge the traditional notion of the passive viewer. Nayla’s art is a rich mix of media. She was always captivated by the dialogue betwee...

Circular contemporary portrait in acrylic on wood exploring migration, identity, and emotional memory through symbolic inscription and sculptural form. This collectible contemporary ...

Inspired by the artists of the Modern Art era, including Post-Impressionist Paul Cezanne, Kang visualizes the modern day search for identity in an age where information and images permeate every aspect of contemporary life. His architectural urban scenes are flattened, with everything pressed against the surface of the artwork. At times, multiple views of the same houses are visible, trees and bushes are vaguely alluded to, and the color palette finds a hectic balance. Just as a city operates in a balance of chaos and the sublime, so do the artworks of Kang. The Sublime is a euphoria that affects the deep recesses of one’s consciousness. As is this experience of the sublime, his work is largely abstract. This large colorful horizontal artwork is 23 inches high by 41 inches wide. The sides of this textured, original mixed-media artwork are painted and it does not require framing. It is hand-signed and dated by the artist on front right corner and on the back. Free local Los Angeles area delivery. Affordable U.S. and worldwide shipping available. Provenance: Artspace Warehouse. A certificate of authenticity issued by the art gallery is included. Tae Ho Kang was born in Seoul, Korea in 1945. He studied at the College of Arts of Hongik University in Seoul, South Korea. He later moved to California to study Fine Art at California State University, where he graduated in 1980. Since then, his artworks have focused on the never-ending quest for home and belonging in a dense urban landscape. About his mixed media artworks, he remarks: “One day, when I was traveling, I was impressed by the beautiful scenery of the city under the sky, with many straight lines, curved lines, and harmonies of different colors, which seemed to be a magnificent orchestral performance. The beauty of this urban landscape gave me a deep impression and great change began to take place in my work. I wanted to be a molecule in this huge space. I have to find a house of my heart to be molecule. Where is the house I live in? What is my identity? This question has begun to arise. I am on a long journey to find my own house.” His mixed media collage artworks have been exhibited in solo and group exhibitions as well as international art fairs throughout the US and in Korea. Kang's work has also been featured in Television and Film productions, including Criminal Minds, NCIS Los Angeles, Unforgettable, The Mindy Project, The Great Indoors, and American Housewife. His artworks have been exhibited and acquired by private collectors around the world. REPRESENTATION Artplex Gallery, Los Angeles, USA SOLO EXHIBITIONS 2018 EK Art Gallery, Los Angeles, CA 2017 CLU Gallery, Los Angeles, CA 2010 Vendome Gallery, Los Angeles, CA 2009 LA Artcore Gallery, Los Angeles, CA 2006 Artcore Brewery Annex Gallery, Los Angeles, CA 2005 Yemac Gallery, Seoul, Korea 2004 Andrewshire Gallery, Los Angeles, CA 1998 John N Joe gallery, Los Angeles, CA 1995 John N Joe gallery, Los Angeles, CA 1994 Andrewshire Gallery, Los Angeles, CA 1992 LA Artcore Gallery, Los Angeles, CA 1991 Hyo-Chun Gallery, Seoul, Korea Andrewshire Gallery, Los Angeles 1978 Shin Moon Gallery, Seoul Korea GROUP EXHIBITIONS 2022-23 Artplex Gallery, Los Angeles, CA 2019 Artspace Warehouse, Los Angeles, CA 2014 Invitational Exhibition of 11 Artists in California, Art center, Seoul Korea 2012 Bring a Friend, Lois Lambert Gallery-Bergamot Station(E-3), Santa Monica, CA 2011 Selected works (3 artists), Lois Lambert Gallery-Bergamot Station(E-3) CA Perserverance+Passion, Korean Cultural Center, Los Angeles CA 2010 The 1st Annual APLA(Aids Project Los Angeles), Bonhams & Butterfields Auction House 2009 The 10th Annual Exhibition of Hong-Ik Alumni 2009 Exhibition of Association of Christian Artist...

'Library' London, United Kingom 2024 Limited edition of 20. The photograph is signed front and back and comes with a Certificate of Authenticity. Carefully placed in a secure ca...

American artist Donald Baechler, created this image for the 50th Anniversary commemoration of Lincoln Center for the Performing Arts. Titled, 'Lincoln Center Globe', 2011, the print ...

b. 1941, New York, NY Pat Lipsky is known for her large scale paintings of repeating stripes of bold, rich colors. The geometric forms of color shift and bounce against each other i...

Lisa Pressman’s Shape of Memory series transforms cardboard, thread, smoke, and Letraset into evocative wall-mounted works that recall ancient relics or worn book covers. Each shaped panel floats about an inch off the wall, often casting glowing, colored shadows from painted backs that shift with the light. Stitched seams and weathered surfaces suggest scars, resilience, and the passage of time, resonating as personal artifacts of memory and healing. Known for her abstract paintings in oil, encaustic, and mixed media, Pressman’s oeuvre consistently explores impermanence and transformation. With their sculptural presence and luminous effects, these intimate objects blur painting...