Tom Lovell Art

Original painting signed by the Artist on lower right.

Medium: Oil on Canvas Signature: Signed Lower Right

Approximate Date: 1957 Medium: Oil on Board Signature: Signed Lower Left Size: 18.70" x 27.00" Story illustration for The Master Move by George Loveridge, published in Good Housekeeping, November 1957. An excerpt from the story reads: “In the evening Mowbray dined at a mahogany table designed to seat ten persons. To his left, in an intricate, gilded frame, hung an oil portrait of his father — a man with a majestic, full gray beard and the same beaked nose that his son had, but with milder eyes (p. 237)…Every Sunday, Mowbray and the boy had dinner together, the two of them at the long, broad, polished table under the eyes of Peter Mowbray. Mowbray often had to fly hundreds of miles to be on time for Sunday dinner with his son, but he did not once fail to be there.” (p. 239-240) A Native American finding a Raggedy Ann doll...

Magazine story illustration for “Wherever You Walk” by Mary Thayer Muller for Cosmopolitan, published February 1956, page 26. The romantic story is introduced by the magazine as fol...

Charles Martignette Heritage Auctions, This is a Wonderfully rendered work with high level of detail and color saturation. Norman Rockwellesqu...

Medium: Oil on Masonite Signature: Signed Upper Left Original Use: Interior Illustration for The American Magazine Excellent Condition This luminous, expressive oil on masonite wa...

Medium: Oil on Board Signature: Signed Lower Right Tom Lovell was well known for his thought provoking illustrations for Life magazine, The Saturday Evening Post and National Geographic. He was the first artist to win the National Academy of Western Art's highest honor, the Prix de West, twice. This lot was painted circa 1960 just before he was commissioned to paint a series of Civil War battle...

Medium: Oil on Linen Signature: Signed and Dated Story illustration for "Farewell Without Regret" by Sarah-Elizabeth Rodger for Good Housekeeping, published July 1940, page 58. The...

Story illustration for “A Date for the Baby Sitter” by Eileen Herbert Jordan for Good Housekeeping, published December 1958, illustrated pages 58-59 The full caption reads: “Thus Peggy went forth—sailed might be the better word—escorted by part of the Navy.” The snowy scene features a woman and two sailors leaving the house at Christmas time. Exhibited: The Triumph of Winter, National Arts Club, New York, December 16, 2013- January 5, 2014 Date: 1958 Medium: Oil on Board Dimensions: 23.20" x 33.50" Signature: Signed Lower Left A Native American finding a Raggedy Ann doll...

Medium: Oil on Canvas Signature: Signed and Dated Lower Left Dimensions: Sight Size 30.50" x 34.75," Framed 36.00" x 39.50"

Original magazine story illustration for “A Summer to Remember” by Marjorie Marks for Woman’s Home Companion, published January 1948, pages 20-21. The full caption reads: “‘You love ...

Medium: Oil on Canvas Signature: Signed TOM/LOVELL (lower left); also titled Attorney/at Sea (on the reverse)

Magazine story illustration for “A Song for Miss Julie” by Michael Foster for Hearst’s International Combined with Cosmopolitan, published March 1944, page 39. The tale is described as: “A delicious story about a couple of Broadway playwrights who invade the Old South looking for scandal and come up drenched in magnolia.” The full caption reads: “I think someone should talk to you about men of Stephen’s type, my dear,’ said Mrs. Kimbro. ‘He’s a dear, but a type you perhaps haven’t met before.’ Miss Julie gasped. ‘But Mrs. Kimbro!’” A Native American finding a Raggedy Ann doll...

Signed Lower Right by Artist Lawrence Williams and Nell O’Day, “The Glass Fortress,” American Magazine, August 1950, illustrated, n.p. Daniel Zimmer, Tom Lovell: Illustrator, Decatu...

Signature: Signed Lower Left Medium: Oil Paint Story illustration for "Farewell Without Regret" by Sarah-Elizabeth Rodger for Good Housekeeping, published September 1940, page 47. ...

Date: July 1942 Medium: Oil on Canvas Dimensions: 36.00" x 26.00" Signature: Signed Lower Left Illustration for Cosmopolitan magazine. Tom Lovell’s illustrations range from adventur...

Medium: Oil on Canvas Signature: Signed Lower Right Dimensions: Sight Size 18.75" x 26.00;" Framed 26.00" x 33.00"

Medium: Oil on Canvas Signature: Signed Lower Right and Titled on reverse Dimensions: 28.13" x 25.13" (71.45 cm x 63.83 cm) Literature: Temple Bailey, Bridal White, The American Mag...

Magazine story illustration for “Saratoga Trunk” by Edna Ferber for Hearst’s International Combined with Cosmopolitan, published July 1941, pages 42-43. The full caption reads: “‘Mr...

Illustration for True magazine, presumably published February 1956. Nighttime scene of policemen and bloodhounds investigating a murder on a cobblestone street. Approximate Date: 1956 Medium: Oil on Board Signature: Signed Lower Right Size: 22.70" x 16.20" Tom Lovell Biography: A Native American finding a Raggedy Ann doll...

Cover for The Memoirs of Casanova (Bantam books #FB-415, 1957): A New Edition of the French Translation by Lowell Blair Memoirs of Casanova, Paperback Cover, 1957 Tom Lovell ha...

Love in the Midst, Magazine Story Illustration Ladies Home Journal, June 1959 Tom Lovell had an extreme attention for detail and rarely completed more then a dozen major oil pa...

Medium: Oil on Masonite Signature: Signed Lower Left This piece was published as an illustration in True Magazine titled "Blondin Crossing Niagara" in 1953. Born Jean-François Grave...