Veronica Baur Furniture

High Jewelry by Cartier Contemporary Creations Hardcover Large Book. 1st edition. A sumptuous tribute to Cartier’s creations with spectacular new photographs of unique pieces, many o...

First edition of Larry Clark’s iconic second book of photographs (following 1971’s Tulsa) documenting and immortalizing a debauched adolescent subculture. Self-published in 1983. Con...

A great art book about sculptor Alexander (Sandy) Calder by Gene Lipman, a long-time friend of Calder, and Margaret Aspinwall. 1st Edition from 1981. 7.5X10.25“, 96 pages, 95 illustrations, hardcover with dust jacket. The book describes the life and career of the twentieth-century artist and includes illustrations of a variety of his works and a guide to his sculptures in museums and public spaces. It focuses on his representative mobile works and also features early wire works, commercial sculptures...

Abstract painting by Ben Hanisch, 2022. 48” x 36” Acrylic on canvas, stretched on wood stretcher bars. Painted edges. Can be hung vertical or h...

Authograph First Edition copy of “Antonio’s Girls” 1982 & “Antonio’s Tales From The Thousand and One Nights” First Edition 1985. Both in English. Antonio’s Girls – Collection of the works of Antonio Lopez varied and prolific fashion illustrations and his own private works from the 1970s and early 80s. Some of his outrageous shoes designs, photographs & stories from celebrities ( Grace Jones, Tina Chow, Pat Cleveland, Jerry Hall & others) are included. Hard bound book First Edition with 128 pgs. manufactured in USA 1982. English language copy. Signed: Antonio 83 on 1st page and two gold dots in left side of the dust jacket front both with a gold pen. Dimension: 11 1/2 inches x 9 3/8 inches. Antonio’s Tales From The Thousand and One Nights – This book consists of the 13 stories from the Thousand & One Nights book per translation by Sir Richard Burton...

First edition of this cult classic, “the teenage movie that…America never made,” published by Grove Press in 1995 in conjunction with director and photographer Larry Clark’s first mo...

ABOUT An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...

Fantastic original watercolor titled ‘Chinatown’ by well listed California artist, Ben Abril c1960s. Original artist frame.

Cartier and America by Martin Chapman Hardcover Table Book 2009. 176 pp. 1st Edition Published in 2009. Dimensions: 11" x 10" x 1". As opulent as the treasures it celebrates, this lavish volume presents Cartier's timeless designs worn by some of the twentieth century's most legendary figures. It's been one hundred years since the House of Cartier opened its doors on Fifth Avenue in Manhattan. Since then the luxury jeweler has been creating exquisite brooches, bracelets, tiaras, timepieces, and other items including scent bottles, so-called mystery clocks, and handbags many of them specially commissioned by their illustrious patrons. Readers will see up close Gloria Swanson's bracelets from Sunset Boulevard, Douglas Fairbanks s elegant watch, the Duchess of Windsor s panther brooch, and Grace Kelly s 10.47-carat diamond engagement ring, as well as items owned by Marion Davies, Vivien Leigh, Barbara Hutton, and Elizabeth Taylor. Author Martin Chapman offers an in-depth exploration of how Cartier conquered America, from its European birth in 1847 to its arrival on the other side of the Atlantic, and from its whimsical Art Deco creations to the red carpet prominence that linked the name Cartier with fame, wealth, and exclusivity. In addition to stunning color images of each object, the book features photographs of stars and heiresses wearing their Cartier jewelry. A beautiful volume for fashion aficionados, this trove of jewelry is a tribute to Cartier s...

Frida Kahlo The Brush Of Anguish By Zamora, Martha 1st Ed. 1990. Marilyn Sode Smith (Translator) Mexican author Martha Zamora captures the essence of one of Mexico's most prolific ...

About An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...

The Wrightsman collection, Vols.I-V, New York, The Metropolitan Museum of Art, 1966-1973. First Edition, hardcovers with dust jackets. Inscribed by the Wrightsmans, incl. a Christ...