Wrightsman Collection, 1st Ed. signed by Charles and Jane Wrightsman, 1966-1973

A collection of historic documents of the greatest, most secret and legendary collections formed by private collectors in the 20th Century. The set of Auction Catalogs also includes a DVD of the entire collection. For fifty years, the couturier Yves Saint Laurent and his friend and partner Pierre Berge...

Abr-bandi, the central asian name for the ikat technique, derives from the Persian word abr which means "cloud". The ikat style is not limited to Central Asia, but nowhere have the ikat designs known as abr, or the technique itself proved so enduring or so gloriously inventive as in the ancient centers of Uzbek and Tadjik handicrafts- Bukhara, Samrkand and the towns of the Ferghana Valley. The craftsmanship of the abr masters, the abr bandchi, was their patrimony; their secrets and their repertoire of designs were handed down through the generations. Yet this art form has always been responsive to change and receptive to new weaving methods created to simplify the process without sacrifice of artistry. In the nineteenth century abr designs were used to decorate fabrics made into winter and summer...

This book was sold at auction by the Monterey Public Library as part of a large collection of books, formerly owned by the famous Architect Robert Stanton...

A Folio of Maison Quantin, Paris, 1891 first edition text and plates. Chromomo- lithographed plates by Gillot, colored and decorated in raised gold by hand. The sevres porcelain fa...

Serge Gauthier, director de la manufacture nationale de Sevres, conservateur du musee municipal de Limoges wrote the preface to this book. The story of French Porcellain is fascinati...

Three of the Dundas Masterpieces are pictured and described in this Auction Catalog by Christie's, sale on July 3rd, 1997. Sir Lawrence Dundas Scions of the ...

The Wrightsman collection, Vols. I-V. New York: The Metropolitan Museum of Art, 1966-1973. First edition hardcovers with dust jackets. 2248 pp. Inscribed by the Wrightsmans. The complete series of The Wrightsman collection catalogues from The Metropolitan Museum of Art. Jayne and Charles Wrightsman, who, in a relatively short period of time—beginning in 1952—amassed the finest private collection in America of the decorative arts of the Ancien Régime (15th c until 1792). Throughout the years the Wrightsmans' active interest in the Department of European Sculpture and Decorative Arts has resulted in splendid gifts that have enabled the Museum to create an unparalleled and truly encyclopaedic collection of French 18th c...

Mount Lebanon Shaker Collection by Charles L. Flint, 1st Ed, 1/3000. Published by Mount Lebanon Shaker Village, New Lebanon, New York, U.S.A., 1987. A great reference on Shaker furni...

The Souls by Jane Abdy and Charlotte Gere. Published by Sidgwick & Jackson Ltd, London, 1984. 1st Ed hardcover with dust jacket. This book offers profiles of the turn-of-the-century ...

Industrial Art and the Museum by Charles R. Richards. 1st Ed hardcover published by The Macmillan Company, 1927. Including: Industrial Art Museums of Germany (München, Hess. Landesmu...

Pavlovsk: Volume 2 The Collections by Emmanuel Ducamp. Published by Alain de Gourcuff, Paris, 1993. 1st Ed hardcover. The most authoritative work on Pavlovsk in English. A stunningly photographed book, conveying the beauty of this Russian treasure. It focuses entirely on the art and architecture of Pavlovsk, the 18th-century palace near St. Petersburg built for the Grand Duke Pavel Petrovich and his wife, Maria Feodorovna...

The Gernsheim Collection, Edited by Roy Flukinger. University of Texas Press, Sep 1, 2010. One of the most important collections of photography in the world. Amassed by the renowned husband-and-wife team of Helmut and Alison Gernsheim between 1945 and 1963, it contains an unparalleled range of images, beginning with the world's earliest-known photograph from nature, made by Joseph Nicéphore Niépce in 1826. It includes some 35,000 major and representative photographs from the 19th and 20th c; a research library of some 3,600 books, journals, and published articles; about 250 autographed letters and manuscripts; and more than 200 pieces of early photographic equipment. Its encyclopedic scope—as well as the expertise and taste with which the Gernsheims built the collection—makes the Gernsheim Collection one of the world's premier resources for the study and appreciation of the development of photography. Published to coincide with a landmark exhibition staged by the Harry Ransom Center at the University of Texas at Austin, which owns the collection, this book presents masterpieces of the collection, along with lesser-known images of great historical significance. Arranged in chronological order, this selection effectively constitutes a visual history of photography from its beginnings to the mid-20th c. Each full-page image is accompanied by an extensive annotation in which Roy Flukinger describes the photograph's place in the evolution of photography and also within the Gernsheim Collection. Flukinger also provides an enlightening introduction in which he traces the Gernsheims' passionate careers as collectors and pioneering historians of photography, showing how their untiring efforts significantly contributed to the acceptance of photography as a fine art and as a field worthy of intellectual inquiry. Appreciations of the Gernsheim Collection by Alison Nordström and Mark Haworth...