Victor de Grailly Paintings

Tower of Babel, Colorado Canyon 12 ⅞" x 14 ½" 20 ¾" x 22 ¾" x 4 ¼" framed Verso sketch of fall trees on a hillside. Provenance: The estate of Samuel Colman. Purchased by private c...

Lovely genre scene by American impressionist Henry Bacon (1839-1912). The Beekeeper's Daughter (1881) Oil on canvas 35" x 36" 42.5" x 33" x 3" framed Signed and dated "Henry Bacon ...

Winckworth Allan Gay paints a scenic coastal scene from an elevated perspective overlooking a wave-filled beach below in his work entitled, “Sandy Beach, Cohasset.”

Hudson River School, Mountain Landscape, Oil on Canvas, late 19th century, signed "A.E. Willey" lower right, giltwood frame. Image: 12.25" H x 18.25" W; frame: 16" H x 22" W. Proven...

Much about this late 19th-century painting remains a mystery, including the name of the artist who only left their identity in a single-letter monogram. But the work's moody embrace ...

Up for sale here is a really impressive mid 19th century painting. Very fine quality and great color! Unsigned. Framed. Image size, 13 by 17.

THE WATERFALL - Oil on canvas cm. 55x70 by Paolo De Robertis, Italy 2002. The painting is inspired by the paintings of Thomas Hill, an American landscape painter belonging to the H...

Monogrammed lower left: ATBRICHER

Signed lower right Dewitt Clinton Boutelle’s landscape paintings embody the grandeur and tranquility of the Hudson River School. In this imagined scene, a lone fisherman stands on t...

This is classic Norton Bush and one of our few Americans who traveled to South and Central America at this date to do these exotic scenes. He employed a Hudson River School techniqu...

This rare and impressive depiction of a white capped mountain and Indian encampment from the 1870's is a great image for a library or rustic room. Exquisitely painted, Young focused...

Painted by Historic Woman Artist Anna Freeland, "Gray's Inn, Iron Mountain and Wildcat River, Jackson, NH" depicts an autumn scene in the White Mountains. Painted in oil on canvas, the work measures 12 x 18 inches and is signed and dated 1891 at the lower left. The work is framed in a period appropriate frame and ready to hang. Anna C. Freeland (1837-1911) was born in New Hampshire to Mary Ann (Baker) and William Chamberlain. She received her education at the New Hampshire Conference Seminary and Female College in Tilton, New Hampshire. She studied art in Chicago under Walter Shirlaw, at the Académie Julian in Paris under Constant, and in Boston under William A. Rimmer and William M. Hunt.[1] An artist as well as a respected teacher, Freeland was a founder of the Worcester Art Students Club whose members included Joseph H. Greenwood and Frank J. Darrah. Incorporated in 1887, the club held meetings in the homes of its members. The club began holding meetings and exhibitions at the Worcester Art Museum following its opening in 1898.[2] Freeland offered instruction from her Worcester studio during the Winter months, and for over a decade, spent her summer working in her Jackson, New Hampshire studio.3 Her studio adjoined Gray’s Inn, a lodging establishment popular among artists. While busy executing figurative and floral works, as well as landscape and animal subjects, Freeland continued to teach. In 1886, she instructed a class of lady artists in Jackson.[4] In 1890, Freeland contributed several floral works as well as Portrait of Baby McClure, the infant daughter of an Art Students’ Club member, to the 10th annual exhibition of the club.[5] In 1902, Freeland was the instructor at an outdoor sketch class organized by the Newton Center Woman’s club.[6] In 1910, she exhibited with local artists including Joseph H. Greenwood at the Worcester Art Museum.[7] During her lifetime, Freeland exhibited locally and provided art instruction to notable artists including Walter Appleton Clark...