Victor Roman Sculptures

Sculpture Bust Roman in solid hand carved marble lightly red tinted and grey tinted. Exceptional piece. Available now on stock.

A captivating figurative bronze sculpture created in the Netherlands during the 1970s. Although the artist remains unknown, the work possesses a remarkable artistic quality, combinin...

Abstract bronze sculpture by José Luis Sánchez, Spain 1970s. Refined abstract work in bronze on a Carrara marble base. The stylized, organic forms flow into each other, creating an e...

Huge Antique French Bronze Roman Soldier Sculpture by Picault

A classic Italian Roman statue of the 'David' on a black marble base by sculptor G. Ruggeri, Italy, circa mid-20th century, Italy. White resin statue is on a black marble base with t...

The sculpture was made from a single block of Roman Travertine. Dimensions of the sculpture: cm 93 x 52 x 40 cm. Size of the sculpture with shaft an...

A powerful and expressive limited-edition bronze sculpture titled “By the Sea” by renowned Mexican sculptor Victor Salmones, celebrated for his dynamic figurative works that merge modernist abstraction with classical human form. This striking sculpture portrays a reclining female figure captured in a dramatic suspended pose, balancing gracefully on extended arms and legs. The composition creates a captivating sense of movement and tension, emphasizing both strength and elegance in the human form. Salmones’ distinctive sculptural language is evident throughout the piece. The figure is modeled with expressive textural surfaces and fluid anatomical lines, giving the work a raw, tactile quality that contrasts beautifully with the polished presentation of its base. The sculpture rests on a clear Lucite plinth, elevating the figure visually while creating the illusion that the form is floating within space—an effect that makes the piece particularly compelling when displayed on a console, pedestal, or coffee table in contemporary interiors. The underside of the sculpture is signed and numbered by the artist and marked: Victor Salmones 5/10 confirming that the piece is number 5 from a limited edition of only ten casts. It is accompanied by the original certificate of authenticity issued by the artist. Works by Victor Salmones are highly sought after by collectors of Mexican modern sculpture...

Mid-Century Bronze Sculpture by Magrit Van Nuffel, 1970s

Rare bronze sculpture by renowned Mexican artist Victor Hugo Castañeda (b. 1947), signed and dated Victor H. Castañeda, 1988, and marked Edition 1 of 20. This intimate and contemplat...

Seated athletic bronze sculpture / Figure Greek - Roman mythology Greek - Roman mythology The condition can be seen in the pictures.

Beautiful bronze may listed Mexican artist, Victor Gutierrez titled "Inquietud" and number 6 of an edition of 25. The piece is signed and dated 87. ...

A French 1970s Gold and bronze clam shell center peice sculpture with three large quartz and amethyst crystal clusters. Signed Biography: Claude Boeltz was born in Paris in 1937. The fourth generation in a line of artists, from his early childhood Boeltz was interested in disciplines as far ranging as sculpture, painting, ceramics, architecture, and blacksmithing. From the very start he was fascinated by what would become life long inspirations—anatomy and geology. His first apprenticeship was with the sculptor Henri Molins, which was followed by apprenticeships at the prominent Susse and Houdot foundries. His last was with Soudoun, under whose tutelage he was honored with the national “Best Worker in France” award. During these apprenticeships Boeltz took night classes at the Boule School, the Gambetta School, and at the Academy of Art in Paris. He would eventually take degrees from all three. On Sundays he went to museums, particularly the Louvre, where he sought out work in the Louis XIII - Louis XVI styles. He also spent long hours in study of the many artists he admired, such as Bersus, Meunier, Giacometti, Ponpon, Chipparus, Dali, Dajou, and Ruhlman. After these apprenticeships he tried to establish himself in the Riviera, where he befriended, and briefly collaborated with Picasso. Boeltz’s time in this vibrant community was, however, cut short—in the early 1960s he was called into the French military. While on tour in the Sahara he carved miniatures, and would carry them in his baggage from base to base. One that survived—a replica of the Arc d’triumph—was later offered to President Eisenhower on behalf of the French Army. Upon leaving the service Boeltz established a foundry in the Loire, and by the late 1960s his work, now enormously popular, was shown all over Europe. In the early 1970s he met the sculptor Cesar. The famous sculptor’s “compression” pieces inspired Boeltz to create the work for which he would soon become best known. Boeltz’s “exploded” bronze works were pieces plated with 24 karat gold made to look like liquid gold crystalized an instant after explosion. Boeltz augmented this unique medium with vibrant details, often with African emeralds, but with other stones or unusual materials as well. In his famous Cleopatra, dedicated to Elizabeth Taylor and installed in Georve V hotel in Paris, the artist employed metacrylite as a base and for its veil. The immediate success of these “exploded” works allowed Boeltz to build two foundries devoted largely to their creation, one in the Faubourg St. Honore’ in Paris, and the other in Fontenay Sous Bois. “Exploded” works from the foundries were presented and sold at Fred’s Jewelers...