Viola Frey Paintings

Ming Ming Liang (Chinese, born 1964) "Rose" 2024 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. In "Rose", Ming Ming transforms a traditional ...

Ming Ming Liang (Chinese, born 1964) "Sunlight After Storm" 2024 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. In "Sunlight After Storm", Min...

Samantha Van Heest explores the intimacy of impermanence through her work, utilizing still life, found objects, and portraiture through minimalist r...

Ming Ming Liang (Chinese, born 1964) "Sunlight After Storm" 2024 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. In "Orange Bouquet", Ming Ming...

Michele's paintings are about the timeline of human life, and its effect on art. For the last 15 years Michele has been deconstructing the subject matter. In as much as she enjoy t...

This painting features hues of yellow, red, blue, purple, pink and black. Savannah-based interdisciplinary Artist Michael Porten’s Enjoy Yourself is a series of oil paintings of fl...

Rizaldy Celi Jr. (American, Filipino-Vietnamese, born 1983) "Untitled" 2025 Oil paint on canvas, stretcher bars The artist signed the bottom right of t...

Lesley Anne Spowart (American, born 1957) "Blue Vase" 2016 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom right and back of the painting. Lesley Anne Spowart’s "Blue...

"Gathering no. 2" by Alyson Kinkade 9" x 9" oil on canvas 11x11" framed in black floater style "One of a handful of still life paintings I've done over the years. This one features dried Chinese Lantern plants in a simple black vase...

"Maiden" Abstract Oil Painting 24" x 20" inch by Ashraf Zamzami ABOUT A characteristically bold and optimistic palette does not belie the inescapably pensive nature and at times, i...

Pumpkin with Art Glass by Roy Wilce Oil on Canvas Painting image 24x20" framed 26x22" (frame is wood with silver features) Still life of art glass and a pumpkin against grey fabric ...

'Kum Ba Ya' is an abstract pointillist painting featuring hues of red, green, yellow, blue and black. Robert Hightower is inspired by the work of Giotto, Hieronymus Bosch, Jean-François Millet, Roger Brown, Howard Arkley and Julian Opie. This piece is a part of a special immersive gallery installation, “The Apocalypse Simulacra,” which is a narrative presentation of the twilight of humanity, at the fulcrum of extinction by Atlanta-based artist Robert Hightower. Through stage-set constructions, readymade plastic models and paintings, Hightower investigates the duality of right/wrong, good/bad, eternal/ephemeral in light of the imminent end of the Human Epoch. It depicts the ideological origins of corporate greed and power, the reality of wealth distribution in the “American Dream,” and the socio-economic and environmental impacts of that collective greed. After receiving a BFA in sculpture from the University of Georgia, Hightower moved to New York City and participated in The Bronx Museum of the Art’s AIM Fellowship (Artist In the Marketplace). While in New York, his interests expanded to include art installation and the creation of spaces, and has since designed and built many unique homes, penthouses and restaurants throughout the United States. Hightower has returned home to Atlanta and will be presenting his most comprehensive body of work to date, “The Apocalypse Simulacra,” a unique universe of beauty, dichotomy and uncertainty. ARTIST STATEMENT The 'Apocalypse Simulacra' is a presentation of the twilight of humanity, at the fulcrum of extinction. The climate is the subject. The Simulacra is the Theme. First discussed by Plato, the Simulacra is the search for Truth in Duality. Developing into Post-Modernism with Nietzsche’s: truth=Truth. Now with Bauvillard, the Simulacra has evolved beyond Post-Modernism, into the wholesale confusion of the real/fake, the true/false… between reality and hyper-reality. This crumbling, confusing of the truth (not necessarily the Truth) is our Reality. For over two decades, I have created large format paintings of strip malls, suburban houses and toys. These paintings present singular images flattened-out (almost floating) on color-fields. They create a certain duality - a loving portrait of an inanimate object that would not normally be singled-out for affection. With my latest work, I have added a variety of iconic images: an airplane, a whisky bottle, a woman floating in a pool. The icons are presented in a pixelated or degenerated state. In addition to paintings, I have used adult-size building blocks to create sculptures or three-dimensional paintings. Using a child's toy at an adult-scale gives the building blocks an austere and powerful presence. The building blocks echo the blocks of the pixelated paintings...