Virginia Scotchie Furniture

Handcrafted Brutalist bud vase or sculpture, 1960s, brass, stee. Plastic test tube, signed R. Bitterman.

A pair of wooden totem sculptures by Meyer R. Wolfe, 1970's.

Amazing eight man assembly line whirligig. Attributed to an auto worker in Detroit. Fantastic original dry paint surface. Crank turns and figures move pe...

Whimsical wheeled ceramic and plaster sculptures by artist Scott Rosenthal. The larger sculpture is fired ceramic, and the two smaller car sculptures are pl...

A beautiful and rare solid sterling silver nude female figurative torso sculpture by artist sculptor, Richard McDermott Miller, 1988, USA. Ame...

Richard E. Filipowski, graduate of the Chicago Institute of Design, hand-sculpted Marquette. Stylized branch composition out of delicate components...

Signed, Lifesaver Candy Sculpture by Daniel Meyer. The sculpture is wood, resin and acrylic. Lifesaver is orange.

A "Glamour Cat" sculpture in enamelled gold ceramic designed by Scott Musgrove and produced by Superego Editions. Limited edition of 50 pieces signed and numbered. Biography Born in 1966, Scott Musgrove received a BFA from Columbus College of Art and Design in Columbus, Ohio. He currently lives and works in Seattle, Washington. Musgrove’s style of figural surrealism carries themes of environmental issues and endangered wildlife concerns with unique humor, depicting anomalous extinct (and fictitious) animal species. His influences include historical artists such as Hudson River School painters Frederic Church, Albert Bierstadt and Thomas Moran, as well as naturalist artists including John James Audubon. The artist’s paintings and sculptures have been exhibited in galleries and museums across the United States and Europe. His new book The Late Fauna of Early North America features lush, highly detailed landscapes and close encounters with many of his strange and beautiful creatures. Musgrove’s carved wooden and bronze sculptures, oil paintings, watercolors, ink drawings and pencil renderings...

Sculpture with Seashell Assembly and Antique Silver Base

A unique patinated bronze sculpture in the form of a 1940's leather bomber jacket hanging on a wall mounted coat rack. The 1940's bomber jacket. It is one of the few items that has really transcended both fashion and trends. People are wearing these jackets today in the same way they have for the last six decades. It's a symbol of freedom, of the rebel in us, or a certain kind of social stigma, a certain attitude. Hanson chooses to isolate and immortalize a man's leather jacket. The choice becomes a comment on the power in our culture of image per se. A comment on the ascendance of personal style and image, via our possessions and fashion, to a consuming culture value. Seemingly casually tossed over a hook, yet frozen there in bronze, the jacket evokes an entire range of masculine stereotypes celebrated by the media-cowboys, mavericks and rebels of our time. The open road, macho bravado, rugged individuality, sex appeal. Yet the presence of this lone jacket equally evokes the very personal, if anonymous, history of its wearer. Like the cast-form-life sculpture of George Segal, it expresses mystery, even poignancy, of its owners absence. As in much of Hanson's art, this culture manages both to critique and also to value such material icons of our culture. Scott Hanson...

Black geometric sculpture by Ursula Meyers conceptual Artist. Ursula Meyer (1915-2003) American sculpture signed and dated. This monumental geometric form sculpture is one the first work of art ever offered for sale, only at Greenwich Living, by renowned artist Ursula Meyer. Provenance: From the Estate of Ann Pollon Re: The Collection of Ursula Meyer. Descendant. Acquired from the Artist Studio. Ursula Meyer was a German-born American sculptor, art-focused academician, and fine art critic, who proved an influential player in the transmission of and appreciation for European born Modernism to the United States in the post-World War II era. At first a ceramicist beholden to the teachings of 1930s Germany’s Bauhaus and Italy’s Futurists, she eventually became a creator and exponent of a crisp, geometry-focused sculptural lexicon in ceramics, and later wood and metal sculpture. Her legacy includes a decades-long exploration of Minimalism, as well as experimentations in creating and deciphering Conceptual and Expressive genres. Born in Hanover, Germany in 1915 to Ernst Josef Meyer and Elsa Katzenstein, Ursula Meyer is recorded as having “studied with former Bauhaus masters after the Bauhaus itself had closed under threat of National Socialism” in 1933. Spanning the years 1934 through 1937, Ursula’s Bauhaus tutorial is not fully documented, but it may well have included at least brief study with the French-born Marguerite Friedlaender Wildenhain (1896-1985), the first woman to earn the Master Potter certification in Germany, and who worked with Paul Klee, Wassily Kandinsky, Max Kehan and Gerhard Marcks (1889-1981). Meyer is recorded as having directly worked with Marcks, as well as with Otto Lindig...

The “Surolù” art works - this is artistic identity chosen by Vanessa Semaino - arise from the artist 's need to represent women’s condition today, particularly in their emotional sta...