Virginia Scotchie Mounted Objects

Richard Orlinski - Signed sculpture Simba - The Lion King - Disneyland Out of print edition Dimensions : h18xw10xL10cm Price : 490€ for this sculpture

Luminous sculpture by Richard Faure in worked brass. The abdomen is made from a slice of agate concealing the lighting, the eyes are two fossil ammonites. Unique piece. Signed.

Super cool vintage cast iron "Hound Dog" doorstop / sculpture manufactured by Virginia Metalcrafters, circa 1986. The piece is in good vintage condition with a nice patina and a dist...

Amazing eight man assembly line whirligig. Attributed to an auto worker in Detroit. Fantastic original dry paint surface. Crank turns and figures move pe...

Crane sculpture Bill Scott, USA 1991 Walnut, brass lacquer 17 tall x 15 deep and 7.5 inches wide. From an estate of a collector of art from around the United States. Elegant details such as the method used to cut the brass to impart bird feather tuffs behind the head and at the base of neck coupled with carved walnut feathers to the tail show quality studio attention to detail and a high level of professional craftsmanship. Possibly American School art...

Whimsical wheeled ceramic and plaster sculptures by artist Scott Rosenthal. The larger sculpture is fired ceramic, and the two smaller car sculptures are pl...

Sculpture with Seashell Assembly and Base of Antique Classical Golden Cup

A unique patinated bronze sculpture in the form of a 1940's leather bomber jacket hanging on a wall mounted coat rack. The 1940's bomber jacket. It is one of the few items that has really transcended both fashion and trends. People are wearing these jackets today in the same way they have for the last six decades. It's a symbol of freedom, of the rebel in us, or a certain kind of social stigma, a certain attitude. Hanson chooses to isolate and immortalize a man's leather jacket. The choice becomes a comment on the power in our culture of image per se. A comment on the ascendance of personal style and image, via our possessions and fashion, to a consuming culture value. Seemingly casually tossed over a hook, yet frozen there in bronze, the jacket evokes an entire range of masculine stereotypes celebrated by the media-cowboys, mavericks and rebels of our time. The open road, macho bravado, rugged individuality, sex appeal. Yet the presence of this lone jacket equally evokes the very personal, if anonymous, history of its wearer. Like the cast-form-life sculpture of George Segal, it expresses mystery, even poignancy, of its owners absence. As in much of Hanson's art, this culture manages both to critique and also to value such material icons of our culture. Scott Hanson...

Richard Walsh freeform sculpture. Tubular metal bent and welded to torch-cut circular base, Brutalist in form and patina. Sturdy stabile sculpture, circa 1975.

Richard E. Filipowski, graduate of the Chicago Institute of Design, hand-sculpted Marquette. Stylized branch composition out of delicate components...

This listing features brass Gingko Leaves sculpture that sits on a marble base. Gingko leaves come from a Gingko biloba tree, commonly used as a dietary supplement. Founded in 1980 ...

Palatial bust of Henri Robert-Marcel Duchamp by Ursula Meyer. The sculpture itself measures 47" in height, 27.5" in width, and 21.5" depth acquired from the home of the most prolific American conceptual artist. Signed and dated. Provenance: From the Estate of Ann Pollon Re: The Collection of Ursula Meyer. Descendant. Acquired from the artist. Henri-Robert-Marcel Duchamp French: (28 July 1887-2 October 1968) was a French-American painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art He was careful about his use of the term Dada and was not directly associated with Dada groups. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Duchamp has had an immense impact on twentieth-century and twenty first-century art, and he had a seminal influence on the development of conceptual art. By the time of World War I he had rejected the work of many of his fellow artists (such as Henri Matisse) as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to use art to serve the mind. Ursula Meyer was a German-born American sculptor, art-focused academician, and fine art critic, who proved an influential player in the transmission of and appreciation for European born Modernism to the United States in the post-World War II era. At first a ceramicist beholden to the teachings of 1930s Germany’s Bauhaus and Italy’s Futurists, she eventually became a creator and exponent of a crisp, geometry-focused sculptural lexicon in ceramics, and later wood and metal sculpture. Her legacy includes a decades-long exploration of Minimalism, as well as experimentations in creating and deciphering Conceptual and Expressive genres. Born in Hanover, Germany in 1915 to Ernst Josef Meyer and Elsa Katzenstein, Ursula Meyer is recorded as having “studied with former Bauhaus masters after the Bauhaus itself had closed under threat of National Socialism” in 1933. Spanning the years 1934 through 1937, Ursula’s Bauhaus tutorial is not fully documented, but it may well have included at least brief study with the French-born Marguerite Friedlaender Wildenhain (1896-1985), the first woman to earn the Master Potter certification in Germany, and who worked with Paul Klee, Wassily Kandinsky, Max Kehan and Gerhard Marcks (1889-1981). Meyer is recorded as having directly worked with Marcks, as well as with Otto Lindig...