Volpi Furniture

This extremely rare charger -- with gold highlights and beautiful tonalities reminiscent of the work of Thomas Hart Benton -- was produced by the Cole-Merris Ceramics company in San ...

Majolica dish hand made and hand-painted in Deruta, Italy, according to the original Renaissance painting technique. The dish is enriched by the presence of four metamorphic dolphin-...

A stunning large antique Italian Raffaellesco majolica wall charger / centerpiece, showcasing exceptionally executed handmade and painted design, dating to the 19th century or earlie...

Clyde Burt ceramic charger in glazed stoneware with incised image. Signature to underside: [CB]. American, c. 1965

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Three delightful and colorful round ceramic wall plates; they were created completely by hand between 1965 and 1968 by a small artisan workshop in Deruta (Perugia, Italy) respecting ancient traditions and raw materials; clay, enamel, colors, water, fire and the hands of the artist: these are the simple elements that lead to the creation of a ceramic article; on the back they have two holes so they can be hung on the wall; they represent characters in Renaissance clothing, each in a different pose: the first is a swordsman who wields a special weapon of the time the "side sword" with S-shaped guard and a dagger with guard very elaborate, useful to trap the blade of the opponent; the "spada da lato" (side sword) is that elegant and handy sword that, from the second half of the fifteenth century and throughout the sixteenth century, is worn on the belt by nobles or rich, a weapon designed for self-defense or to be used in a duel; In fact the second plate represents just a duel in which the two contenders always use "swords side", the one on the left also has a small shield and the one on the right wields an effective and perfidiously fast double-edged dagger; In the third plate is painted a "naccarino" who plays a cylindrical drum (similar to those spread by the Lanzichenecchi from the fifteenth-sixteenth century) held on the side and beaten with two sticks, the "naccarini" were players of small instruments whose presence was required every time you had to give particular solemnity to a public event. We don't know why the people of Deruta began to work the terracotta and to produce vases and manufactured articles in ceramics but we know with all certainty that already in the Middle Ages the city was known for the production of ceramics of high quality, the first written sources make to date the ceramics of Deruta (Perugia) to 1282. In the Renaissance, they were active to Deruta more than fifty furnaces with which they collaborated artists like the Perugino, the Pinturicchio, and Luca Signorelli. The mastery of the artisans and artists of Deruta ceramics...

Massive Italian Majolica allegorical charger by A. Deruta Gorgeous continuous Italian Renaissance style decoration Ready to hang.

A set of six plates which is in excellent condition without scratching, chipping or cracks. The Orvieto (or Orvietano) design is a very old and traditional pattern that originated during the Renaissance in the hill-top town of Orvieto – Italy. The 'Galletto' (Rooster) pattern's main motif is a crowing rooster that symbolizes good wishes for blessings, prosperity and well-being. Grazia Deruta...

Clyde Burt ceramic charger in glazed stoneware with incised image. Signature to underside: [CB]. American, circa 1965

A fantastic and rare ceramic charger by Eugenio Pattarino. Vibrant red color and Classic Italian Mid-Century style is represented very well in this piece. Eugenio Pattarino was born in 1885 and passed away in 1971. He was a master sculptor and model maker and taught in art schools in both Venice and Frankfort, Germany. In the late 1940s he opened his own studio in Florence. His factory used both “EPF” and “CAPEF” (Artistic Ceramics Professor Eugene Pattarino) to mark his pieces. His studio is best known for its large religious statutes, many of which reside in a number of churches in Italy and the U.S. In the 1950s Pattarino had more than fifty artists working for him and some among them were considered the best ceramists in Italy. At this time Eugenio was joined by his son, Ranier, and the company began concentrating on more eclectic themes. These pieces, when new, were quite expensive when they were purchased but almost never garner anywhere near their original cost at today's auctions. The factory claimed that the Vatican used Pattarino’s ceramics as gifts to famous visitors, including President John Kennedy, Andre Gide and Paul Sartre. Unfortunately there is no proof to back these claims. As a matter of fact I have discovered that the Pattarino name is almost generally unknown in Italy and even lesser known in Florence. His name is, however, recognized here in the United States and most of the factory’s output can be found in the U.S. where it was imported. In November 1966 the Arno River flooded its bank and inundated most of Florence. Work to restore damaged art...

Bellissimo vaso in stile RAFFAELLO , raffigurante un Drago Deruta, Italy, 1960s.

Circa 1900 Japanese hand painted Imari charger. The charger is hand painted in an array of spectacular colors and has a central lozenge with a potted pla...

Large Portuguese palissy plate or charger with a long coiled snake, two lizards, three brown toads and two beetles. Signed: #2 M. Mafra, Caldas, Portu...