Volpi Ceramics

This extremely rare charger -- with gold highlights and beautiful tonalities reminiscent of the work of Thomas Hart Benton -- was produced by the Cole-Merris Ceramics company in San ...

Massive Italian Majolica allegorical charger by A. Deruta Gorgeous continuous Italian Renaissance style decoration Ready to hang.

Antique Japanese Imari Charger having foliate and bird decoration, impressed mark and three character marks to base. Lovely colours and condition.

A stunning large antique Italian Raffaellesco majolica wall charger / centerpiece, showcasing exceptionally executed handmade and painted design, dating to the 19th century or earlie...

Small Portuguese Palissy plate or charger with green grasses, coiled snake and moths. Signed: Jose A. Cunha, Caldas, Rainha, Portugal.

Antique Italian-Style Maiolica Portrait Charger, Dated 1886 A striking maiolica portrait charger, richly decorated in cobalt blue and ochre, depicting a classical female profile with...

Two large French Faience dishes and two smaller from the city of Strasbourg in hand painted floral decoration. They are approximately from around...

Wedgwood charger in their famous "Fallow Deer" pattern. Impressed mark on reverse reads 3QT, which is dated 1907.

Bellissimo vaso in stile RAFFAELLO , raffigurante un Drago Deruta, Italy, 1960s.

Pair of 19th-century Italian Renaissance Style Majolica portrait chargers  Style of Cantagalli: One dish has two minor 'flea-bite' chips to the back, not...

Beautiful ceramic by Cima (Italy) probably design as pens holder, amazing colours and in very good condition.   

A fantastic and rare ceramic charger by Eugenio Pattarino. Vibrant red color and Classic Italian Mid-Century style is represented very well in this piece. Eugenio Pattarino was born in 1885 and passed away in 1971. He was a master sculptor and model maker and taught in art schools in both Venice and Frankfort, Germany. In the late 1940s he opened his own studio in Florence. His factory used both “EPF” and “CAPEF” (Artistic Ceramics Professor Eugene Pattarino) to mark his pieces. His studio is best known for its large religious statutes, many of which reside in a number of churches in Italy and the U.S. In the 1950s Pattarino had more than fifty artists working for him and some among them were considered the best ceramists in Italy. At this time Eugenio was joined by his son, Ranier, and the company began concentrating on more eclectic themes. These pieces, when new, were quite expensive when they were purchased but almost never garner anywhere near their original cost at today's auctions. The factory claimed that the Vatican used Pattarino’s ceramics as gifts to famous visitors, including President John Kennedy, Andre Gide and Paul Sartre. Unfortunately there is no proof to back these claims. As a matter of fact I have discovered that the Pattarino name is almost generally unknown in Italy and even lesser known in Florence. His name is, however, recognized here in the United States and most of the factory’s output can be found in the U.S. where it was imported. In November 1966 the Arno River flooded its bank and inundated most of Florence. Work to restore damaged art...