Wedo Georgetti Art

Lanscape France,Ocean, France , grey, blue, azure, Normandy signed lower right Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He was born in Paris but spent his childhood and ...

1961 Coty Award Plaque Kenneth Hairdresser Jacqueline Onassis Bronze Fashion Bronze on wood. The wood plaque measures 12 3/4" by 20 3/4 inches. The bronze plaque itself is 13 3/4 x 8 3/4 inches and the the bronze inscription, which reads "COTY, American Fashion Critics Special Award 1961 to KENNETH of LILY DACHE...

Emile CHAUMONT (Perigueux 1877 - 1927) Summer landscape in Périgord Oil on panel H. 32 cm; L. 41 cm Signed lower left, dated 1912 Provenance: Private c...

Two Figures (Mother and son) 9" x 17" terracotta sculpture, signed lower left mounted to wood panel, 15 1/2" x 23 1/2" George Aarons (born Gregory Podubisky, in St. Petersburg, Russ...

An elegant African sculpture from the West African Baoulé or Baule people, depicting a young woman wearing a loincloth. Smooth black lightly worn patina.

Vibrant fauvist landscape of redwood trees titled "Forest Wonder" by John Stenvall (American, 1907- 1998), 1993. Signed lower left corner. Presented in g...

Acrylic on paper laid board. Frameless. Needs restoration

Beautiful mid century impressionist mountain landscape of a High Sierra lake in winter by Carmel and Hollywood artist Helen Mae Enoch Gleiforst (American, 1903-1997), c.1950. The dra...

striking hand carved Carrara marble and linden wood sculpture by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical references and Greek mythology influences Med...

Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...

Very well executed oil on masonite painting of a sunset in Topeka, Kansas by the American artist, Pauline Haynes Shirer. Signed lower right. Circa 1950. Condition is excellent. Recently professionally cleaned. Newly framed in a custom gallery frame. Overall framed measurements are 17.5 by 20.5 inches. Provenance: A Long Island, New York collector. Pauline Haynes Shirer (1894 - 1975), American Born in Topeka in 1894, Pauline is said to have been at least partially raised by her aunt, Hannah Haynes Headlee (Pauline’s mother died when she was 8 years old). By 16, she was living as a ward in the Topeka home of Elizabeth Cunningham, a dressmaker. After graduating from Topeka High School, she attended the New York School of Fine and Applied Art (later Parsons School of Design), completing a two-year course in one year (1913-1914). At the same time, she took weekend classes at the Art Students League. Returning to Topeka, she studied and taught at Washburn College (now University) from 1914 to 1915 and instructed summer sessions at Kansas State Teachers College, Pittsburgh, during the same period. Afterward, she returned to the New York School of Fine and Applied Art, where she taught and took classes (1915-1918). She spent the summer of 1916 as an instructor at the Skidmore School of Art, Saratoga Springs, New York. In 1917, Pauline married Hampton F. Shirer, an architect from MIT, who was also an artist and came from a prominent Topeka family. The couple later settled in Wellesley, Massachusetts in 1921, living in a house which they built and decorated themselves. During the next 16 years, they raised two children and Pauline also found time to illustrate promotional brochures and primary school texts. During the early years of her career, Pauline focused on the applied arts – such as watercolor designs for curtains, silk fabrics, wallpaper as well as poster designs, theater backdrops and book covers. Later she would transition into creating her own representational works of art. Shirer returned to Topeka in 1937. During her career as a painter in oils and watercolors, she sketched in Europe four times and did paintings of New England subjects. However, most of her paintings were of the West. She executed Kansas views first, and they continued to hold her interest throughout her life. Typical were her studies of rustic buildings on the plains, glimpses of the prairie country, and the historic buildings of Topeka. She also painted New Mexico landscapes and Colorado mountain scenes. Among her exhibitions, mostly solo but occasionally with her husband, were those held at the Harlow and Harland’s Gallery, Boston (1922); The Scattery, Wellesley, MA (1925); Vose Galleries, Boston (1931); Topeka Art Guild (1952); Copley Society...

Artist: Jacques Gaston, French XXth Title: Champs Elysses at Dusk Year: circa 1950 Medium: Oil on Canvas mounted to Wood, signed l.r. Image: 24 x 36 in. (60.96 x 91.44 cm) Frame: 33 ...