William A. Slaughter Art

The picture is painted with oil paint on canvas. Origin : Germany Year : 1920 Dimensions: Frame: height 38 cm / width 50 cm Image: height 26 cm / width 38 cm

Landscape painting, oil on artist board in giltwood frame. Titled oak gulch and dated 1950.

Gordon B. Coutts (Scottish/American, 1868-1937) A very fine and large orientalist oil on canvas titled "Ashura Rituals, Tangier" (Arabic: عاشوراء‎ ʻĀshūrā’ - Urdu: عاشورا‎ - Persian: عاشورا‎ - Turkish: Aşure Günü). Signed and inscribed: 'Gordon Coutts/TANGIER' (lower right), circa 1920. Provenance: The Fisher Art Museum, University of Southern California. Gordon Coutts led a peripatetic career, born in Aberdeen, Scotland, he then studied and travelled to Glasgow, London, Paris and Rome before settling in Melbourne, Australia in 1891. In 1896 he moved to Sydney, where he taught at the Art Society of New South Wales, before returning back to Europe in 1899. With the climate of northern Europe detrimental to Coutts' poor health, he moved with his wife, Alice Grey, to the United States where he became a frequent exhibitor at the Bohemian Club in San Francisco. In 1920 he travelled to Tangiers, Morocco where, dressed as an Arab, he passed from tribe to tribe observing the lifestyle, customs and practices of the the village people and Bedouins. The present work depicts the celebration of Ashura. The day of Ashura is commemorated by Shi'ite Muslims; "A day of pain, pilgrimage and pageantry, it is one of the holiest in their religion. The word Ashura means 10, and refers to the tenth day of Muharram, the first month of the Islamic calendar. This is a period of mourning and cleansing, which marks the martyrdom of Hussein, grandson of the Prophet Muhammad...

Knight. Oil on canvas. Dedicated, signed (F. Lloret.) and dated (1897) in the lower left corner. Against an indeterminate background, the knight's bust is positioned, his face slig...

Traditional Oil Painting of the English Countryside with River Otters by Modern British Landscape Artist Art measures 30 x 20 inches Frame measures 36 x 26 inches James Wright...

Castlewellan Lake in Northern Ireland by 20th Century British Artist, Spencer Coleman. Unique Vintage Original, Oil on Canvas, Signed. Art measures 20 x 16 inches Frame measures 24 ...

Anonymous. Korean, 17th century. Joseon period. Hanging scroll. Ink on paper. Seal: Shinso Dimensions: Scroll: H. 200 cm x W. 31 cm (79” x 12”) Image: H. 122 cm x W. 29.5 cm (48” x 11.5”) The grapevine came to China and then Korea from western Asia via the silk road trade routes. By the mid-Joseon period, it was one of the most popular subjects for Korean literati painters. Grapevines were painted as a singular subject or, less commonly, in combination with squirrels, which are associated with children due to their playful nature. Together, grapevines and squirrels embody wishes for abundant offspring and wealth. For the Korean literati artist the twisting vines, curling tendrils and round, plump grapes provided ample opportunity for expressive "brush play”. In this painting the artist has abstracted the scene and is seemingly unconcerned with discontinuities and proportion. Vines spring up from nowhere, grapes hang in random clusters and the squirrel’s head appears as if twisted backwards. For the vines and leaves we can feel a sense of speed in the brushstrokes, imparting a dynamic feel which is at once intense and animated. This contrasts dramatically with the countless tiny strokes of ink which realistically capture the texture of the squirrel’s fur...

Oil on canvas

Winter Sunlight in the Forest 20th Century Realist Oil Painting by German Landscape Artist, Wolfgang Heinz (1930–2014). Art measures 32 x 28 inches Frame measures 39 x 34.5 inches ...

Antique Impressionist Flower and Farmer's Market, Charlottenburg School, 1927, an oil on canvas urban landscape painting of town square with flower venders, signed illegibly A___ V____ (looks akin to A__ssy V_erge) and dated 1927 lower left. An autumnal scene with classic "viktualienmarkt" that looks so much like the Munich Altstadt but is almost surely the park alongside the Prussian Charlottenburg Palace in Berlin. This is a very charming and beautiful painting. The Charlottenburg area was the seat of the Berlin Secessionist school of German progressive artists that espoused modern art, especially impressionism and expressionism. Max Liebermann in particular, a painter and printmaker, was one of the leading proponents of Impressionism in Germany and continental Europe, and a leading light of the Berlin Secessionism. The Charlottenburg art community became a sort of German "Left Bank" and was at the avant garde of of the visual arts and literature, including the likes of Alfred Döblin, Otto Dix, Gottfried Benn, Else Lasker-Schüler, Bertolt Brecht...

Italian School, 17th century Madonna and Child with St. John Oil on canvas, 86 x 99 cm Framed, 113 x 93 cm The seventeenth-century painting presents the Virgin intent on presenti...

Consigned to American Legacy Fine Arts, Pasadena, California; Private Collection, Pasadena, California; Mutual Savings, Pasadena, California — acquired presumably from the artist via an art consultant; Displayed at Mutual Savings headquarters, Colorado Boulevard, Pasadena, California, c. 1965–1993 A 1955 photo showing Bickerstaff paintings on display at the same Mutual Savings and Loan office in Pasadena can be seen through the online resource at Pasadena Digital History Label on Verso Mutual Savings No. 3107 Description This luminous desert landscape, painted in rich yet delicately modulated tones, depicts California’s Palm Springs Desert with a scattering of smoke trees...