William Claxton Art

Listing is for UNFRAMED print. Edition 1 of 15. CURRENT EXHIBITION - runs through September 4th, 2016. Any framed photographs purchased during the show will be available after September 4th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Since the early ‘90s, gallerist Robin Rice and designer Antony Todd...

Claiming to be a "Daring Drug Expose!", this early exploitation film evaded strict censorship of its lurid content ("Weird Orgies, Wild Parties, Unleashed Passions!") by claiming to ...

Yacht Wayward, early silver gelatin photographic print by Beken of Cowes.

Considered the quintessential and definitive Bond film, the third instalment in EON Productions' James Bond series set the template for many of the subsequent films, with its tongue in cheek humour, extensive use of gadgets and technology and multiple foreign locations. The first Bond blockbuster, 1964s 'Goldfinger' was also the first Bond film to utilise a standalone pre-credits sequence, the first to employ a pop star to sing the theme song and the first to win an Academy Award. The plot saw 007 uncover a plot to contaminate the United States gold reserve at Fort Knox while investigating the smuggling activities of powerful gold magnate Auric Goldfinger. This stunning poster designed by prolific Swedish...

With a kitschy schlock-horror title and eye-catchingly vibrant artwork featuring a young bride dramatically recoiling in horror at the alien shadow lurking behind her, B movie sci-fi doesn't get much better than this! Released in black and white by Paramount as a double feature with 'The Blob,' 'I Married A...

Listing includes free shipping for unframed prints and a 14 day return policy. Joan Didion by Julian Wasser 20 x 16 inch gelatin silver print Edition 3 of 15 Signed on verso by Julian Wasser *Please inquire for international shipments. Quotes will be provided at cost via FedEx. Description - Julian Wasser started his career in photography in the Washington DC bureau of the Associated Press where he met and accompanied the famous news photographer Weegee – who would become a lasting influence on him. In the mid-60s Wasser moved to Los Angeles as a contract photographer for TIME, LIFE, and FORTUNE magazines and becoming internationally known as the go to guy for getting candid but memorably composed photographs. (His iconic images of Jack Nicholson and Anjelica Huston; Marcel Duchamp and Eve Babitz; and a young Jodie Foster are already classics.) In 1968 TIME Magazine assigned Wasser to go to the home of the young writer Joan Didion whose book Slouching Towards Bethlehem was becoming a literary sensation. “I’d read her fiction,” said Wasser. “and she didn’t miss a thing. She was such a heavyweight person.” Wasser shot Didion at her rented house on Franklin Avenue in Hollywood, where she lived with her husband, the writer John Gregory Dunne, and their daughter, Quintana Roo. “It was a nice, cozy house,” Wasser remembers. “And she was a very easy person to talk to...

Listing includes framing with UV Plexi ($900 value), free shipping, and a 14-day return policy. Seydou Keïta Untitled Portrait, 1952 - 1955 (02158) 23...

Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Ted Higby at Skyline Rodeo, 1928 15 x 12 inch gelatin silver print Image Size: 14 x 8.5 inches Frame size: 22.5 x 17.5 x 2 inches Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...

Best known for his action packed James Bond posters, American artist Frank McCarthy's dynamic design for John Sturges' spectacular 1963 wartime adventure 'The Great Escape' features king of cool Steve McQueen front and centre, leading co-stars James Garner, Richard Attenborough and their fellow prisoners of war in their legendary escape from a German cap during World War II. McQueen cemented his superstardom as the daredevil Captain Hilts, whose irreverence towards Nazi authority repeatedly lands him in solitary confinement, earning him the nickname 'The Cooler King,' before gunning his motorcycle over a barbed wire fence...

Listing is for an unframed print and includes free shipping to the continental US and 14-day return policy. Julian Wasser Eve Babitz and Marcel Duchamp pl...

An international style US lobby card for Woody Allen's 1979 romantic comedy "Manhattan," starring co-writer and director Allen as a twice-divorced middle-aged comedy writer dating a ...

Lobby Cards were designed for display in a cinema lobby to lure the movie-going public. Typically released in sets of 8, each card depicted a different scene from the film. This charming US lobby card for 'Breakfast At Tiffany's,' number 7 of the set, depicts Audrey Hepburn as Holly Golightly and George Peppard as Paul Varjak sipping coffee against a backdrop of Manhattan. Featuring a miniature version of Robert McGinnis' iconic artwork used for the US insert, the lobby cards offer a bit of Tiffany's magic at a more affordable price point than the larger and highly sought after US Campaign posters. Holly Golightly would be Audrey Hepburn’s defining role, establishing her status as one of the greatest screen legends and style icons of all time. It seems unbelievable now that Truman Capote, author of the novella on which the movie was based, had his heart set on Marilyn Monroe for the part. Monroe pulled out of the running when her acting coach advised her not to play a lady of the night...