William Hogarth Prints

Set of five horse riding prints including La Croupe au Mur, Le Piaffer, L'Epaule en dedans, La Galopade and La Courbette. Each with a rider on horseback performing the specific ridin...

Set of four 19th century equestrian prints.

Original antique print of fossil crinoids. This print originates from 'Bilderbuch fur Kinder' by F.J. Bertuch. Friedrich Johann Bertuch (1747-18...

Set of five prints depicting illustrations by the all-American artist, of Scouting interest. Famed for his Life Magazine covers, Rockwell devoted a large number of his works to Sco...

Fabulous set of 12 prints. All statesmen. Humorous caricatures by Sir Lesley " Spy " Ward. Chromolithographs Unframed. Published in Vanity fair. Dated 1873 The measurement give...

Set of four mid century modern original abstract paintings in vintage gilt frames. They are priced at $1,550 for the set of four. Clockwise from top left in the first photo, they me...

A very attractive late 19th century French fashion plate which was published by La Mode Illustrée. La Mode Illustrée was published in Paris in the...

Set of 4 original prints of 'McIan's Costumes of the Clans of Scotland'. Included are: Mac Lachlan, Mac Innes, Ferguson and Mac Quarie. This is the reprint of the famous 1845 version, published by David...

'Before and After' William Hogarth Etchings Can be tube shipped

A very attractive late 19th century French fashion plate which was published by La Mode Illustrée. La Mode Illustrée was published in Paris in the 19...

These four prints from the 1920s to 1930s have a red theme. Advertisements from various cosmetics of the time. Temporarily framed in a basic black wood frame. Sold as a set, Item...

An etching and aquatint by Victor Pasmore from his portfolio titled "The Dance of Man in Modern Times". Victor Pasmore was one of the leading members of the English school of Abstract Expressionism. Please note this is one print from a larger portfolio. Other prints from this portfolio are available. A bit about Pasmore- Beginning in 1947, he developed a purely abstract style under the influence of Ben Nicholson and other artists associated with Circle, becoming a pioneering figure of the revival of interest in Constructivism in Britain following the War. [6] Pasmore's abstract work, often in collage and construction of reliefs, pioneered the use of new materials and was sometimes on a large architectural scale. Herbert Read described Pasmore's new style as "The most revolutionary event in post-war British art".[7] In 1950, he was commissioned to design an abstract mural for a bus depot in Kingston upon Thames[8] and the following year Pasmore contributed a mural to the Festival of Britain that promoted a number of the British Constructivists. Pasmore was a supporter of fellow artist Richard Hamilton, giving him a teaching job in Newcastle and contributing a constructivist structure to the exhibition "This Is Tomorrow" in collaboration with Erno Goldfinger and Helen Phillips...