William Lee Hankey Paintings

Eleanor Woolley Poppies Near Naunton 2 Original Painting Oil Paint on Canvas Canvas Size: H 61cm x W 61cm x D 3.7cm Signed Sold Unframed Ready to Hang (Please note that in situ image...

Antique Animal Painting "3 Rabbits in a Meadow" Dated 1920 Johan Cornelis Jacobus Lodewijk Stern (Dutch 1879-1939) OIl on canvas Signed and dated 1920 17 1...

Signed upper right, 'Oda Lauritsen' for Oda Lauritsen Isbrand (Danish, 1904-1987) and dated, upper left, '1928'. A powerful oil portrait of the artist's husband-to-be, the notable D...

Remember back to late April when the fields of Tuscan poppies throughout the Italian countryside were simply sumptuous and abundant! These red wild flowers seemed to be competing fo...

Portrait by Édouard Righetti (1924-2001) Signed lower front oil painting on canvas, beautifully painted with rick thick impasto oil and bold colors....

In "Harborfront" the artist uses colorful, impressionist brushstrokes to bring a working waterfront to life.

Vintage Oil Painting of Remote Cottage in the Dramatic Mountains of South Africa, by South African Artist, Marthinus la Grange (1920-1999) Art measures 14 x 10 inches Frame measur...

This vintage oil on canvas painting by Alfred Wands (1904-1998) depicts a classic western scene of horses pulling a stagecoach through the scenic Front Range of Colorado. The landscape captures the essence of the Colorado wilderness with vibrant autumn trees, golden grasses, a flowing river, and majestic snow-capped mountains in the background. The rich colors and detailed brushwork bring this iconic western moment to life. The painting is framed in a vintage frame, with outer dimensions measuring 29 ½ x 35 ½ x 1 inches, and the image size is 24 x 30 inches. This piece is in very good condition. Please contact us for a detailed condition report. Expedited and international shipping options are available. Contact us for a shipping quote. About the Artist: Alfred Wands, a renowned Colorado landscape artist, was born in Cleveland, Ohio, and graduated with honors from the Cleveland School of Art. He further honed his skills studying at the Académie Julian in Paris. After returning to Ohio in the late 1920s, Wands taught painting at both the Cleveland School of Art and the Cleveland Museum of Art. In 1930, Wands moved to Denver to head the art program at Colorado Women's College, where he spent the next 17 years. During this time, he frequently visited Taos, New Mexico, spending eleven summers there between 1930 and 1940, which deeply influenced his work. By 1943, Wands became the Camp Artist at the YMCA of the Rockies, teaching summer art classes. He later became the Chairman of their Religious Programs and Adult Advisory Committees. In 1947, Wands dedicated himself fully to his art, leaving his teaching position at the Women's College. In 1955, he opened a studio and gallery in Estes Park, Colorado, further solidifying his presence in the Colorado art scene. Known as the "Dean of Colorado Landscape Painters," Wands served three terms as the President of the Denver Artists Guild and held the position of Chairman of the Denver Art Commission for 16 years. He was a member of various esteemed organizations, including the Cleveland Society of Artists, Ohio Watercolor Society, and Chicago Galleries Association. ©David Cook Galleries...

Jeanne THELIEZ (1875-1957) French School Portrait 1933 A sensitively painted art deco period portrait of a young woman resplendent in an embroidered fez style hat, signed and dated ...

ADOLF ARTHUR DEHN (American, 1895-1969) San Francisco Bay Area street scene, with Trolley, Streetcar, Cable Car with bay and Alcatraz Island in background. Hand signed LRC. Sight 19" x 15", overall 23" x 19". Adolf Dehn (November 22, 1895 – May 19, 1968) was an American artist known mainly as a lithographer. Throughout his artistic career, he participated in and helped define some important movements in American art, including regionalism, social realism, and caricature. A two-time recipient of the Guggenheim Fellowship, he was known for both his technical skills and his high-spirited, droll depictions of human foibles. Adolph Dehn was born in 1895 in Waterville, Minnesota. He began creating artwork at the age of six, and by the time of his death had created nearly 650 images. Dehn went to the Minneapolis School of Art (known today as the Minneapolis College of Art and Design), where he met and became a close friend of Wanda Gag. In 1917 he and Gág were two of only a dozen students in the country to earn a scholarship to the Art Students League of New York. He was drafted to serve in World War I in 1918, but declared himself a conscientious objector and spent four months in a guardhouse detention camp in Spartanburg, SC and then worked for eight months as a painting teacher at an arm rehabilitation hospital in Asheville, NC. Later, Dehn returned to the Art Students League for another year of study and created his first lithograph, The Harvest. In 1921 Dehn's lithographs were featured in his first exhibition at Weyhe Gallery in New York City. From 1920 to 1921 in Manhattan, he was connected to New York's politically left-leaning activists. In 1921, he went to Europe. In Paris and Vienna he belonged to a group of expatriate intellectuals and artists, including Andrée Ruellan, Gertrude Stein, and ee cummings...

Wonderful mid century oil painting of a lone fisherman on the levee at Coyote Point in San Mateo, California by Ruth Garber Hulstede (American, 1892-1981). Signed "R. Hulstede '58" l...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...