William Pahlmann Furniture

Gorgeous Space Age side table from soft seating series designed by William Andrus for Steelcase. This example is in good original condition, some minor scuffs and dings.

Very comfortable Mid-Century Modern lounge scoop chair on stainless steel base in the style of Milo Baughman.

Beautiful walnut desk table that can be used as a desk or work table. Made of robust walnut wood. All its legs and stretcher are Solomonic and it has a drawer with its iron handle, i...

A superb antique William IV walnut partners writing table / desk. This was made in England, it dates from around the 1830-1840 period. The quality is outstanding, this is as fine a ...

Initially introduced back in 1938, Little Petra won instant praise at the Copenhagen Cabinetmakers Guild Exhibition, subsequently winning awards at exhibi...

This pair of very nice design side tables is made of chrome with thick glass shelves. This is a French work, circa 1970.

Jens Risom for Walter Knoll, pair of 'Vostra' chairs with ottoman, beech, canvas, brass, United States, design 1941, production 1950s An elegant lounge chair with ottoman featuring ...

Architectural modernist slipper lounge chair by Craftsman's Village.

A pair of rare and possibly unique slipper chairs / lounge chairs. Produced for the Ford Foundation, New Dehli, India. Design is attributed to Gajanan Upadhyay...

Four drawer wood desk with ivory lacquered drawers and angular legs in the style of Gio Ponti.

Beautiful Walnut custom narrow desk by renowned painter and sculptor, Richard Artschwager, who in 1953 designed a small collection of furniture in New York City. These pieces are sca...

Florence Knoll for Knoll International, lounge chair, model '51', teak, fabric, United States, 1955 This slipper chair model 51 is designed by Florence Knoll. The teak frame of the chair is sleek in form. The angled seat is placed upon the squared-off frame. Maximum seating comfort is ensured by the wide seat and tilted backrest. Florence Knoll (1917-) was trained as an architect and had a sense of style from a very young age. In 1936 she met Alvar Aalto and was trained by Marcel Breuer, Walter Gropius and Mies van der Rohe. This meant that although she was barely out of her teens, she was educated by the best of the European modernists. When she arrived in New York Knoll worked on interior projects (being the only female) which is how she came to know Hans Knoll. When Florence joined Knoll, the planning unit started. Florence also made sure that the designs where more 'American Modernist' instead of Scandinavian, When Hans Knoll died she...