William Ritschel Paintings

Very well executed seascape. Alternate title "In Point" inscribed on the rear. 17 x 15in in frame, including linen liner. ...

Three colorful oil paintings on finished boards and ready to hang by Alex K. Mason. Lush foliage, vivid sky, bees circling flowers "Joy Bomb Tripytch" is painted in vivid pinks, blu...

A beautiful snapshot of sailing boats under a vast sky with billowing cloud. Presented in a most attractive hand made frame. Dominic Parczuk (born 1982) White sail Signed with initi...

Sargy Mann (1937-2015) Hilary's Garden, Shennington Signed lower left and inscribed with the title to the reverse Oil on board 17½ x 14½ inches excluding the frame 21 x 18 inches wit...

A painterly summer view showing the influence of Walter Sickert, both in brushwork and palette. Laura Sylvia Gosse ( 1881-1968) A summer landscape Signed on an old label to the reve...

Gabriel Deschamps (1919 - , France) "Port Brenton". Oil on board, framed. The frame is 21” x 24," the board is 15" high by 18" wide. This is a beautiful port scene with blues, gre...

Leonard Daniels (1909-1998) A verdant landscape, probably France Signed and dated (19)38 Oil onboard 20 x 15¾ inches Influential administrator, teacher and painter, with a special i...

Tent City, ca. 1920 Oil on board 16 x 20 inches Signed (lower right and verso): RENWICK TAYLOR

​Helen Taylor (Contemporary) The Lost Day Signed with monogram, inscribed with title verso Oil on board 5 x 5 inches without frame 6 x 6 inches with frame Helen Taylor’s practice follows an interest in belonging, connection, and journeys. She spent her formative years in the Middle East, relocating to England at the age of 16, to attend Hampstead Fine Arts College, London. Growing up in a desert manifested a yearning for a ‘greening’ of landscape and garden. Moving to the relative flatness and sandy lanes of Suffolk provided comfort, fuel for the imagination and ultimately home – an outsider looking in but also residing within. Taylor works partially en plein air, in part from sketches and memory. The works are enveloped in an instinctive, gestural immediacy and equally, are concerned with the graphic, expressive potential of colour. Balancing a romantic impulse with simplification of form, imperfections of application and rawness of material, the paintings are rendered in a loose, textured style. Taylor seeks to reinvigorate traditions of figurative painting and provide the viewer with a shared personal encounter. In 2001, Taylor presented her paintings to Her Majesty Queen Elizabeth II. Her work is held in private collections internationally. She has lived in East Anglia for 27 years. Exhibitions: A Brush with Nature, Artspace, Woodbridge, September, 2022 A Brush with Nature, Artspace, Woodbridge, June, 2023 A Brush with Nature, Artspace, Woodbridge, April, 20024 Under an Eastern Sky, Nicholas Holloway...

A beautiful snapshot of the English countryside with cattle grazing under a dramatic sky. Presented in a most attractive hand made frame. Dominic Parczuk (born 1982) Pasturelands Si...

The Bay, ca. 1920 Oil on art board 12 x 15 Signed (verso): Renwick Taylor

​Helen Taylor (Contemporary) A Short Walk to Europe Signed with monogram, inscribed with title verso Oil on board 5 x 5 inches without frame 6 x 6 inches with frame Helen Taylor’s practice follows an interest in belonging, connection, and journeys. She spent her formative years in the Middle East, relocating to England at the age of 16, to attend Hampstead Fine Arts College, London. Growing up in a desert manifested a yearning for a ‘greening’ of landscape and garden. Moving to the relative flatness and sandy lanes of Suffolk provided comfort, fuel for the imagination and ultimately home – an outsider looking in but also residing within. Taylor works partially en plein air, in part from sketches and memory. The works are enveloped in an instinctive, gestural immediacy and equally, are concerned with the graphic, expressive potential of colour. Balancing a romantic impulse with simplification of form, imperfections of application and rawness of material, the paintings are rendered in a loose, textured style. Taylor seeks to reinvigorate traditions of figurative painting and provide the viewer with a shared personal encounter. In 2001, Taylor presented her paintings to Her Majesty Queen Elizabeth II. Her work is held in private collections internationally. She has lived in East Anglia for 27 years. Exhibitions: A Brush with Nature, Artspace, Woodbridge, September, 2022 A Brush with Nature, Artspace, Woodbridge, June, 2023 A Brush with Nature, Artspace, Woodbridge, April, 20024 Under an Eastern Sky, Nicholas Holloway...